Carl Lumma: Difference between revisions
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Wikispaces>clumma **Imported revision 245794387 - Original comment: adding links** |
Wikispaces>clumma **Imported revision 245794925 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:clumma|clumma]] and made on <tt>2011-08-13 17: | : This revision was by author [[User:clumma|clumma]] and made on <tt>2011-08-13 17:31:13 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>245794925</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
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[[http://lumma.org/music/theory/ProgressionStrength.txt|A quantitative measure for the strength of chord progressions]] | [[http://lumma.org/music/theory/ProgressionStrength.txt|A quantitative measure for the strength of chord progressions]] | ||
[[http://lumma.org/music/theory/MaxETError.txt|Maximum dyadic error of triads in equal temperaments]] | [[http://lumma.org/music/theory/MaxETError.txt|Maximum dyadic error of triads in equal temperaments]] | ||
The MOS theorem: | The MOS theorem: Well-formed scales are tempered Fokker blocks | ||
Stuff of a more tutorial nature: | Stuff of a more tutorial nature: | ||
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<a class="wiki_link_ext" href="http://lumma.org/music/theory/ProgressionStrength.txt" rel="nofollow">A quantitative measure for the strength of chord progressions</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/ProgressionStrength.txt" rel="nofollow">A quantitative measure for the strength of chord progressions</a><br /> | ||
<a class="wiki_link_ext" href="http://lumma.org/music/theory/MaxETError.txt" rel="nofollow">Maximum dyadic error of triads in equal temperaments</a><br /> | <a class="wiki_link_ext" href="http://lumma.org/music/theory/MaxETError.txt" rel="nofollow">Maximum dyadic error of triads in equal temperaments</a><br /> | ||
The MOS theorem: | The MOS theorem: Well-formed scales are tempered Fokker blocks<br /> | ||
<br /> | <br /> | ||
Stuff of a more tutorial nature:<br /> | Stuff of a more tutorial nature:<br /> | ||
Revision as of 17:31, 13 August 2011
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author clumma and made on 2011-08-13 17:31:13 UTC.
- The original revision id was 245794925.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
**Carl Lumma** (b. 1977) is a man with varied interests, including: energy policy & nuclear engineering, macroeconomics, game theory & mechanism design, artificial intelligence & cognitive computing, haptics & UX design, music theory & psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at [[http://www.keyboardmag.com|Keyboard magazine]] and as a program manager at [[http://www.apple.com|Apple Inc]]. Here's a partial list of his music theory stuff: [[http://lumma.org/music/theory/cosmo/CosmolyraInstructions.txt|28-string Cosmolyra after Ivor Darreg]] [[http://lumma.org/music/theory/keys/DiatonicCrossSet.png|Isomorphic keyboard mapping for 5-limit just intonation]] Marvel temperament: 225/224 is a critical 7-limit comma [[http://lumma.org/music/theory/spectro/|Spectral analysis shows accurate 7-limit intonation in barbershop music]] [[http://lumma.org/music/theory/keys/arch/|Archimedean keyboards]] Rothenberg stability in pitch space Stellated Combination Product Sets: How many tones? [[http://lumma.org/music/theory/XMW.txt|Xenharmonic Moving Windows: Extended JI with conventional keyboards]] [[http://lumma.org/music/theory/AdaptiveTuning.txt|MIDI-based adaptive tuning by common-tone matching]] [[http://lumma.org/music/theory/gd/gd3-spec.txt|Generalizing diatonicity]] Triadic beat ratios do not predict listener preference New well temperaments from first principles [[http://lumma.org/music/theory/TOPDamageOfETs.txt|Successive improvements in 17-limit TOP damage for the first 100 ETs]] [[http://lumma.org/music/theory/TOPBadnessOfETs.txt|Logflat-best rank 1 temperaments up to 100 notes/octave]] [[http://lumma.org/music/theory/notation/|Classification of microtonal notation systems]] [[http://lumma.org/music/theory/subgroup/|Beyond limits: Optimal subgroups for equal temperaments]] [[http://lumma.org/music/theory/ProgressionStrength.txt|A quantitative measure for the strength of chord progressions]] [[http://lumma.org/music/theory/MaxETError.txt|Maximum dyadic error of triads in equal temperaments]] The MOS theorem: Well-formed scales are tempered Fokker blocks Stuff of a more tutorial nature: [[http://lumma.org/tuning/faq/|The alternative tuning FAQ (draft)]] [[http://lumma.org/music/theory/CrossSetsPrimer.txt|Cross-sets Primer]] [[http://lumma.org/music/theory/tctmo/|The Too-Condensed Tuning-Math Outline]] Elsewhere on the web: [[http://plus.google.com/115045287509032322837/|Google Plus]] [[http://www.facebook.com/clumma|Facebook]] [[http://www.quora.com/Carl-Lumma/answers|Quora]] [[http://lumma.org/microwave/|personal blog]] [[http://www.reddit.com/user/clumma/|reddit]] [[http://en.wikipedia.org/wiki/Special:Contributions/Beefman|Wikipedia contributions]]
Original HTML content:
