96edo: Difference between revisions

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**Imported revision 454018608 - Original comment: **
Wikispaces>xenjacob
**Imported revision 584793533 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-09-25 08:05:39 UTC</tt>.<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2016-06-04 10:25:10 UTC</tt>.<br>
: The original revision id was <tt>454018608</tt>.<br>
: The original revision id was <tt>584793533</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Heroic%20elegy.mp3|Heroic elegy]] by Shahiin Mohajeri
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Heroic%20elegy.mp3|Heroic elegy]] by Shahiin Mohajeri
[[http://xenharmonic.wikispaces.com/space/showimage/01%20-%20Autumn%201.mp3|Autumn for conic bellophone and mixed quintet]] by Tony Salinas
[[http://xenharmonic.wikispaces.com/space/showimage/01%20-%20Autumn%201.mp3|Autumn for conic bellophone and mixed quintet]] by Tony Salinas
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3|Cromometrofonía #1]] by [[Julián Carrillo]]</pre></div>
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3|Cromometrofonía #1]] by [[Julián Carrillo]]
 
=Video=
[[media type="youtube" key="3O3H01c2SjE" width="560" height="315"]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;96edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:12:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:12 --&gt;&lt;!-- ws:start:WikiTextTocRule:13: --&gt;&lt;a href="#Properties"&gt;Properties&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:13 --&gt;&lt;!-- ws:start:WikiTextTocRule:14: --&gt; | &lt;a href="#History"&gt;History&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:14 --&gt;&lt;!-- ws:start:WikiTextTocRule:15: --&gt; | &lt;a href="#Links"&gt;Links&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt; | &lt;a href="#Music"&gt;Music&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;96edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:15:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:15 --&gt;&lt;!-- ws:start:WikiTextTocRule:16: --&gt;&lt;a href="#Properties"&gt;Properties&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:16 --&gt;&lt;!-- ws:start:WikiTextTocRule:17: --&gt; | &lt;a href="#History"&gt;History&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt; | &lt;a href="#Links"&gt;Links&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Music"&gt;Music&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt; | &lt;a href="#Video"&gt;Video&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;
&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;span style="display: block; text-align: right;"&gt;Other languages: &lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/96edo"&gt;Deutsch&lt;/a&gt;&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;span style="display: block; text-align: right;"&gt;Other languages: &lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/96edo"&gt;Deutsch&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Properties"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Properties&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Properties"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;Properties&lt;/h1&gt;
  The 96 equal division divides the octave into 96 equal parts of exactly 12.5 cents each. As a &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; system, it can be characterized by the fact that it tempers out both the Pythagorean comma, 531441/524288, Würschmidt's comma, 393216/390625, the unicorn comma, 1594323/1562500, and the kwazy comma, |-53 10 16&amp;gt;. It therefore has the same familiar 700 cent fifth as &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;, and has a best major third of 387.5 cents, a bit over a cent sharp. There is therefore nothing to complain of with its representation of the 5-limit and it can be recommended as an approach to the &lt;a class="wiki_link" href="/W%C3%BCrschmidt%20family"&gt;Würschmidt family&lt;/a&gt; of temperaments. It also tempers out the unicorn comma, and serves a way of tuning temperaments in the &lt;a class="wiki_link" href="/unicorn%20family"&gt;unicorn family&lt;/a&gt;.&lt;br /&gt;
  The 96 equal division divides the octave into 96 equal parts of exactly 12.5 cents each. As a &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; system, it can be characterized by the fact that it tempers out both the Pythagorean comma, 531441/524288, Würschmidt's comma, 393216/390625, the unicorn comma, 1594323/1562500, and the kwazy comma, |-53 10 16&amp;gt;. It therefore has the same familiar 700 cent fifth as &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt;, and has a best major third of 387.5 cents, a bit over a cent sharp. There is therefore nothing to complain of with its representation of the 5-limit and it can be recommended as an approach to the &lt;a class="wiki_link" href="/W%C3%BCrschmidt%20family"&gt;Würschmidt family&lt;/a&gt; of temperaments. It also tempers out the unicorn comma, and serves a way of tuning temperaments in the &lt;a class="wiki_link" href="/unicorn%20family"&gt;unicorn family&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
