Carl Lumma: Difference between revisions
Wikispaces>clumma **Imported revision 245786489 - Original comment: ** |
Wikispaces>clumma **Imported revision 245794387 - Original comment: adding links** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:clumma|clumma]] and made on <tt>2011-08-13 | : This revision was by author [[User:clumma|clumma]] and made on <tt>2011-08-13 17:25:01 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>245794387</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>adding links</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Carl Lumma** (b. 1977) is a man with varied interests, including: energy policy & nuclear engineering, macroeconomics, game theory & mechanism design, artificial intelligence & cognitive computing, haptics & UX design, music theory & psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at [[http://www.keyboardmag.com|Keyboard magazine]] and as a program manager at [[http://www.apple.com|Apple Inc]]. Here's a partial list of his music theory stuff: | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Carl Lumma** (b. 1977) is a man with varied interests, including: energy policy & nuclear engineering, macroeconomics, game theory & mechanism design, artificial intelligence & cognitive computing, haptics & UX design, music theory & psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at [[http://www.keyboardmag.com|Keyboard magazine]] and as a program manager at [[http://www.apple.com|Apple Inc]]. Here's a partial list of his music theory stuff: | ||
28-string Cosmolyra after Ivor Darreg | [[http://lumma.org/music/theory/cosmo/CosmolyraInstructions.txt|28-string Cosmolyra after Ivor Darreg]] | ||
Isomorphic keyboard mapping for 5-limit just intonation | [[http://lumma.org/music/theory/keys/DiatonicCrossSet.png|Isomorphic keyboard mapping for 5-limit just intonation]] | ||
Marvel temperament: 225/224 is a critical 7-limit comma | Marvel temperament: 225/224 is a critical 7-limit comma | ||
Spectral analysis shows accurate 7-limit intonation in barbershop music | [[http://lumma.org/music/theory/spectro/|Spectral analysis shows accurate 7-limit intonation in barbershop music]] | ||
Archimedean keyboards | [[http://lumma.org/music/theory/keys/arch/|Archimedean keyboards]] | ||
Rothenberg stability in pitch space | Rothenberg stability in pitch space | ||
Stellated Combination Product Sets: How many tones? | Stellated Combination Product Sets: How many tones? | ||
Xenharmonic Moving Windows: Extended JI with conventional keyboards | [[http://lumma.org/music/theory/XMW.txt|Xenharmonic Moving Windows: Extended JI with conventional keyboards]] | ||
MIDI-based adaptive tuning by common-tone matching | [[http://lumma.org/music/theory/AdaptiveTuning.txt|MIDI-based adaptive tuning by common-tone matching]] | ||
Generalizing diatonicity | [[http://lumma.org/music/theory/gd/gd3-spec.txt|Generalizing diatonicity]] | ||
Triadic beat ratios do not predict listener preference | Triadic beat ratios do not predict listener preference | ||
New well temperaments from first principles | New well temperaments from first principles | ||
Successive improvements in 17-limit TOP damage for the first 100 ETs | [[http://lumma.org/music/theory/TOPDamageOfETs.txt|Successive improvements in 17-limit TOP damage for the first 100 ETs]] | ||
Logflat-best rank 1 temperaments up to 100 notes/octave | [[http://lumma.org/music/theory/TOPBadnessOfETs.txt|Logflat-best rank 1 temperaments up to 100 notes/octave]] | ||
Beyond limits: Optimal subgroups for equal temperaments | [[http://lumma.org/music/theory/notation/|Classification of microtonal notation systems]] | ||
A quantitative measure for the strength of chord progressions | [[http://lumma.org/music/theory/subgroup/|Beyond limits: Optimal subgroups for equal temperaments]] | ||
Maximum dyadic error of triads in equal temperaments | [[http://lumma.org/music/theory/ProgressionStrength.txt|A quantitative measure for the strength of chord progressions]] | ||
[[http://lumma.org/music/theory/MaxETError.txt|Maximum dyadic error of triads in equal temperaments]] | |||
The MOS theorem: well-formed scales are tempered Fokker blocks | The MOS theorem: well-formed scales are tempered Fokker blocks | ||
Stuff of a more tutorial nature: | Stuff of a more tutorial nature: | ||
The alternative tuning FAQ (draft) | [[http://lumma.org/tuning/faq/|The alternative tuning FAQ (draft)]] | ||
Cross-sets Primer | [[http://lumma.org/music/theory/CrossSetsPrimer.txt|Cross-sets Primer]] | ||
The Too-Condensed Tuning-Math Outline | [[http://lumma.org/music/theory/tctmo/|The Too-Condensed Tuning-Math Outline]] | ||
