21edo

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<span style="display: block; text-align: right;">[[21平均律|日本語]]
</span>
=21 equal divisions of the octave= 

Twenty-one equal divisions of the octave provides the sonic fingerprint of the augmented and 7-edo family, while also giving a some higher harmony possibilities and fun intervals like the apotome. The system can be treated as three intertwining 7-edo or "equi-heptatonic" scales, or as seven 3-edo ''augmented'' triads. The 7/4 at 968.826 cents is only off in 21-tone by 2.6 cents, which is better than any other EDO <26.

==21-EDO as a temperament:== 
In diatonically-related terms, 21-EDO possesses four types of 2nd (subminor, minor, submajor, and supermajor), three types of 3rd (subminor, neutral, and major), a "third-fourth" (an interval that can function as either a supermajor 3rd or a narrow 4th), a wide (or acute) 4th, and a narrow tritone, as well as the octave-inversions of all of these intervals.

In temperament terms, 21-EDO can be treated as a 13-limit temperament, but of harmonics 3, 5, 7, 11, and 13, the only harmonic 21-EDO approximates with anything approaching a near-Just flavor is the 7th harmonic. On the other hand, 21-EDO provides exceptionally accurate tunings of the 15th, 23rd, and 29th harmonics (within 3 cents or less), as well as a very reasonable approximation of the 27th harmonic (around 8 cents sharp). As such, treating 21-EDO as a 2.7.15.23.27.29 subgroup temperament allows for a more accurate rationalization of the tuning, since almost every interval in 21-EDO can be described as a ratio within the 29-odd-limit. 21-EDO also works well on the 2.9/5.11/5.13/5.17/5.35/5 subgroup, which is possibly a more sensible way to treat it.

The patent val for 21edo tempers out 128/125 and 2187/2000 in the 5-limit, and supplies the optimal patent val for the 5-limit [[Laconic Family|laconic]] temperament tempering out 2187/2000, and also the optimal patent val for 7-limit, 11-limit and 13-limit laconic, spartan and gorgo temperaments. These temperaments lead to some "interesting" mappings, where 10/9 is larger than 9/8, 11/9 is larger than 16/13, and 8/7 maps to the same interval as 10/9, for instance.

||= **Degree** ||= **Cents** ||||= [[Ups and Downs Notation|Up/down]]
[[Ups and Downs Notation|Notation]] ||<   ||= **5L3s**
**Octotonic**
**Notation** ||= **D.-R. Interval**
**Types** ||= **Approximate**
**Ratios *1** ||= <span style="display: block; text-align: center;">**Approximate**</span><span style="display: block; text-align: center;">**Ratios *2**</span> ||= <span style="display: block; text-align: center;">**Approximate**</span>**Ratios *3** ||
||= 0 ||= 0 ||> 1 ||= _____unison_____ ||< C ||= C ||= Unison ||= 1/1 ||= 1/1 ||= 1/1 ||
||= 1 ||= 57.14 ||> ^1
vv2 ||= up unison,
double-down 2nd ||< C^
Dvv ||= C# ||= Subminor 2nd ||= 28/27, 30/29 ||= 35/34, 36/35 ||= 64/63 ||
||= 2 ||= 114.29 ||> ^^1
v2 ||= double-up unison,
down 2nd ||< C^^
Dv ||= Db ||= Minor 2nd ||= 16/15, 15/14, 29/27 ||= 18/17 ||= 16/15, 25/24 ||
||= 3 ||= 171.43 ||> 2 ||= perfect 2nd ||< D ||= D ||= Submajor 2nd ||= 10/9, 32/29 ||= 10/9,11/10 ||= 9/8 ||
||= 4 ||= 228.57 ||> ^2
vv3 ||= up 2nd,
double-down 3rd ||< D^
Evv ||= D# ||= Supermajor 2nd ||= 8/7 ||= 8/7 ||= 8/7, 10/9, 11/10 ||
||= 5 ||= 285.71 ||> ^^2
v3 ||= double-up 2nd,
down 3rd ||< D^^
Ev ||= Eb ||= Subminor 3rd ||= 27/23, 32/27 ||= 13/11, 20/17 ||= 6/5, 7/6 ||
||= 6 ||= 342.86 ||> 3 ||= perfect 3rd ||< E ||= E ||= Neutral 3rd ||= 28/23 ||= 11/9 ||= 16/13 ||
||= 7 ||= 400 ||> ^3
vv4 ||= up 3rd,
double-down 4th ||< E^
Fvv ||= E#/Fb ||= Major 3rd ||= 29/23 ||= 44/35 ||= 5/4, 9/7, 11/9, 14/11 ||
||= 8 ||= 457.14 ||> ^^3
v4 ||= double-up 3rd,
down 4th ||< E^^
Fv ||= F ||= Third-Fourth ||= 30/23 ||= 13/10, 17/13, 22/17 ||= 13/10 ||
||= 9 ||= 514.29 ||> 4 ||= perfect 4th ||< F ||= F# ||= Acute 4th ||= 161/120, 256/189 ||= 35/26 ||= 4/3, 18/13 ||
||= 10 ||= 571.43 ||> ^4
vv5 ||= up 4th,
double-down 5th ||< F^
Gvv ||= Gb ||= Narrow Tritone ||= 32/23 ||= 18/13 ||= 7/5, 11/8 ||
||= 11 ||= 628.57 ||> ^^4
v5 ||= double-up 4th,
down 5th ||< F^^
Gv ||= G ||= Wide Tritone ||= 23/16 ||= 13/9 ||= 10/7, 16/11 ||
||= 12 ||= 685.71 ||> 5 ||= perfect 5th ||< G ||= G# ||= Grave 5th ||= 189/128, 240/161 ||= 52/35 ||= 3/2, 13/9 ||
||= 13 ||= 742.86 ||> ^5
vv6 ||= up 5th,
double-down 6th ||< G^
Avv ||= Hb ||= Fifth-Sixth ||= 23/15 ||= 17/11, 20/13, 26/17 ||= 20/13 ||
||= 14 ||= 800 ||> ^^5
v6 ||= double-up 5th,
down 6th ||< G^^
Av ||= H ||= Minor 6th ||= 46/29 ||= 35/22 ||= 8/5, 11/7, 14/9, 18/11 ||
||= 15 ||= 857.14 ||> 6 ||= perfect 6th ||< A ||= H#/Ab ||= Neutral 6th ||= 23/14 ||= 18/11 ||= 13/8 ||
||= 16 ||= 914.29 ||> ^6
vv7 ||= up 6th,
double-down 7th ||< A^
Bvv ||= A ||= Supermajor 6th ||= 27/16, 46/27 ||= 17/10, 22/13 ||= 5/3, 12/7 ||
||= 17 ||= 971.43 ||> ^^6
v7 ||= double-up 6th,
down 7th ||< A^^
Bv ||= A# ||= Subminor 7th ||= 7/4 ||= 7/4 ||= 7/4, 9/5, 20/11 ||
||= 18 ||= 1028.57 ||> 7 ||= perfect 7th ||< B ||= Bb ||= Supraminor 7th ||= 29/16, 9/5 ||= 9/5, 20/11 ||= 16/9 ||
||= 19 ||= 1085.71 ||> ^7
vv8 ||= up 7th,
double-down 8ve ||< B^
Cvv ||= B ||= Major 7th ||= 15/8 ||= 17/9 ||= 15/8, 48/25 ||
||= 20 ||= 1142.86 ||> ^^7
v8 ||= double-up 7th,
down 8ve ||< B^^
Cv ||= B#/Cb ||= Supermajor 7th ||= 27/14, 29/15 ||= 35/18, 68/35 ||= 63/32 ||
||= 21 ||= 1200 ||> 8 ||= 8ve ||< C ||= C ||= Octave ||= 2/1 ||= 2/1 ||= 2/1 ||