In the &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt;, 96 has two possible mappings for 7/4, a sharp one of 975 cents from the patent val, and a flat one of 962.5 cents from 96d. Using the sharp mapping, 96 tempers out 225/224 and supports 7-limit würschmidt temperament, and using the flat mapping it tempers out 126/125 and supports worschmidt temperament. We can also dispense with 7 altogether, and use it as a no-sevens system, where it tempers out 243/242 in the 11-limit and 676/675 in the 13-limit. If we include 7, then the sharp mapping tempers out 99/98 and 176/175 in the 11-limit, and 169/168 in the 13-limit, and this provides the optimal patent val for &lt;a class="wiki_link" href="/Marvel%20temperaments#Submajor-Interpental"&gt;interpental temperament&lt;/a&gt;. With the flat 7 it tempers out 385/384 in the 11-limit and 196/195 and 364/363 in the 13-limit, and serves for the various temperaments of the unicorn family.&lt;br /&gt;
In the &lt;a class="wiki_link" href="/7-limit"&gt;7-limit&lt;/a&gt;, 96 has two possible mappings for 7/4, a sharp one of 975 cents from the patent val, and a flat one of 962.5 cents from 96d. Using the sharp mapping, 96 tempers out 225/224 and supports 7-limit würschmidt temperament, and using the flat mapping it tempers out 126/125 and supports worschmidt temperament. We can also dispense with 7 altogether, and use it as a no-sevens system, where it tempers out 243/242 in the 11-limit and 676/675 in the 13-limit. If we include 7, then the sharp mapping tempers out 99/98 and 176/175 in the 11-limit, and 169/168 in the 13-limit, and this provides the optimal patent val for &lt;a class="wiki_link" href="/Marvel%20temperaments#Submajor-Interpental"&gt;interpental temperament&lt;/a&gt;. With the flat 7 it tempers out 385/384 in the 11-limit and 196/195 and 364/363 in the 13-limit, and serves for the various temperaments of the unicorn family.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="History"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;History&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="History"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;History&lt;/h1&gt;
  96 equal divisions of the octave was first used by the Mexican composer and theorist &lt;a class="wiki_link" href="/Juli%C3%A1n%20Carrillo"&gt;Julián Carrillo&lt;/a&gt;. It has subsequently been used by a number of other composers.&lt;br /&gt;
  96 equal divisions of the octave was first used by the Mexican composer and theorist &lt;a class="wiki_link" href="/Juli%C3%A1n%20Carrillo"&gt;Julián Carrillo&lt;/a&gt;. It has subsequently been used by a number of other composers.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Links&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Links&lt;/h1&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="Links-Carrillo"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Carrillo&lt;/h2&gt;
  &lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="Links-Carrillo"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Carrillo&lt;/h2&gt;
  See &lt;a class="wiki_link" href="/Juli%C3%A1n%20Carrillo"&gt;Julián Carrillo&lt;/a&gt; .&lt;br /&gt;
  See &lt;a class="wiki_link" href="/Juli%C3%A1n%20Carrillo"&gt;Julián Carrillo&lt;/a&gt; .&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Links-Other composers"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Other composers&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Links-Other composers"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;Other composers&lt;/h2&gt;
  Works for the &lt;a class="wiki_link_ext" href="http://www.sauter-pianos.de/english/pianos/microtone.html" rel="nofollow"&gt;Sauter's 1/16tone microtone piano&lt;/a&gt; by the composers &lt;a class="wiki_link_ext" href="http://presence.or.at/einklang/Archiv/archiv_Komponisten_E.htm#flammer" rel="nofollow"&gt;Ernest Helmuth Flammer&lt;/a&gt;, Marc Kilchenmann, Bernfried E. G. Pröve, &lt;a class="wiki_link_ext" href="http://www.musinfo.ch/index.php?content=maske_werke&amp;amp;pers_id=150&amp;amp;name=Imholz&amp;amp;vorname=Martin&amp;amp;setLanguage=en" rel="nofollow"&gt;Martin Imholz&lt;/a&gt;, Franck Cristoph Yeznikian, &lt;a class="wiki_link_ext" href="http://www.schauhoer-verlag.de/cms/file_download/13/Vita_WMG_lang.pdf" rel="nofollow"&gt;Werner Grimmel&lt;/a&gt;, and &lt;a class="wiki_link_ext" href="http://www.moderecords.com/catalog/120_121bancquart.html" rel="nofollow"&gt;Alain Bancquart&lt;/a&gt;, are recompilated on this CD: &lt;a class="wiki_link_ext" href="http://www.dominikblum.ch/carillo_d.shtml" rel="nofollow"&gt;'The Carrillo tone piano'&lt;/a&gt; .&lt;br /&gt;