Elsewhere on the web: | Elsewhere on the web: | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carl Lumma</title></head><body><strong>Carl Lumma</strong> (b. 1977) is a man with varied interests, including: energy policy &amp; nuclear engineering, macroeconomics, game theory &amp; mechanism design, artificial intelligence &amp; cognitive computing, haptics &amp; UX design, music theory &amp; psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at <a class="wiki_link_ext" href="http://www.keyboardmag.com" rel="nofollow">Keyboard magazine</a> and as a program manager at <a class="wiki_link_ext" href="http://www.apple.com" rel="nofollow">Apple Inc</a>. Here's a partial list of his music theory stuff:<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Carl Lumma</title></head><body><strong>Carl Lumma</strong> (b. 1977) is a man with varied interests, including: energy policy &amp; nuclear engineering, macroeconomics, game theory &amp; mechanism design, artificial intelligence &amp; cognitive computing, haptics &amp; UX design, music theory &amp; psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at <a class="wiki_link_ext" href="http://www.keyboardmag.com" rel="nofollow">Keyboard magazine</a> and as a program manager at <a class="wiki_link_ext" href="http://www.apple.com" rel="nofollow">Apple Inc</a>. Here's a partial list of his music theory stuff:<br /> | ||
<br /> | <br /> | ||
28-string Cosmolyra after Ivor Darreg<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/cosmo/CosmolyraInstructions.txt" rel="nofollow">28-string Cosmolyra after Ivor Darreg</a><br /> | ||
Isomorphic keyboard mapping for 5-limit just intonation<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/keys/DiatonicCrossSet.png" rel="nofollow">Isomorphic keyboard mapping for 5-limit just intonation</a><br /> | ||
Marvel temperament: 225/224 is a critical 7-limit comma<br /> | Marvel temperament: 225/224 is a critical 7-limit comma<br /> | ||
Spectral analysis shows accurate 7-limit intonation in barbershop music<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/spectro/" rel="nofollow">Spectral analysis shows accurate 7-limit intonation in barbershop music</a><br /> | ||
Archimedean keyboards<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/keys/arch/" rel="nofollow">Archimedean keyboards</a><br /> | ||
Rothenberg stability in pitch space<br /> | Rothenberg stability in pitch space<br /> | ||
Stellated Combination Product Sets: How many tones?<br /> | Stellated Combination Product Sets: How many tones?<br /> | ||
Xenharmonic Moving Windows: Extended JI with conventional keyboards<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/XMW.txt" rel="nofollow">Xenharmonic Moving Windows: Extended JI with conventional keyboards</a><br /> | ||
MIDI-based adaptive tuning by common-tone matching<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/AdaptiveTuning.txt" rel="nofollow">MIDI-based adaptive tuning by common-tone matching</a><br /> | ||
Generalizing diatonicity< | <a class="wiki_link_ext" href="http://lumma.org/music/theory/gd/gd3-spec.txt" rel="nofollow">Generalizing diatonicity</a><br /> | ||
Triadic beat ratios do not predict listener preference<br /> | Triadic beat ratios do not predict listener preference<br /> | ||
New well temperaments from first principles<br /> | New well temperaments from first principles<br /> | ||
Successive improvements in 17-limit TOP damage for the first 100 ETs<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/TOPDamageOfETs.txt" rel="nofollow">Successive improvements in 17-limit TOP damage for the first 100 ETs</a><br /> | ||
Logflat-best rank 1 temperaments up to 100 notes/octave<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/TOPBadnessOfETs.txt" rel="nofollow">Logflat-best rank 1 temperaments up to 100 notes/octave</a><br /> | ||
Beyond limits: Optimal subgroups for equal temperaments<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/notation/" rel="nofollow">Classification of microtonal notation systems</a><br /> | ||
A quantitative measure for the strength of chord progressions<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/subgroup/" rel="nofollow">Beyond limits: Optimal subgroups for equal temperaments</a><br /> | ||
Maximum dyadic error of triads in equal temperaments< | <a class="wiki_link_ext" href="http://lumma.org/music/theory/ProgressionStrength.txt" rel="nofollow">A quantitative measure for the strength of chord progressions</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/MaxETError.txt" rel="nofollow">Maximum dyadic error of triads in equal temperaments</a><br /> | |||
The MOS theorem: well-formed scales are tempered Fokker blocks<br /> | The MOS theorem: well-formed scales are tempered Fokker blocks<br /> | ||
<br /> | <br /> | ||
Stuff of a more tutorial nature:<br /> | Stuff of a more tutorial nature:<br /> | ||
The alternative tuning FAQ (draft)<br /> | <a class="wiki_link_ext" href="http://lumma.org/tuning/faq/" rel="nofollow">The alternative tuning FAQ (draft)</a><br /> | ||
Cross-sets Primer<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/CrossSetsPrimer.txt" rel="nofollow">Cross-sets Primer</a><br /> | ||
The Too-Condensed Tuning-Math Outline<br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/tctmo/" rel="nofollow">The Too-Condensed Tuning-Math Outline</a><br /> | ||
<br /> | <br /> | ||
Elsewhere on the web:<br /> | Elsewhere on the web:<br /> | ||