*1: based on treating 21-EDO as a 2.7.15.23.27.29 subgroup temperament
*2: based on treating 21-EDO as a 2.9/5.11/5.13/5.17/5.35/5 subgroup temperament
*3: based on treating 21-EDO as 13-limit laconic temperament

**21-tone scales:**
[[augment6]]
[[augment9]]
[[augment12]]

==Triadic Harmony in 21-EDO:== 

One interesting feature of 21-EDO is the variety of triads it offers. Five of its intervals--228.6¢, 285.7¢, 342.9¢, 400¢, and 457.1¢ can function categorically as "3rds" for those whose ears are accustomed to diatonic interval categories, representing arto, minor, neutral, major, and tendo 3rds respectively (or double-down, down, perfect, up and double-up). One can couple these with 21-EDO's narrow fifth to form five types of triad. In addition to these, there are a few noteworthy "altered" triads that stand out as representations to parts of the overtone series:

||= **Steps** ||= **Cents** ||= **Ratio** || **Example in C** || **Written name** || **Spoken name** ||
||= 0-5-10 ||= 0-286-571 ||= 23:27:32 || C Ev Gvv || C.v(vv5) || C dot down, double-down five ||
||= 0-4-11 ||= 0-229-629 ||= 7:8:10 || C Evv Gv || C.vv(v5) || C dot double-down, down five ||
||= 0-6-11 ||= 0-343-629 ||= 9:11:13 || C E Gv || C(v5) || C down-five ||
||= 0-5-13 ||= 0-286-743 ||= 11:13:17 || C Ev G^ || C.v(^5) || C dot down up-five ||
||= 0-8-13 ||= 0-457-743 ||= 13:17:20 || C Fv G^ || C.v4(^5) || C (sus) down-four up-five ||
||= 0-5-15 ||= 0-286-857 ||= 11:13:18 || C Ev A || A(v5) || (inversion of 9:11:13) ||

==Moment-of-Symmetry Scales in 21-EDO:== 

Since 21-EDO contains sub-EDOs of 3 and 7, it contains no heptatonic MOS scales (other than 7-EDO) and a wealth of scales that repeat at a 1/3-octave period.
For 7-limit harmony (based on a chord of 0-7-12-17 approximating 4:5:6:7), using 1/3-octave period scales (i.e. those related to augmented temperament) yields the most harmonically-efficient scales. The 9-note 3L6s scale (related to Tcherpnin's scale in 12-TET) is an excellent example.

For scales with a full-octave period, only 6 degrees of 21-EDO generate unique scales: 1\21, 2\21, 4\21, 5\21, 8\21, and 10\21. Other degrees generate either 7-EDO, 3-EDO, or a repetition of one of the other scales.

==Tetrachordal Scales in 21-EDO== 
While 21-EDO lacks any 7-note MOS scales, one can still construct a variety of interesting and useful 7-note scales using tetrachords instead of MOS generators. The 21-EDO fourth is 9 steps, which can be divided into three parts in the following ways:

||= Step Pattern ||= Cents || Example ||= Name* ||
||= 3, 3, 3 ||= (0)-171-343-(514) || C D E F ||= Equable diatonic ||
||= 4, 3, 2 ||= (0)-229-400-(514) || C D^ E^ F ||= Soft diatonic ||
||= 4, 4, 1 ||= (0)-229-457-(514) || C D^ E^^ F ||= Intense diatonic ||
||= 5, 3, 1 ||= (0)-286-457-(514) || C D^^ E^^ F ||= Archytas chromatic ||
||= 5, 2, 2 ||= (0)-286-400-(514) || C D^^ E^ F ||= Weak chromatic ||
||= 6, 2, 1 ||= (0)-343-457-(514) || C D^<span style="vertical-align: super;">3</span> E^^ F ||= Strong enharmonic ||
||= 7, 1, 1 ||= (0)-400-457-(514) || C D^<span style="vertical-align: super;">4</span> E^^ F ||= Pythagorean enharmonic ||
*these names may not be correct in relating to the ancient Greek tetrachordal genera; please change them if you know better!

The steps of these 7 basic patterns can also be permuted/rotated to give a total of 28 tetrachords, which can then be combined in either conjunct or disjunct form to yield a staggering number of scales. Thus 21edo can do reasonably-convincing imitations of the melodic forms of various tetrachordal musical traditions, such as ancient Greek, maqam, and dastgah.