  Works for the &lt;a class="wiki_link_ext" href="http://www.sauter-pianos.de/english/pianos/microtone.html" rel="nofollow"&gt;Sauter's 1/16tone microtone piano&lt;/a&gt; by the composers &lt;a class="wiki_link_ext" href="http://presence.or.at/einklang/Archiv/archiv_Komponisten_E.htm#flammer" rel="nofollow"&gt;Ernest Helmuth Flammer&lt;/a&gt;, Marc Kilchenmann, Bernfried E. G. Pröve, &lt;a class="wiki_link_ext" href="http://www.musinfo.ch/index.php?content=maske_werke&amp;amp;pers_id=150&amp;amp;name=Imholz&amp;amp;vorname=Martin&amp;amp;setLanguage=en" rel="nofollow"&gt;Martin Imholz&lt;/a&gt;, Franck Cristoph Yeznikian, &lt;a class="wiki_link_ext" href="http://www.schauhoer-verlag.de/cms/file_download/13/Vita_WMG_lang.pdf" rel="nofollow"&gt;Werner Grimmel&lt;/a&gt;, and &lt;a class="wiki_link_ext" href="http://www.moderecords.com/catalog/120_121bancquart.html" rel="nofollow"&gt;Alain Bancquart&lt;/a&gt;, are recompilated on this CD: &lt;a class="wiki_link_ext" href="http://www.dominikblum.ch/carillo_d.shtml" rel="nofollow"&gt;'The Carrillo tone piano'&lt;/a&gt; .&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.96edo.com/" rel="nofollow"&gt;Mohajeri, Shaahin&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.96edo.com/" rel="nofollow"&gt;Mohajeri, Shaahin&lt;/a&gt;&lt;br /&gt;
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&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Friedrich_Haas" rel="nofollow"&gt;Haas, Georg Friedrich&lt;/a&gt;, &amp;quot;flow and friction&amp;quot;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Friedrich_Haas" rel="nofollow"&gt;Haas, Georg Friedrich&lt;/a&gt;, &amp;quot;flow and friction&amp;quot;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Music&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;Music&lt;/h1&gt;
  &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/4gahforbrass-880821.mp3" rel="nofollow"&gt;4gah for brass&lt;/a&gt; by &lt;a class="wiki_link" href="/Shahiin%20Mohajeri"&gt;Shahiin Mohajeri&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/4gahforbrass-880821.mp3" rel="nofollow"&gt;4gah for brass&lt;/a&gt; by &lt;a class="wiki_link" href="/Shahiin%20Mohajeri"&gt;Shahiin Mohajeri&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Endless%20life.mp3" rel="nofollow"&gt;Endless life&lt;/a&gt; by Shahiin Mohajeri&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Endless%20life.mp3" rel="nofollow"&gt;Endless life&lt;/a&gt; by Shahiin Mohajeri&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Heroic%20elegy.mp3" rel="nofollow"&gt;Heroic elegy&lt;/a&gt; by Shahiin Mohajeri&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Heroic%20elegy.mp3" rel="nofollow"&gt;Heroic elegy&lt;/a&gt; by Shahiin Mohajeri&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://xenharmonic.wikispaces.com/space/showimage/01%20-%20Autumn%201.mp3" rel="nofollow"&gt;Autumn for conic bellophone and mixed quintet&lt;/a&gt; by Tony Salinas&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://xenharmonic.wikispaces.com/space/showimage/01%20-%20Autumn%201.mp3" rel="nofollow"&gt;Autumn for conic bellophone and mixed quintet&lt;/a&gt; by Tony Salinas&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3" rel="nofollow"&gt;Cromometrofonía #1&lt;/a&gt; by &lt;a class="wiki_link" href="/Juli%C3%A1n%20Carrillo"&gt;Julián Carrillo&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3" rel="nofollow"&gt;Cromometrofonía #1&lt;/a&gt; by &lt;a class="wiki_link" href="/Juli%C3%A1n%20Carrillo"&gt;Julián Carrillo&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Video"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;Video&lt;/h1&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/youtube/3O3H01c2SjE?h=315&amp;amp;w=560&amp;quot; class=&amp;quot;WikiMedia WikiMediaYoutube&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;youtube&amp;amp;quot; key=&amp;amp;quot;3O3H01c2SjE&amp;amp;quot; width=&amp;amp;quot;560&amp;amp;quot; height=&amp;amp;quot;315&amp;amp;quot;&amp;quot; title=&amp;quot;YouTube Video&amp;quot;height=&amp;quot;315&amp;quot; width=&amp;quot;560&amp;quot;/&amp;gt; --&gt;&lt;iframe width="560" height="315" src="//www.youtube.com/embed/3O3H01c2SjE" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 10:25, 4 June 2016

