User:Inthar/5L 3s: Difference between revisions
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When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and quasi-13/8 respectively, so they may sound more like stable scale functions. Hlanithian, in particular, may be like a more stable version of the Locrian mode in diatonic. | When used in an "ana" way, the kata modes are radically different in character than the ana modes. Particularly in 13edo and tunings close to it, the fifth and seventh scale degrees become the more concordant 11/8 and quasi-13/8 respectively, so they may sound more like stable scale functions. Hlanithian, in particular, may be like a more stable version of the Locrian mode in diatonic. | ||
== | == Chords == | ||
Chords are given in oneirotonic MOS interval notation. For example, M4ms means major 4-step (flat fifth). | Chords are given in oneirotonic MOS interval notation. For example, M4ms means major 4-step (flat fifth). | ||
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* R-M1ms-m4ms: Super sus24 | * R-M1ms-m4ms: Super sus24 | ||
* R-m4ms-P5ms-m7ms: Super sus4 addm7 | * R-m4ms-P5ms-m7ms: Super sus4 addm7 | ||
==== Curated chords ==== | |||
== 21edo oneiro theory == | == 21edo oneiro theory == | ||