==Rank two temperaments== 
[[List of 21edo rank two temperaments by badness]]
||~ Periods
per octave ||~ Generator ||~ Temperaments ||
|| 1 || 1\21 || [[Escapade family#Escapade|Escapade]] ||
|| 1 || 2\21 || [[Gamelismic clan#Miracle|Miracle]] ||
|| 1 || 4\21 || [[Slendric]]/[[Gamelismic clan#Gorgo|Gorgo]]/[[Gamelismic clan#Gidorah|Gidorah]] ||
|| 1 || 5\21 || [[Mint temperaments#Subklei|Subklei]] ||
|| 1 || 8\21 || [[Chromatic pairs#Tridec|Tridec]] ||
|| 1 || 10\21 || [[Marvel temperaments#Triton|Triton]] ||
|| 3 || 1\21 ||   ||
|| 3 || 2\21 || [[Augmented family|Augmented]]/[[August]] ||
|| 3 || 3\21 || [[Oodako]] ||
|| 7 || 1\21 || [[Apotome family|Whitewood]] ||


==13-limit Commas== 
21 EDO tempers out the following 13-limit commas. (Note: This assumes the val < 21 33 49 59 73 78/1 |.)
||~ Comma ||~ Monzo ||~ Value (Cents) ||~ Name 1 ||~ Name 2 ||
||= 2187/2048 ||< | -11 7 > ||> 113.69 ||= Apotome ||=   ||
||= 128/125 ||< | 7 0 -3 > ||> 41.06 ||= Diesis ||= Augmented Comma ||
||=   ||< | -25 7 6 > ||> 31.57 ||= Ampersand's Comma ||   ||
||=   ||< | 32 -7 -9 > ||> 9.49 ||= Escapade Comma ||   ||
||= 1029/1000 ||< | -3 1 -3 3 > ||> 49.49 ||= Keega ||=   ||
||= 36/35 ||< | 2 2 -1 -1 > ||> 48.77 ||= Septimal Quarter Tone ||   ||
||=   ||< | -10 7 8 -7 > ||> 22.41 ||= Blackjackisma ||=   ||
||= 1029/1024 ||< | -10 1 0 3 > ||> 8.43 ||= Gamelisma ||=   ||
||= 225/224 ||< | -5 2 2 -1 > ||> 7.71 ||= Septimal Kleisma ||= Marvel Comma ||
||= 16875/16807 ||< | 0 3 4 -5 > ||> 6.99 ||= Mirkwai ||=   ||
||= 2401/2400 ||< | -5 -1 -2 4 > ||> 0.72 ||= Breedsma ||=   ||
||=   ||< | 47 -7 -7 -7 > ||> 0.34 ||= Akjaysma ||= 5\7 Octave Comma ||
||= 99/98 ||< | -1 2 0 -2 1 > ||> 17.58 ||= Mothwellsma ||=   ||
||= 176/175 ||< | 4 0 -2 -1 1 > ||> 9.86 ||= Valinorsma ||=   ||
||= 4000/3993 ||< | 5 -1 3 0 -3 > ||> 3.03 ||= Wizardharry ||=   ||



=**Books / Literature:**= 
Sword, Ron. "Icosihenaphonic Scales for Guitar". IAAA Press. 1st ed: July 2009.
[[image:http://www.ronsword.com/images/ron1.jpg width="254" height="188"]][[image:http://www.swordguitars.com/21tetsm.JPG width="363" height="191"]]
**//21-edo Icosihenaphonic Acoustic Guitar (Ron Sword)//**

=**Compositions/Listening:**= 
[[@http://soonlabel.com/xenharmonic/archives/2494|21-edo Trio for Organ, by Claudi Meneghin]]
[[@http://soonlabel.com/xenharmonic/archives/2336|21-penny jingle, by Claudi Meneghin]]
[[@http://www.ronsword.com/sounds/21_improv.mp3|Short Clip of 21-edo Acoustic]] by [[Ron Sword]]
[[@http://www.ronsword.com/sounds/Ron_Sword_21_Tone_improv.mp3|Open tuning Drone Improvisation in 21-edo]] by Ron Sword
[[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=122613&songID=933715|Anomalous Readings]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+anomalousreadingsin21tet.mp3|play]] by [[Andrew Heathwaite]]
[[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/15%20-%2015.%2021%20octave.mp3|Comets Over Flatland 15]] by [[Randy Winchester]]
[[http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/18%20-%2018.%2021%20octave.mp3|Comets Over Flatland 18]] by [[Randy Winchester]]
[[@http://www.reverbnation.com/ffffiale/song/17858773-lesatonale-ubriaco|L'esatonale ubriaco (the drunk hexatonal)]], ALIENAMENTE by [[xenharmonic/Fabrizio Fiale|Fabrizio Fulvio Fausto Fiale]]

Original HTML content:

<html><head><title>21edo</title></head><body><span style="display: block; text-align: right;"><a class="wiki_link" href="/21%E5%B9%B3%E5%9D%87%E5%BE%8B">日本語</a><br />
</span><br />
<!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="x21 equal divisions of the octave"></a><!-- ws:end:WikiTextHeadingRule:0 -->21 equal divisions of the octave</h1>
 <br />
Twenty-one equal divisions of the octave provides the sonic fingerprint of the augmented and 7-edo family, while also giving a some higher harmony possibilities and fun intervals like the apotome. The system can be treated as three intertwining 7-edo or &quot;equi-heptatonic&quot; scales, or as seven 3-edo ''augmented'' triads. The 7/4 at 968.826 cents is only off in 21-tone by 2.6 cents, which is better than any other EDO &lt;26.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:2:&lt;h2&gt; --><h2 id="toc1"><a name="x21 equal divisions of the octave-21-EDO as a temperament:"></a><!-- ws:end:WikiTextHeadingRule:2 -->21-EDO as a temperament:</h2>
 In diatonically-related terms, 21-EDO possesses four types of 2nd (subminor, minor, submajor, and supermajor), three types of 3rd (subminor, neutral, and major), a &quot;third-fourth&quot; (an interval that can function as either a supermajor 3rd or a narrow 4th), a wide (or acute) 4th, and a narrow tritone, as well as the octave-inversions of all of these intervals.<br />
<br />
In temperament terms, 21-EDO can be treated as a 13-limit temperament, but of harmonics 3, 5, 7, 11, and 13, the only harmonic 21-EDO approximates with anything approaching a near-Just flavor is the 7th harmonic. On the other hand, 21-EDO provides exceptionally accurate tunings of the 15th, 23rd, and 29th harmonics (within 3 cents or less), as well as a very reasonable approximation of the 27th harmonic (around 8 cents sharp). As such, treating 21-EDO as a 2.7.15.23.27.29 subgroup temperament allows for a more accurate rationalization of the tuning, since almost every interval in 21-EDO can be described as a ratio within the 29-odd-limit. 21-EDO also works well on the 2.9/5.11/5.13/5.17/5.35/5 subgroup, which is possibly a more sensible way to treat it.<br />
<br />
The patent val for 21edo tempers out 128/125 and 2187/2000 in the 5-limit, and supplies the optimal patent val for the 5-limit <a class="wiki_link" href="/Laconic%20Family">laconic</a> temperament tempering out 2187/2000, and also the optimal patent val for 7-limit, 11-limit and 13-limit laconic, spartan and gorgo temperaments. These temperaments lead to some &quot;interesting&quot; mappings, where 10/9 is larger than 9/8, 11/9 is larger than 16/13, and 8/7 maps to the same interval as 10/9, for instance.<br />
<br />