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author xenjacob and made on 2016-06-04 10:25:10 UTC.
The original revision id was 584793533.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

[[toc|flat]]
<span style="display: block; text-align: right;">Other languages: [[xenharmonie/96edo|Deutsch]]
</span>
----
=Properties= 
The 96 equal division divides the octave into 96 equal parts of exactly 12.5 cents each. As a [[5-limit]] system, it can be characterized by the fact that it tempers out both the Pythagorean comma, 531441/524288, Würschmidt's comma, 393216/390625, the unicorn comma, 1594323/1562500, and the kwazy comma, |-53 10 16>. It therefore has the same familiar 700 cent fifth as [[12edo]], and has a best major third of 387.5 cents, a bit over a cent sharp. There is therefore nothing to complain of with its representation of the 5-limit and it can be recommended as an approach to the [[Würschmidt family]] of temperaments. It also tempers out the unicorn comma, and serves a way of tuning temperaments in the [[unicorn family]].

In the [[7-limit]], 96 has two possible mappings for 7/4, a sharp one of 975 cents from the patent val, and a flat one of 962.5 cents from 96d. Using the sharp mapping, 96 tempers out 225/224 and supports 7-limit würschmidt temperament, and using the flat mapping it tempers out 126/125 and supports worschmidt temperament. We can also dispense with 7 altogether, and use it as a no-sevens system, where it tempers out 243/242 in the 11-limit and 676/675 in the 13-limit. If we include 7, then the sharp mapping tempers out 99/98 and 176/175 in the 11-limit, and 169/168 in the 13-limit, and this provides the optimal patent val for [[Marvel temperaments#Submajor-Interpental|interpental temperament]]. With the flat 7 it tempers out 385/384 in the 11-limit and 196/195 and 364/363 in the 13-limit, and serves for the various temperaments of the unicorn family.

=History= 
96 equal divisions of the octave was first used by the Mexican composer and theorist [[Julián Carrillo]]. It has subsequently been used by a number of other composers.

=Links= 
==Carrillo== 
See [[Julián Carrillo]] .

==Other composers== 
Works for the [[http://www.sauter-pianos.de/english/pianos/microtone.html|Sauter's 1/16tone microtone piano]] by the composers [[http://presence.or.at/einklang/Archiv/archiv_Komponisten_E.htm#flammer|Ernest Helmuth Flammer]], Marc Kilchenmann, Bernfried E. G. Pröve, [[http://www.musinfo.ch/index.php?content=maske_werke&pers_id=150&name=Imholz&vorname=Martin&setLanguage=en|Martin Imholz]], Franck Cristoph Yeznikian, [[http://www.schauhoer-verlag.de/cms/file_download/13/Vita_WMG_lang.pdf|Werner Grimmel]], and [[http://www.moderecords.com/catalog/120_121bancquart.html|Alain Bancquart]], are recompilated on this CD: [[http://www.dominikblum.ch/carillo_d.shtml|'The Carrillo tone piano']] .
[[http://www.96edo.com/|Mohajeri, Shaahin]]
[[http://mac-texier.ircam.fr/textes/c00001420/|Marie, Jean-Etienne ]]
[[http://en.wikipedia.org/wiki/Pascale_Criton|Criton, Pascale]]
[[http://www.tonysalinas.com/|Martin Salinas, J.A.]] [[Autumn|'Autumn' conic bellophone & mixed quintet.mp3]] / [[Conic Bellophone in 96edo|Pictures of the 96edo conic bellophone]]
[[http://en.wikipedia.org/wiki/Georg_Friedrich_Haas|Haas, Georg Friedrich]], "flow and friction"

=Music= 
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/4gahforbrass-880821.mp3|4gah for brass]] by [[Shahiin Mohajeri]]
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Endless%20life.mp3|Endless life]] by Shahiin Mohajeri
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Heroic%20elegy.mp3|Heroic elegy]] by Shahiin Mohajeri
[[http://xenharmonic.wikispaces.com/space/showimage/01%20-%20Autumn%201.mp3|Autumn for conic bellophone and mixed quintet]] by Tony Salinas
[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3|Cromometrofonía #1]] by [[Julián Carrillo]]

