User:CompactStar/Ed11/5: Difference between revisions
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''' | '''ED11/5''' is division of the neutral ninth ([[11/5]]) into n equal parts. | ||
Division of 11/5 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of equivalence has not even been posed yet. The utility of 11/5 as a base though is apparent by it being, beside the true high ninth of a just dominant 11th chord, the best option for "no-twos-or-threes" harmony after the extremely wide [[ed5|pentave]], and the awkwardly narrow [[Ed7/5|small septimal tritone]]. It is also a relatively strong consonance. Many, but not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy. | Division of 11/5 into equal parts can be conceived of as to directly use this interval as an equivalence, or not. The question of equivalence has not even been posed yet. The utility of 11/5 as a base though is apparent by it being, beside the true high ninth of a just dominant 11th chord, the best option for "no-twos-or-threes" harmony after the extremely wide [[ed5|pentave]], and the awkwardly narrow [[Ed7/5|small septimal tritone]]. It is also a relatively strong consonance. Many, but not all, of these scales have a perceptually important pseudo (false) octave, with various degrees of accuracy. | ||
| Line 12: | Line 12: | ||
|[[8ed11/5]] | |[[8ed11/5]] | ||
|[[7edo]] | |[[7edo]] | ||
|- | |||
|[[9ed11/5]] | |||
|[[8edo]] | |||
|- | |- | ||
|[[16ed11/5]] | |[[16ed11/5]] | ||
|[[14edo]] | |[[14edo]] | ||
|- | |||
|[[18ed11/5]] | |||
|[[16edo]] | |||
|- | |- | ||
|[[24ed11/5]] | |[[24ed11/5]] | ||
| Line 21: | Line 27: | ||
|[[25ed11/5]] | |[[25ed11/5]] | ||
|[[22edo]] | |[[22edo]] | ||
|- | |||
|[[27ed11/5]] | |||
|[[24edo]] | |||
|- | |- | ||
|[[33ed11/5]] | |[[33ed11/5]] | ||