<html><head><title>Carl Lumma</title></head><body><strong>Carl Lumma</strong> (b. 1977) is a man with varied interests, including: energy policy & nuclear engineering, macroeconomics, game theory & mechanism design, artificial intelligence & cognitive computing, haptics & UX design, music theory & psychoacoustics, music composition, and the game of chess. Making his home in the San Francisco bay area, he has worked as an editor at <a class="wiki_link_ext" href="http://www.keyboardmag.com" rel="nofollow">Keyboard magazine</a> and as a program manager at <a class="wiki_link_ext" href="http://www.apple.com" rel="nofollow">Apple Inc</a>. Here's a partial list of his music theory stuff:<br /> <br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/cosmo/CosmolyraInstructions.txt" rel="nofollow">28-string Cosmolyra after Ivor Darreg</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/keys/DiatonicCrossSet.png" rel="nofollow">Isomorphic keyboard mapping for 5-limit just intonation</a><br /> Marvel temperament: 225/224 is a critical 7-limit comma<br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/spectro/" rel="nofollow">Spectral analysis shows accurate 7-limit intonation in barbershop music</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/keys/arch/" rel="nofollow">Archimedean keyboards</a><br /> Rothenberg stability in pitch space<br /> Stellated Combination Product Sets: How many tones?<br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/XMW.txt" rel="nofollow">Xenharmonic Moving Windows: Extended JI with conventional keyboards</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/AdaptiveTuning.txt" rel="nofollow">MIDI-based adaptive tuning by common-tone matching</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/gd/gd3-spec.txt" rel="nofollow">Generalizing diatonicity</a><br /> Triadic beat ratios do not predict listener preference<br /> New well temperaments from first principles<br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/TOPDamageOfETs.txt" rel="nofollow">Successive improvements in 17-limit TOP damage for the first 100 ETs</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/TOPBadnessOfETs.txt" rel="nofollow">Logflat-best rank 1 temperaments up to 100 notes/octave</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/notation/" rel="nofollow">Classification of microtonal notation systems</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/subgroup/" rel="nofollow">Beyond limits: Optimal subgroups for equal temperaments</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/ProgressionStrength.txt" rel="nofollow">A quantitative measure for the strength of chord progressions</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/MaxETError.txt" rel="nofollow">Maximum dyadic error of triads in equal temperaments</a><br /> The MOS theorem: Well-formed scales are tempered Fokker blocks<br /> <br /> Stuff of a more tutorial nature:<br /> <a class="wiki_link_ext" href="http://lumma.org/tuning/faq/" rel="nofollow">The alternative tuning FAQ (draft)</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/CrossSetsPrimer.txt" rel="nofollow">Cross-sets Primer</a><br /> <a class="wiki_link_ext" href="http://lumma.org/music/theory/tctmo/" rel="nofollow">The Too-Condensed Tuning-Math Outline</a><br /> <br /> Elsewhere on the web:<br /> <a class="wiki_link_ext" href="http://plus.google.com/115045287509032322837/" rel="nofollow">Google Plus</a><br /> <a class="wiki_link_ext" href="http://www.facebook.com/clumma" rel="nofollow">Facebook</a><br /> <a class="wiki_link_ext" href="http://www.quora.com/Carl-Lumma/answers" rel="nofollow">Quora</a><br /> <a class="wiki_link_ext" href="http://lumma.org/microwave/" rel="nofollow">personal blog</a><br /> <a class="wiki_link_ext" href="http://www.reddit.com/user/clumma/" rel="nofollow">reddit</a><br /> <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Special:Contributions/Beefman" rel="nofollow">Wikipedia contributions</a></body></html>