=Video= 
[[media type="youtube" key="3O3H01c2SjE" width="560" height="315"]]

Original HTML content:

<html><head><title>96edo</title></head><body><!-- ws:start:WikiTextTocRule:15:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:15 --><!-- ws:start:WikiTextTocRule:16: --><a href="#Properties">Properties</a><!-- ws:end:WikiTextTocRule:16 --><!-- ws:start:WikiTextTocRule:17: --> | <a href="#History">History</a><!-- ws:end:WikiTextTocRule:17 --><!-- ws:start:WikiTextTocRule:18: --> | <a href="#Links">Links</a><!-- ws:end:WikiTextTocRule:18 --><!-- ws:start:WikiTextTocRule:19: --><!-- ws:end:WikiTextTocRule:19 --><!-- ws:start:WikiTextTocRule:20: --><!-- ws:end:WikiTextTocRule:20 --><!-- ws:start:WikiTextTocRule:21: --> | <a href="#Music">Music</a><!-- ws:end:WikiTextTocRule:21 --><!-- ws:start:WikiTextTocRule:22: --> | <a href="#Video">Video</a><!-- ws:end:WikiTextTocRule:22 --><!-- ws:start:WikiTextTocRule:23: -->
<!-- ws:end:WikiTextTocRule:23 --><span style="display: block; text-align: right;">Other languages: <a class="wiki_link" href="http://xenharmonie.wikispaces.com/96edo">Deutsch</a><br />
</span><br />
<hr />
<!-- ws:start:WikiTextHeadingRule:1:&lt;h1&gt; --><h1 id="toc0"><a name="Properties"></a><!-- ws:end:WikiTextHeadingRule:1 -->Properties</h1>
 The 96 equal division divides the octave into 96 equal parts of exactly 12.5 cents each. As a <a class="wiki_link" href="/5-limit">5-limit</a> system, it can be characterized by the fact that it tempers out both the Pythagorean comma, 531441/524288, Würschmidt's comma, 393216/390625, the unicorn comma, 1594323/1562500, and the kwazy comma, |-53 10 16&gt;. It therefore has the same familiar 700 cent fifth as <a class="wiki_link" href="/12edo">12edo</a>, and has a best major third of 387.5 cents, a bit over a cent sharp. There is therefore nothing to complain of with its representation of the 5-limit and it can be recommended as an approach to the <a class="wiki_link" href="/W%C3%BCrschmidt%20family">Würschmidt family</a> of temperaments. It also tempers out the unicorn comma, and serves a way of tuning temperaments in the <a class="wiki_link" href="/unicorn%20family">unicorn family</a>.<br />
<br />
In the <a class="wiki_link" href="/7-limit">7-limit</a>, 96 has two possible mappings for 7/4, a sharp one of 975 cents from the patent val, and a flat one of 962.5 cents from 96d. Using the sharp mapping, 96 tempers out 225/224 and supports 7-limit würschmidt temperament, and using the flat mapping it tempers out 126/125 and supports worschmidt temperament. We can also dispense with 7 altogether, and use it as a no-sevens system, where it tempers out 243/242 in the 11-limit and 676/675 in the 13-limit. If we include 7, then the sharp mapping tempers out 99/98 and 176/175 in the 11-limit, and 169/168 in the 13-limit, and this provides the optimal patent val for <a class="wiki_link" href="/Marvel%20temperaments#Submajor-Interpental">interpental temperament</a>. With the flat 7 it tempers out 385/384 in the 11-limit and 196/195 and 364/363 in the 13-limit, and serves for the various temperaments of the unicorn family.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:3:&lt;h1&gt; --><h1 id="toc1"><a name="History"></a><!-- ws:end:WikiTextHeadingRule:3 -->History</h1>
 96 equal divisions of the octave was first used by the Mexican composer and theorist <a class="wiki_link" href="/Juli%C3%A1n%20Carrillo">Julián Carrillo</a>. It has subsequently been used by a number of other composers.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:5:&lt;h1&gt; --><h1 id="toc2"><a name="Links"></a><!-- ws:end:WikiTextHeadingRule:5 -->Links</h1>
 <!-- ws:start:WikiTextHeadingRule:7:&lt;h2&gt; --><h2 id="toc3"><a name="Links-Carrillo"></a><!-- ws:end:WikiTextHeadingRule:7 -->Carrillo</h2>