<table class="wiki_table">
    <tr>
        <td style="text-align: center;"><strong>Degree</strong><br />
</td>
        <td style="text-align: center;"><strong>Cents</strong><br />
</td>
        <td colspan="2" style="text-align: center;"><a class="wiki_link" href="/Ups%20and%20Downs%20Notation">Up/down</a><br />
<a class="wiki_link" href="/Ups%20and%20Downs%20Notation">Notation</a><br />
</td>
        <td style="text-align: left;"><br />
</td>
        <td style="text-align: center;"><strong>5L3s</strong><br />
<strong>Octotonic</strong><br />
<strong>Notation</strong><br />
</td>
        <td style="text-align: center;"><strong>D.-R. Interval</strong><br />
<strong>Types</strong><br />
</td>
        <td style="text-align: center;"><strong>Approximate</strong><br />
<strong>Ratios *1</strong><br />
</td>
        <td style="text-align: center;"><span style="display: block; text-align: center;"><strong>Approximate</strong></span><span style="display: block; text-align: center;"><strong>Ratios *2</strong></span><br />
</td>
        <td style="text-align: center;"><span style="display: block; text-align: center;"><strong>Approximate</strong></span><strong>Ratios *3</strong><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0<br />
</td>
        <td style="text-align: center;">0<br />
</td>
        <td style="text-align: right;">1<br />
</td>
        <td style="text-align: center;">_unison_<br />
</td>
        <td style="text-align: left;">C<br />
</td>
        <td style="text-align: center;">C<br />
</td>
        <td style="text-align: center;">Unison<br />
</td>
        <td style="text-align: center;">1/1<br />
</td>
        <td style="text-align: center;">1/1<br />
</td>
        <td style="text-align: center;">1/1<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">1<br />
</td>
        <td style="text-align: center;">57.14<br />
</td>
        <td style="text-align: right;">^1<br />
vv2<br />
</td>
        <td style="text-align: center;">up unison,<br />
double-down 2nd<br />
</td>
        <td style="text-align: left;">C^<br />
Dvv<br />
</td>
        <td style="text-align: center;">C#<br />
</td>
        <td style="text-align: center;">Subminor 2nd<br />
</td>
        <td style="text-align: center;">28/27, 30/29<br />
</td>
        <td style="text-align: center;">35/34, 36/35<br />
</td>
        <td style="text-align: center;">64/63<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">2<br />
</td>
        <td style="text-align: center;">114.29<br />
</td>
        <td style="text-align: right;">^^1<br />
v2<br />
</td>
        <td style="text-align: center;">double-up unison,<br />
down 2nd<br />
</td>
        <td style="text-align: left;">C^^<br />
Dv<br />
</td>
        <td style="text-align: center;">Db<br />
</td>
        <td style="text-align: center;">Minor 2nd<br />
</td>
        <td style="text-align: center;">16/15, 15/14, 29/27<br />
</td>
        <td style="text-align: center;">18/17<br />
</td>
        <td style="text-align: center;">16/15, 25/24<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">3<br />
</td>
        <td style="text-align: center;">171.43<br />
</td>
        <td style="text-align: right;">2<br />
</td>
        <td style="text-align: center;">perfect 2nd<br />
</td>
        <td style="text-align: left;">D<br />
</td>
        <td style="text-align: center;">D<br />
</td>
        <td style="text-align: center;">Submajor 2nd<br />
</td>
        <td style="text-align: center;">10/9, 32/29<br />
</td>
        <td style="text-align: center;">10/9,11/10<br />
</td>
        <td style="text-align: center;">9/8<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">4<br />
</td>
        <td style="text-align: center;">228.57<br />
</td>
        <td style="text-align: right;">^2<br />
vv3<br />
</td>
        <td style="text-align: center;">up 2nd,<br />
double-down 3rd<br />
</td>
        <td style="text-align: left;">D^<br />
Evv<br />
</td>
        <td style="text-align: center;">D#<br />
</td>
        <td style="text-align: center;">Supermajor 2nd<br />
</td>
        <td style="text-align: center;">8/7<br />
</td>
        <td style="text-align: center;">8/7<br />
</td>
        <td style="text-align: center;">8/7, 10/9, 11/10<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">5<br />
</td>
        <td style="text-align: center;">285.71<br />
</td>
        <td style="text-align: right;">^^2<br />
v3<br />
</td>
        <td style="text-align: center;">double-up 2nd,<br />
down 3rd<br />
</td>
        <td style="text-align: left;">D^^<br />
Ev<br />
</td>
        <td style="text-align: center;">Eb<br />
</td>
        <td style="text-align: center;">Subminor 3rd<br />
</td>
        <td style="text-align: center;">27/23, 32/27<br />
</td>
        <td style="text-align: center;">13/11, 20/17<br />
</td>
        <td style="text-align: center;">6/5, 7/6<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">6<br />
</td>
        <td style="text-align: center;">342.86<br />
</td>
        <td style="text-align: right;">3<br />
</td>
        <td style="text-align: center;">perfect 3rd<br />
</td>
        <td style="text-align: left;">E<br />
</td>
        <td style="text-align: center;">E<br />
</td>
        <td style="text-align: center;">Neutral 3rd<br />
</td>
        <td style="text-align: center;">28/23<br />
</td>
        <td style="text-align: center;">11/9<br />
</td>
        <td style="text-align: center;">16/13<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">7<br />
</td>
        <td style="text-align: center;">400<br />
</td>
        <td style="text-align: right;">^3<br />
vv4<br />
</td>
        <td style="text-align: center;">up 3rd,<br />
double-down 4th<br />
</td>
        <td style="text-align: left;">E^<br />
Fvv<br />
</td>
        <td style="text-align: center;">E#/Fb<br />
</td>
        <td style="text-align: center;">Major 3rd<br />
</td>
        <td style="text-align: center;">29/23<br />
</td>
        <td style="text-align: center;">44/35<br />
</td>
        <td style="text-align: center;">5/4, 9/7, 11/9, 14/11<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">8<br />
</td>
        <td style="text-align: center;">457.14<br />
</td>
        <td style="text-align: right;">^^3<br />
v4<br />
</td>
        <td style="text-align: center;">double-up 3rd,<br />
down 4th<br />
</td>
        <td style="text-align: left;">E^^<br />
Fv<br />
</td>
        <td style="text-align: center;">F<br />
</td>
        <td style="text-align: center;">Third-Fourth<br />
</td>
        <td style="text-align: center;">30/23<br />
</td>
        <td style="text-align: center;">13/10, 17/13, 22/17<br />
</td>
        <td style="text-align: center;">13/10<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">9<br />
</td>
        <td style="text-align: center;">514.29<br />
</td>
        <td style="text-align: right;">4<br />
</td>
        <td style="text-align: center;">perfect 4th<br />
</td>
        <td style="text-align: left;">F<br />
</td>
        <td style="text-align: center;">F#<br />
</td>
        <td style="text-align: center;">Acute 4th<br />
</td>
        <td style="text-align: center;">161/120, 256/189<br />
</td>
        <td style="text-align: center;">35/26<br />
</td>
        <td style="text-align: center;">4/3, 18/13<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">10<br />
</td>
        <td style="text-align: center;">571.43<br />
</td>
        <td style="text-align: right;">^4<br />
vv5<br />
</td>
        <td style="text-align: center;">up 4th,<br />
double-down 5th<br />
</td>
        <td style="text-align: left;">F^<br />
Gvv<br />
</td>
        <td style="text-align: center;">Gb<br />
</td>
        <td style="text-align: center;">Narrow Tritone<br />
</td>
        <td style="text-align: center;">32/23<br />
</td>
        <td style="text-align: center;">18/13<br />
</td>
        <td style="text-align: center;">7/5, 11/8<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">11<br />
</td>
        <td style="text-align: center;">628.57<br />
</td>
        <td style="text-align: right;">^^4<br />
v5<br />
</td>
        <td style="text-align: center;">double-up 4th,<br />
down 5th<br />
</td>
        <td style="text-align: left;">F^^<br />
Gv<br />
</td>
        <td style="text-align: center;">G<br />
</td>
        <td style="text-align: center;">Wide Tritone<br />
</td>
        <td style="text-align: center;">23/16<br />
</td>
        <td style="text-align: center;">13/9<br />
</td>
        <td style="text-align: center;">10/7, 16/11<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">12<br />
</td>
        <td style="text-align: center;">685.71<br />
</td>
        <td style="text-align: right;">5<br />
</td>
        <td style="text-align: center;">perfect 5th<br />
</td>
        <td style="text-align: left;">G<br />
</td>
        <td style="text-align: center;">G#<br />
</td>
        <td style="text-align: center;">Grave 5th<br />
</td>
        <td style="text-align: center;">189/128, 240/161<br />
</td>
        <td style="text-align: center;">52/35<br />
</td>
        <td style="text-align: center;">3/2, 13/9<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">13<br />
</td>
        <td style="text-align: center;">742.86<br />
</td>
        <td style="text-align: right;">^5<br />
vv6<br />
</td>
        <td style="text-align: center;">up 5th,<br />
double-down 6th<br />
</td>
        <td style="text-align: left;">G^<br />
Avv<br />
</td>
        <td style="text-align: center;">Hb<br />
</td>
        <td style="text-align: center;">Fifth-Sixth<br />
</td>
        <td style="text-align: center;">23/15<br />
</td>
        <td style="text-align: center;">17/11, 20/13, 26/17<br />
</td>
        <td style="text-align: center;">20/13<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">14<br />
</td>
        <td style="text-align: center;">800<br />
</td>
        <td style="text-align: right;">^^5<br />
v6<br />
</td>
        <td style="text-align: center;">double-up 5th,<br />
down 6th<br />
</td>
        <td style="text-align: left;">G^^<br />
Av<br />
</td>
        <td style="text-align: center;">H<br />
</td>
        <td style="text-align: center;">Minor 6th<br />
</td>
        <td style="text-align: center;">46/29<br />
</td>
        <td style="text-align: center;">35/22<br />
</td>
        <td style="text-align: center;">8/5, 11/7, 14/9, 18/11<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">15<br />
</td>
        <td style="text-align: center;">857.14<br />
</td>
        <td style="text-align: right;">6<br />
</td>
        <td style="text-align: center;">perfect 6th<br />
</td>
        <td style="text-align: left;">A<br />
</td>
        <td style="text-align: center;">H#/Ab<br />
</td>
        <td style="text-align: center;">Neutral 6th<br />
</td>
        <td style="text-align: center;">23/14<br />
</td>
        <td style="text-align: center;">18/11<br />
</td>
        <td style="text-align: center;">13/8<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">16<br />
</td>
        <td style="text-align: center;">914.29<br />
</td>
        <td style="text-align: right;">^6<br />
vv7<br />
</td>
        <td style="text-align: center;">up 6th,<br />
double-down 7th<br />
</td>
        <td style="text-align: left;">A^<br />
Bvv<br />
</td>
        <td style="text-align: center;">A<br />
</td>
        <td style="text-align: center;">Supermajor 6th<br />
</td>
        <td style="text-align: center;">27/16, 46/27<br />
</td>
        <td style="text-align: center;">17/10, 22/13<br />
</td>
        <td style="text-align: center;">5/3, 12/7<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">17<br />
</td>
        <td style="text-align: center;">971.43<br />
</td>
        <td style="text-align: right;">^^6<br />
v7<br />
</td>
        <td style="text-align: center;">double-up 6th,<br />
down 7th<br />
</td>
        <td style="text-align: left;">A^^<br />
Bv<br />
</td>
        <td style="text-align: center;">A#<br />
</td>
        <td style="text-align: center;">Subminor 7th<br />
</td>
        <td style="text-align: center;">7/4<br />
</td>
        <td style="text-align: center;">7/4<br />
</td>
        <td style="text-align: center;">7/4, 9/5, 20/11<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">18<br />
</td>
        <td style="text-align: center;">1028.57<br />
</td>
        <td style="text-align: right;">7<br />
</td>
        <td style="text-align: center;">perfect 7th<br />
</td>
        <td style="text-align: left;">B<br />
</td>
        <td style="text-align: center;">Bb<br />
</td>
        <td style="text-align: center;">Supraminor 7th<br />
</td>
        <td style="text-align: center;">29/16, 9/5<br />
</td>
        <td style="text-align: center;">9/5, 20/11<br />
</td>
        <td style="text-align: center;">16/9<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">19<br />
</td>
        <td style="text-align: center;">1085.71<br />
</td>
        <td style="text-align: right;">^7<br />
vv8<br />
</td>
        <td style="text-align: center;">up 7th,<br />
double-down 8ve<br />
</td>
        <td style="text-align: left;">B^<br />
Cvv<br />
</td>
        <td style="text-align: center;">B<br />
</td>
        <td style="text-align: center;">Major 7th<br />
</td>
        <td style="text-align: center;">15/8<br />
</td>
        <td style="text-align: center;">17/9<br />
</td>
        <td style="text-align: center;">15/8, 48/25<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">20<br />
</td>
        <td style="text-align: center;">1142.86<br />
</td>
        <td style="text-align: right;">^^7<br />
v8<br />
</td>
        <td style="text-align: center;">double-up 7th,<br />
down 8ve<br />
</td>
        <td style="text-align: left;">B^^<br />
Cv<br />
</td>
        <td style="text-align: center;">B#/Cb<br />
</td>
        <td style="text-align: center;">Supermajor 7th<br />
</td>
        <td style="text-align: center;">27/14, 29/15<br />
</td>
        <td style="text-align: center;">35/18, 68/35<br />
</td>
        <td style="text-align: center;">63/32<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">21<br />
</td>
        <td style="text-align: center;">1200<br />
</td>
        <td style="text-align: right;">8<br />
</td>
        <td style="text-align: center;">8ve<br />
</td>
        <td style="text-align: left;">C<br />
</td>
        <td style="text-align: center;">C<br />
</td>
        <td style="text-align: center;">Octave<br />
</td>
        <td style="text-align: center;">2/1<br />
</td>
        <td style="text-align: center;">2/1<br />
</td>
        <td style="text-align: center;">2/1<br />
</td>
    </tr>
</table>

