159edo/Notation: Difference between revisions
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The advantages and disadvantages are largely the same as those of Sagittal notation in general. | The advantages and disadvantages are largely the same as those of Sagittal notation in general. | ||
== Syntonic-Rastmic Subchroma notation == | |||
The second 159edo-notation system proposed by Aura eventually blossomed into [[Syntonic-Rastmic Subchroma notation]], which turns out to be powerful enough to even cover systems such as [[311edo]]. | |||
/, ↑\, ↑, ↑/, ↑↑\, ↑↑, t<, t>, #↓↓, #↓↓/, #↓\, #↓, #↓/, #\, # | |||
<tt> | |||
0 natural | |||
1 / rasharp | |||
2 ↑\ raflat synsharp | |||
// double rasharp | |||
3 ↑ synsharp | |||
4 ↑/ rasharp synsharp | |||
5 ↑↑\ raflat double synsharp | |||
↑// double rasharp synsharp | |||
6 ↑↑ double synsharp | |||
7 t< artodemisharp | |||
8 t> tendodemisharp | |||
9 #↓↓ double synflat sharp | |||
10 #↓↓/ rasharp double synflat sharp | |||
11 #↓\ raflat synflat sharp | |||
12 #↓ synflat sharp | |||
13 #↓/ rasharp synflat sharp | |||
#\\ double rasharp sharp | |||
14 #\ raflat sharp | |||
15 # sharp | |||
</tt> | |||
=== Advantages and disadvantages === | |||
The advantages and disadvantages are largely the same as those of Syntonic-Rastmic Subchroma notation in general. | |||
[[Category:Todo:expand]] | [[Category:Todo:expand]] | ||