 See <a class="wiki_link" href="/Juli%C3%A1n%20Carrillo">Julián Carrillo</a> .<br />
<br />
<!-- ws:start:WikiTextHeadingRule:9:&lt;h2&gt; --><h2 id="toc4"><a name="Links-Other composers"></a><!-- ws:end:WikiTextHeadingRule:9 -->Other composers</h2>
 Works for the <a class="wiki_link_ext" href="http://www.sauter-pianos.de/english/pianos/microtone.html" rel="nofollow">Sauter's 1/16tone microtone piano</a> by the composers <a class="wiki_link_ext" href="http://presence.or.at/einklang/Archiv/archiv_Komponisten_E.htm#flammer" rel="nofollow">Ernest Helmuth Flammer</a>, Marc Kilchenmann, Bernfried E. G. Pröve, <a class="wiki_link_ext" href="http://www.musinfo.ch/index.php?content=maske_werke&amp;pers_id=150&amp;name=Imholz&amp;vorname=Martin&amp;setLanguage=en" rel="nofollow">Martin Imholz</a>, Franck Cristoph Yeznikian, <a class="wiki_link_ext" href="http://www.schauhoer-verlag.de/cms/file_download/13/Vita_WMG_lang.pdf" rel="nofollow">Werner Grimmel</a>, and <a class="wiki_link_ext" href="http://www.moderecords.com/catalog/120_121bancquart.html" rel="nofollow">Alain Bancquart</a>, are recompilated on this CD: <a class="wiki_link_ext" href="http://www.dominikblum.ch/carillo_d.shtml" rel="nofollow">'The Carrillo tone piano'</a> .<br />
<a class="wiki_link_ext" href="http://www.96edo.com/" rel="nofollow">Mohajeri, Shaahin</a><br />
<a class="wiki_link_ext" href="http://mac-texier.ircam.fr/textes/c00001420/" rel="nofollow">Marie, Jean-Etienne </a><br />
<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Pascale_Criton" rel="nofollow">Criton, Pascale</a><br />
<a class="wiki_link_ext" href="http://www.tonysalinas.com/" rel="nofollow">Martin Salinas, J.A.</a> <a class="wiki_link" href="/Autumn">'Autumn' conic bellophone &amp; mixed quintet.mp3</a> / <a class="wiki_link" href="/Conic%20Bellophone%20in%2096edo">Pictures of the 96edo conic bellophone</a><br />
<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Friedrich_Haas" rel="nofollow">Haas, Georg Friedrich</a>, &quot;flow and friction&quot;<br />
<br />
<!-- ws:start:WikiTextHeadingRule:11:&lt;h1&gt; --><h1 id="toc5"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:11 -->Music</h1>
 <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/4gahforbrass-880821.mp3" rel="nofollow">4gah for brass</a> by <a class="wiki_link" href="/Shahiin%20Mohajeri">Shahiin Mohajeri</a><br />
<a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Endless%20life.mp3" rel="nofollow">Endless life</a> by Shahiin Mohajeri<br />
<a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Heroic%20elegy.mp3" rel="nofollow">Heroic elegy</a> by Shahiin Mohajeri<br />
<a class="wiki_link_ext" href="http://xenharmonic.wikispaces.com/space/showimage/01%20-%20Autumn%201.mp3" rel="nofollow">Autumn for conic bellophone and mixed quintet</a> by Tony Salinas<br />
<a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Carrillo/Cromometrofon%eda%20%231.mp3" rel="nofollow">Cromometrofonía #1</a> by <a class="wiki_link" href="/Juli%C3%A1n%20Carrillo">Julián Carrillo</a><br />
<br />
<!-- ws:start:WikiTextHeadingRule:13:&lt;h1&gt; --><h1 id="toc6"><a name="Video"></a><!-- ws:end:WikiTextHeadingRule:13 -->Video</h1>
 <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/youtube/3O3H01c2SjE?h=315&amp;w=560&quot; class=&quot;WikiMedia WikiMediaYoutube&quot; id=&quot;wikitext@@media@@type=&amp;quot;youtube&amp;quot; key=&amp;quot;3O3H01c2SjE&amp;quot; width=&amp;quot;560&amp;quot; height=&amp;quot;315&amp;quot;&quot; title=&quot;YouTube Video&quot;height=&quot;315&quot; width=&quot;560&quot;/&gt; --><iframe width="560" height="315" src="//www.youtube.com/embed/3O3H01c2SjE" frameborder="0" allowfullscreen></iframe><!-- ws:end:WikiTextMediaRule:0 --></body></html>