<br />
*1: based on treating 21-EDO as a 2.7.15.23.27.29 subgroup temperament<br />
*2: based on treating 21-EDO as a 2.9/5.11/5.13/5.17/5.35/5 subgroup temperament<br />
*3: based on treating 21-EDO as 13-limit laconic temperament<br />
<br />
<strong>21-tone scales:</strong><br />
<a class="wiki_link" href="/augment6">augment6</a><br />
<a class="wiki_link" href="/augment9">augment9</a><br />
<a class="wiki_link" href="/augment12">augment12</a><br />
<br />
<!-- ws:start:WikiTextHeadingRule:4:&lt;h2&gt; --><h2 id="toc2"><a name="x21 equal divisions of the octave-Triadic Harmony in 21-EDO:"></a><!-- ws:end:WikiTextHeadingRule:4 -->Triadic Harmony in 21-EDO:</h2>
 <br />
One interesting feature of 21-EDO is the variety of triads it offers. Five of its intervals--228.6¢, 285.7¢, 342.9¢, 400¢, and 457.1¢ can function categorically as &quot;3rds&quot; for those whose ears are accustomed to diatonic interval categories, representing arto, minor, neutral, major, and tendo 3rds respectively (or double-down, down, perfect, up and double-up). One can couple these with 21-EDO's narrow fifth to form five types of triad. In addition to these, there are a few noteworthy &quot;altered&quot; triads that stand out as representations to parts of the overtone series:<br />
<br />


