User:Inthar/4L 3s: Difference between revisions

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===Modal harmony===

I find 7|0, 6|1 and 0|6 to be the most stable modes. In 18edo, sharpening the flat fifth to a sharp fifth in the smitonic modes 4|2, 3|3, and 2|4 is desirable. The leading tone could also be sharpened too, particularly in the 7|0 and 6|1 modes.

I find 7|0, 6|1 and 0|6 to be the most stable modes. In 18edo, sharpening the flat fifth to a sharp fifth in the smitonic modes 4|2, 3|3, and 2|4 is desirable. The flat fifth should be used as a functional degree to modulate to (so you get the original tonic as a superfourth on it), rather than as a chord note. The leading tone could also be sharpened too, particularly in the 7|0 and 6|1 modes.

See also: [https://xenpaper.com/#%7Br358hz%7D(osc%3Asawtooth2)%0A%7B18edo%7D%0A%5B%600_3_6_%608_%6011_13_%6016%5D-------...%0A%5B%600_3_%605_%608_%6011_13_%6016%5D-------...%0A%5B%600_3_%605_%608_10_%6013_%6016%5D-------...%0A%5B%600_3_%605_%608_10_%6013_%6015%5D-------...%0A%5B%600_2_%605_%608_10_%6013_%6015%5D-------...%0A%5B%600_2_5_%607_%6010_%6013_15%5D-------...%0A%5B%600_2_5_%607_%6010_%6012_15%5D-------...%0A%0A%0A Mother chords for smitonic modes (xenpaper link)].

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 ===Modal harmony===
-I find 7|0, 6|1 and 0|6 to be the most stable modes. In 18edo, sharpening the flat fifth to a sharp fifth in the smitonic modes 4|2, 3|3, and 2|4 is desirable. The leading tone could also be sharpened too, particularly in the 7|0 and 6|1 modes.
+I find 7|0, 6|1 and 0|6 to be the most stable modes. In 18edo, sharpening the flat fifth to a sharp fifth in the smitonic modes 4|2, 3|3, and 2|4 is desirable. The flat fifth should be used as a functional degree to modulate to (so you get the original tonic as a superfourth on it), rather than as a chord note. The leading tone could also be sharpened too, particularly in the 7|0 and 6|1 modes.
 See also: [https://xenpaper.com/#%7Br358hz%7D(osc%3Asawtooth2)%0A%7B18edo%7D%0A%5B%600_3_6_%608_%6011_13_%6016%5D-------...%0A%5B%600_3_%605_%608_%6011_13_%6016%5D-------...%0A%5B%600_3_%605_%608_10_%6013_%6016%5D-------...%0A%5B%600_3_%605_%608_10_%6013_%6015%5D-------...%0A%5B%600_2_%605_%608_10_%6013_%6015%5D-------...%0A%5B%600_2_5_%607_%6010_%6013_15%5D-------...%0A%5B%600_2_5_%607_%6010_%6012_15%5D-------...%0A%0A%0A Mother chords for smitonic modes (xenpaper link)].