46edo: Difference between revisions
Wikispaces>TallKite **Imported revision 621458661 - Original comment: ** |
Wikispaces>TallKite **Imported revision 621459091 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-11-11 | : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2017-11-11 17:13:17 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>621459091</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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*15/13 (and its inversion 26/15) appears twice on the list. 9\46edo is closest to 15/13 by a hair; 10\46edo represents the difference between, for instance, 46edo's 15/8 and 13/8, and is more likely to appear in chords actually functioning as 15/13. This discrepancy occurs because 46edo is not [[xenharmonic/consistent|consistent]] in the [[xenharmonic/15-limit|15-limit]]. | *15/13 (and its inversion 26/15) appears twice on the list. 9\46edo is closest to 15/13 by a hair; 10\46edo represents the difference between, for instance, 46edo's 15/8 and 13/8, and is more likely to appear in chords actually functioning as 15/13. This discrepancy occurs because 46edo is not [[xenharmonic/consistent|consistent]] in the [[xenharmonic/15-limit|15-limit]]. | ||
46edo [[Kite's color notation|color]] associations: | 46edo [[Kite's color notation|color]] associations: | ||
||~ quality ||~ color ||~ monzo || | ||~ quality ||~ color ||~ monzo || | ||
||= downminor ||= blue ||= {a, b, 0, c}, c = 1 || | ||= downminor ||= blue ||= {a, b, 0, c}, c = 1 || | ||
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||= major ||= fifthward white ||= {a, b}, b > 1 || | ||= major ||= fifthward white ||= {a, b}, b > 1 || | ||
||= upmajor ||= red ||= {a, b, 0, c}, c = -1 || | ||= upmajor ||= red ||= {a, b, 0, c}, c = -1 || | ||
All 46edo chords can be named using ups and downs: | All 46edo chords can be named using ups and downs. Here are the blue, green, jade, yellow and red triads: | ||
0-10-27 = C Ebv G = C.vm = | ||~ color of the 3rd ||~ JI chord ||~ notes as edosteps ||~ notes of C chord ||~ written name ||~ spoken name || | ||
0-12-27 = C Eb^ G = C.^m = | ||= blue ||= 6:7:9 ||= 0-10-27 ||= C Ebv G ||= C.vm ||= C downminor || | ||
0- | ||= green ||= 10:12:15 ||= 0-12-27 ||= C Eb^ G ||= C.^m ||= C upminor || | ||
0- | ||= jade ||= 18:22:27 ||= 0-13-27 ||= C Eb^^ G ||= C.v~ ||= C downmid || | ||
0-17-27 = C E^ G = C.^= | ||= yellow ||= 4:5:6 ||= 0-15-27 ||= C Ev G ||= C.v ||= C downmajor or C dot down || | ||
||= red ||= 14:18:27 ||= 0-17-27 ||= C E^ G ||= C.^ ||= C upmajor or C dot up || | |||
For a more complete list, see [[xenharmonic/Ups and Downs Notation#Chord%20names%20in%20other%20EDOs|Ups and Downs Notation - Chord names in other EDOs]]. | For a more complete list, see [[xenharmonic/Ups and Downs Notation#Chord%20names%20in%20other%20EDOs|Ups and Downs Notation - Chord names in other EDOs]]. | ||
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*15/13 (and its inversion 26/15) appears twice on the list. 9\46edo is closest to 15/13 by a hair; 10\46edo represents the difference between, for instance, 46edo's 15/8 and 13/8, and is more likely to appear in chords actually functioning as 15/13. This discrepancy occurs because 46edo is not <a class="wiki_link" href="http://xenharmonic.wikispaces.com/consistent">consistent</a> in the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/15-limit">15-limit</a>.<br /> | *15/13 (and its inversion 26/15) appears twice on the list. 9\46edo is closest to 15/13 by a hair; 10\46edo represents the difference between, for instance, 46edo's 15/8 and 13/8, and is more likely to appear in chords actually functioning as 15/13. This discrepancy occurs because 46edo is not <a class="wiki_link" href="http://xenharmonic.wikispaces.com/consistent">consistent</a> in the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/15-limit">15-limit</a>.<br /> | ||