<table class="wiki_table">
    <tr>
        <td style="text-align: center;"><strong>Steps</strong><br />
</td>
        <td style="text-align: center;"><strong>Cents</strong><br />
</td>
        <td style="text-align: center;"><strong>Ratio</strong><br />
</td>
        <td><strong>Example in C</strong><br />
</td>
        <td><strong>Written name</strong><br />
</td>
        <td><strong>Spoken name</strong><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0-5-10<br />
</td>
        <td style="text-align: center;">0-286-571<br />
</td>
        <td style="text-align: center;">23:27:32<br />
</td>
        <td>C Ev Gvv<br />
</td>
        <td>C.v(vv5)<br />
</td>
        <td>C dot down, double-down five<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0-4-11<br />
</td>
        <td style="text-align: center;">0-229-629<br />
</td>
        <td style="text-align: center;">7:8:10<br />
</td>
        <td>C Evv Gv<br />
</td>
        <td>C.vv(v5)<br />
</td>
        <td>C dot double-down, down five<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0-6-11<br />
</td>
        <td style="text-align: center;">0-343-629<br />
</td>
        <td style="text-align: center;">9:11:13<br />
</td>
        <td>C E Gv<br />
</td>
        <td>C(v5)<br />
</td>
        <td>C down-five<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0-5-13<br />
</td>
        <td style="text-align: center;">0-286-743<br />
</td>
        <td style="text-align: center;">11:13:17<br />
</td>
        <td>C Ev G^<br />
</td>
        <td>C.v(^5)<br />
</td>
        <td>C dot down up-five<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0-8-13<br />
</td>
        <td style="text-align: center;">0-457-743<br />
</td>
        <td style="text-align: center;">13:17:20<br />
</td>
        <td>C Fv G^<br />
</td>
        <td>C.v4(^5)<br />
</td>
        <td>C (sus) down-four up-five<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">0-5-15<br />
</td>
        <td style="text-align: center;">0-286-857<br />
</td>
        <td style="text-align: center;">11:13:18<br />
</td>
        <td>C Ev A<br />
</td>
        <td>A(v5)<br />
</td>
        <td>(inversion of 9:11:13)<br />
</td>
    </tr>
</table>

<br />
<!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x21 equal divisions of the octave-Moment-of-Symmetry Scales in 21-EDO:"></a><!-- ws:end:WikiTextHeadingRule:6 -->Moment-of-Symmetry Scales in 21-EDO:</h2>
 <br />
Since 21-EDO contains sub-EDOs of 3 and 7, it contains no heptatonic MOS scales (other than 7-EDO) and a wealth of scales that repeat at a 1/3-octave period.<br />
For 7-limit harmony (based on a chord of 0-7-12-17 approximating 4:5:6:7), using 1/3-octave period scales (i.e. those related to augmented temperament) yields the most harmonically-efficient scales. The 9-note 3L6s scale (related to Tcherpnin's scale in 12-TET) is an excellent example.<br />
<br />
For scales with a full-octave period, only 6 degrees of 21-EDO generate unique scales: 1\21, 2\21, 4\21, 5\21, 8\21, and 10\21. Other degrees generate either 7-EDO, 3-EDO, or a repetition of one of the other scales.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="x21 equal divisions of the octave-Tetrachordal Scales in 21-EDO"></a><!-- ws:end:WikiTextHeadingRule:8 -->Tetrachordal Scales in 21-EDO</h2>
 While 21-EDO lacks any 7-note MOS scales, one can still construct a variety of interesting and useful 7-note scales using tetrachords instead of MOS generators. The 21-EDO fourth is 9 steps, which can be divided into three parts in the following ways:<br />
<br />


