User:Inthar/5L 3s: Difference between revisions

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 * squashed diminished: M-O-Q, P-J-L, K-M-O, N-P-J
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-Seconds, tritones and sevenths are consonances in addition to thirds and sixths. The naiadic is a semiconsonance. The sharp fifth is fifth-like but is still a dissonance; the triad root-third-629 can resolve to a more consonant chord such as 0-343-457.
+Seconds, tritones and sevenths are consonances in addition to thirds and sixths. The naiadic is a semiconsonance. The sharp fifth is fifth-like but is still dissonant. The triad root-third-629 can resolve to a more consonant chord such as 0-343-457.
 It is suggested to use R-mos3-mos5-mos7 carefully in 21edo oneiro - it sounds more like a dissonant, unstable 12edo diminished 7th, unlike in 13edo and harder oneiro tunings where they have a more discernible (though complex) identity.