<br /> | <br /> | ||
46edo <a class="wiki_link" href="/Kite%27s%20color%20notation">color</a> associations: <br /> | 46edo <a class="wiki_link" href="/Kite%27s%20color%20notation">color</a> associations:<br /> | ||
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</table> | </table> | ||
All 46edo chords can be named using ups and downs:<br /> | All 46edo chords can be named using ups and downs. Here are the blue, green, jade, yellow and red triads:<br /> | ||
0-10-27 = C Ebv G = C.vm = & | |||
0-12-27 = C Eb^ G = C.^m = & | |||
0- | <table class="wiki_table"> | ||
0- | <tr> | ||
0-17-27 = C E^ G = C.^ | <th>color of the 3rd<br /> | ||
</th> | |||
<th>JI chord<br /> | |||
</th> | |||
<th>notes as edosteps<br /> | |||
</th> | |||
<th>notes of C chord<br /> | |||
</th> | |||
<th>written name<br /> | |||
</th> | |||
<th>spoken name<br /> | |||
</th> | |||
</tr> | |||
<tr> | |||
<td style="text-align: center;">blue<br /> | |||
</td> | |||
<td style="text-align: center;">6:7:9<br /> | |||
</td> | |||
<td style="text-align: center;">0-10-27<br /> | |||
</td> | |||
<td style="text-align: center;">C Ebv G<br /> | |||
</td> | |||
<td style="text-align: center;">C.vm<br /> | |||
</td> | |||
<td style="text-align: center;">C downminor<br /> | |||
</td> | |||
</tr> | |||
<tr> | |||
<td style="text-align: center;">green<br /> | |||
</td> | |||
<td style="text-align: center;">10:12:15<br /> | |||
</td> | |||
<td style="text-align: center;">0-12-27<br /> | |||
</td> | |||
<td style="text-align: center;">C Eb^ G<br /> | |||
</td> | |||
<td style="text-align: center;">C.^m<br /> | |||
</td> | |||
<td style="text-align: center;">C upminor<br /> | |||
</td> | |||
</tr> | |||
<tr> | |||
<td style="text-align: center;">jade<br /> | |||
</td> | |||
<td style="text-align: center;">18:22:27<br /> | |||
</td> | |||
<td style="text-align: center;">0-13-27<br /> | |||
</td> | |||
<td style="text-align: center;">C Eb^^ G<br /> | |||
</td> | |||
<td style="text-align: center;">C.v~<br /> | |||
</td> | |||
<td style="text-align: center;">C downmid<br /> | |||
</td> | |||
</tr> | |||
<tr> | |||
<td style="text-align: center;">yellow<br /> | |||
</td> | |||
<td style="text-align: center;">4:5:6<br /> | |||
</td> | |||
<td style="text-align: center;">0-15-27<br /> | |||
</td> | |||
<td style="text-align: center;">C Ev G<br /> | |||
</td> | |||
<td style="text-align: center;">C.v<br /> | |||
</td> | |||
<td style="text-align: center;">C downmajor or C dot down<br /> | |||
</td> | |||
</tr> | |||
<tr> | |||
<td style="text-align: center;">red<br /> | |||
</td> | |||
<td style="text-align: center;">14:18:27<br /> | |||
</td> | |||
<td style="text-align: center;">0-17-27<br /> | |||
</td> | |||
<td style="text-align: center;">C E^ G<br /> | |||
</td> | |||
<td style="text-align: center;">C.^<br /> | |||
</td> | |||
<td style="text-align: center;">C upmajor or C dot up<br /> | |||
</td> | |||
</tr> | |||
</table> | |||
For a more complete list, see <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation#Chord%20names%20in%20other%20EDOs">Ups and Downs Notation - Chord names in other EDOs</a>.<br /> | For a more complete list, see <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Ups%20and%20Downs%20Notation#Chord%20names%20in%20other%20EDOs">Ups and Downs Notation - Chord names in other EDOs</a>.<br /> | ||
<br /> | <br /> | ||