<table class="wiki_table">
    <tr>
        <td style="text-align: center;">Step Pattern<br />
</td>
        <td style="text-align: center;">Cents<br />
</td>
        <td>Example<br />
</td>
        <td style="text-align: center;">Name*<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">3, 3, 3<br />
</td>
        <td style="text-align: center;">(0)-171-343-(514)<br />
</td>
        <td>C D E F<br />
</td>
        <td style="text-align: center;">Equable diatonic<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">4, 3, 2<br />
</td>
        <td style="text-align: center;">(0)-229-400-(514)<br />
</td>
        <td>C D^ E^ F<br />
</td>
        <td style="text-align: center;">Soft diatonic<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">4, 4, 1<br />
</td>
        <td style="text-align: center;">(0)-229-457-(514)<br />
</td>
        <td>C D^ E^^ F<br />
</td>
        <td style="text-align: center;">Intense diatonic<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">5, 3, 1<br />
</td>
        <td style="text-align: center;">(0)-286-457-(514)<br />
</td>
        <td>C D^^ E^^ F<br />
</td>
        <td style="text-align: center;">Archytas chromatic<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">5, 2, 2<br />
</td>
        <td style="text-align: center;">(0)-286-400-(514)<br />
</td>
        <td>C D^^ E^ F<br />
</td>
        <td style="text-align: center;">Weak chromatic<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">6, 2, 1<br />
</td>
        <td style="text-align: center;">(0)-343-457-(514)<br />
</td>
        <td>C D^<span style="vertical-align: super;">3</span> E^^ F<br />
</td>
        <td style="text-align: center;">Strong enharmonic<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">7, 1, 1<br />
</td>
        <td style="text-align: center;">(0)-400-457-(514)<br />
</td>
        <td>C D^<span style="vertical-align: super;">4</span> E^^ F<br />
</td>
        <td style="text-align: center;">Pythagorean enharmonic<br />
</td>
    </tr>
</table>

*these names may not be correct in relating to the ancient Greek tetrachordal genera; please change them if you know better!<br />
<br />
The steps of these 7 basic patterns can also be permuted/rotated to give a total of 28 tetrachords, which can then be combined in either conjunct or disjunct form to yield a staggering number of scales. Thus 21edo can do reasonably-convincing imitations of the melodic forms of various tetrachordal musical traditions, such as ancient Greek, maqam, and dastgah.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:10:&lt;h2&gt; --><h2 id="toc5"><a name="x21 equal divisions of the octave-Rank two temperaments"></a><!-- ws:end:WikiTextHeadingRule:10 -->Rank two temperaments</h2>
 <a class="wiki_link" href="/List%20of%2021edo%20rank%20two%20temperaments%20by%20badness">List of 21edo rank two temperaments by badness</a><br />


<table class="wiki_table">
    <tr>
        <th>Periods<br />
per octave<br />
</th>
        <th>Generator<br />
</th>
        <th>Temperaments<br />
</th>
    </tr>
    <tr>
        <td>1<br />
</td>
        <td>1\21<br />
</td>
        <td><a class="wiki_link" href="/Escapade%20family#Escapade">Escapade</a><br />
</td>
    </tr>
    <tr>
        <td>1<br />
</td>
        <td>2\21<br />
</td>
        <td><a class="wiki_link" href="/Gamelismic%20clan#Miracle">Miracle</a><br />
</td>
    </tr>
    <tr>
        <td>1<br />
</td>
        <td>4\21<br />
</td>
        <td><a class="wiki_link" href="/Slendric">Slendric</a>/<a class="wiki_link" href="/Gamelismic%20clan#Gorgo">Gorgo</a>/<a class="wiki_link" href="/Gamelismic%20clan#Gidorah">Gidorah</a><br />
</td>
    </tr>
    <tr>
        <td>1<br />
</td>
        <td>5\21<br />
</td>
        <td><a class="wiki_link" href="/Mint%20temperaments#Subklei">Subklei</a><br />
</td>
    </tr>
    <tr>
        <td>1<br />
</td>
        <td>8\21<br />
</td>
        <td><a class="wiki_link" href="/Chromatic%20pairs#Tridec">Tridec</a><br />
</td>
    </tr>
    <tr>
        <td>1<br />
</td>
        <td>10\21<br />
</td>
        <td><a class="wiki_link" href="/Marvel%20temperaments#Triton">Triton</a><br />
</td>
    </tr>
    <tr>
        <td>3<br />
</td>
        <td>1\21<br />
</td>
        <td><br />
</td>
    </tr>
    <tr>
        <td>3<br />
</td>
        <td>2\21<br />
</td>
        <td><a class="wiki_link" href="/Augmented%20family">Augmented</a>/<a class="wiki_link" href="/August">August</a><br />
</td>
    </tr>
    <tr>
        <td>3<br />
</td>
        <td>3\21<br />
</td>
        <td><a class="wiki_link" href="/Oodako">Oodako</a><br />
</td>
    </tr>
    <tr>
        <td>7<br />
</td>
        <td>1\21<br />
</td>
        <td><a class="wiki_link" href="/Apotome%20family">Whitewood</a><br />
</td>
    </tr>
</table>

<br />
<br />
<!-- ws:start:WikiTextHeadingRule:12:&lt;h2&gt; --><h2 id="toc6"><a name="x21 equal divisions of the octave-13-limit Commas"></a><!-- ws:end:WikiTextHeadingRule:12 -->13-limit Commas</h2>
 21 EDO tempers out the following 13-limit commas. (Note: This assumes the val &lt; 21 33 49 59 73 78/1 |.)<br />


<table class="wiki_table">
    <tr>
        <th>Comma<br />
</th>
        <th>Monzo<br />
</th>
        <th>Value (Cents)<br />
</th>
        <th>Name 1<br />
</th>
        <th>Name 2<br />
</th>
    </tr>
    <tr>
        <td style="text-align: center;">2187/2048<br />
</td>
        <td style="text-align: left;">| -11 7 &gt;<br />
</td>
        <td style="text-align: right;">113.69<br />
</td>
        <td style="text-align: center;">Apotome<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">128/125<br />
</td>
        <td style="text-align: left;">| 7 0 -3 &gt;<br />
</td>
        <td style="text-align: right;">41.06<br />
</td>
        <td style="text-align: center;">Diesis<br />
</td>
        <td style="text-align: center;">Augmented Comma<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;"><br />
</td>
        <td style="text-align: left;">| -25 7 6 &gt;<br />
</td>
        <td style="text-align: right;">31.57<br />
</td>
        <td style="text-align: center;">Ampersand's Comma<br />
</td>
        <td><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;"><br />
</td>
        <td style="text-align: left;">| 32 -7 -9 &gt;<br />
</td>
        <td style="text-align: right;">9.49<br />
</td>
        <td style="text-align: center;">Escapade Comma<br />
</td>
        <td><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">1029/1000<br />
</td>
        <td style="text-align: left;">| -3 1 -3 3 &gt;<br />
</td>
        <td style="text-align: right;">49.49<br />
</td>
        <td style="text-align: center;">Keega<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">36/35<br />
</td>
        <td style="text-align: left;">| 2 2 -1 -1 &gt;<br />
</td>
        <td style="text-align: right;">48.77<br />
</td>
        <td style="text-align: center;">Septimal Quarter Tone<br />
</td>
        <td><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;"><br />
</td>
        <td style="text-align: left;">| -10 7 8 -7 &gt;<br />
</td>
        <td style="text-align: right;">22.41<br />
</td>
        <td style="text-align: center;">Blackjackisma<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">1029/1024<br />
</td>
        <td style="text-align: left;">| -10 1 0 3 &gt;<br />
</td>
        <td style="text-align: right;">8.43<br />
</td>
        <td style="text-align: center;">Gamelisma<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">225/224<br />
</td>
        <td style="text-align: left;">| -5 2 2 -1 &gt;<br />
</td>
        <td style="text-align: right;">7.71<br />
</td>
        <td style="text-align: center;">Septimal Kleisma<br />
</td>
        <td style="text-align: center;">Marvel Comma<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">16875/16807<br />
</td>
        <td style="text-align: left;">| 0 3 4 -5 &gt;<br />
</td>
        <td style="text-align: right;">6.99<br />
</td>
        <td style="text-align: center;">Mirkwai<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">2401/2400<br />
</td>
        <td style="text-align: left;">| -5 -1 -2 4 &gt;<br />
</td>
        <td style="text-align: right;">0.72<br />
</td>
        <td style="text-align: center;">Breedsma<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;"><br />
</td>
        <td style="text-align: left;">| 47 -7 -7 -7 &gt;<br />
</td>
        <td style="text-align: right;">0.34<br />
</td>
        <td style="text-align: center;">Akjaysma<br />
</td>
        <td style="text-align: center;">5\7 Octave Comma<br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">99/98<br />
</td>
        <td style="text-align: left;">| -1 2 0 -2 1 &gt;<br />
</td>
        <td style="text-align: right;">17.58<br />
</td>
        <td style="text-align: center;">Mothwellsma<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">176/175<br />
</td>
        <td style="text-align: left;">| 4 0 -2 -1 1 &gt;<br />
</td>
        <td style="text-align: right;">9.86<br />
</td>
        <td style="text-align: center;">Valinorsma<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
    <tr>
        <td style="text-align: center;">4000/3993<br />
</td>
        <td style="text-align: left;">| 5 -1 3 0 -3 &gt;<br />
</td>
        <td style="text-align: right;">3.03<br />
</td>
        <td style="text-align: center;">Wizardharry<br />
</td>
        <td style="text-align: center;"><br />
</td>
    </tr>
</table>

<br />
<br />
<br />
<!-- ws:start:WikiTextHeadingRule:14:&lt;h1&gt; --><h1 id="toc7"><a name="Books / Literature:"></a><!-- ws:end:WikiTextHeadingRule:14 --><strong>Books / Literature:</strong></h1>
 Sword, Ron. &quot;Icosihenaphonic Scales for Guitar&quot;. IAAA Press. 1st ed: July 2009.<br />
<!-- ws:start:WikiTextRemoteImageRule:990:&lt;img src=&quot;http://www.ronsword.com/images/ron1.jpg&quot; alt=&quot;&quot; title=&quot;&quot; style=&quot;height: 188px; width: 254px;&quot; /&gt; --><img src="http://www.ronsword.com/images/ron1.jpg" alt="external image ron1.jpg" title="external image ron1.jpg" style="height: 188px; width: 254px;" /><!-- ws:end:WikiTextRemoteImageRule:990 --><!-- ws:start:WikiTextRemoteImageRule:991:&lt;img src=&quot;http://www.swordguitars.com/21tetsm.JPG&quot; alt=&quot;&quot; title=&quot;&quot; style=&quot;height: 191px; width: 363px;&quot; /&gt; --><img src="http://www.swordguitars.com/21tetsm.JPG" alt="external image 21tetsm.JPG" title="external image 21tetsm.JPG" style="height: 191px; width: 363px;" /><!-- ws:end:WikiTextRemoteImageRule:991 --><br />
<strong><em>21-edo Icosihenaphonic Acoustic Guitar (Ron Sword)</em></strong><br />
<br />
<!-- ws:start:WikiTextHeadingRule:16:&lt;h1&gt; --><h1 id="toc8"><a name="Compositions/Listening:"></a><!-- ws:end:WikiTextHeadingRule:16 --><strong>Compositions/Listening:</strong></h1>
 <a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/archives/2494" rel="nofollow" target="_blank">21-edo Trio for Organ, by Claudi Meneghin</a><br />
<a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/archives/2336" rel="nofollow" target="_blank">21-penny jingle, by Claudi Meneghin</a><br />
<a class="wiki_link_ext" href="http://www.ronsword.com/sounds/21_improv.mp3" rel="nofollow" target="_blank">Short Clip of 21-edo Acoustic</a> by <a class="wiki_link" href="/Ron%20Sword">Ron Sword</a><br />
<a class="wiki_link_ext" href="http://www.ronsword.com/sounds/Ron_Sword_21_Tone_improv.mp3" rel="nofollow" target="_blank">Open tuning Drone Improvisation in 21-edo</a> by Ron Sword<br />
<a class="wiki_link_ext" href="http://www.soundclick.com/bands/page_songInfo.cfm?bandID=122613&amp;songID=933715" rel="nofollow">Anomalous Readings</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+anomalousreadingsin21tet.mp3" rel="nofollow">play</a> by <a class="wiki_link" href="/Andrew%20Heathwaite">Andrew Heathwaite</a><br />
<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/15%20-%2015.%2021%20octave.mp3" rel="nofollow">Comets Over Flatland 15</a> by <a class="wiki_link" href="/Randy%20Winchester">Randy Winchester</a><br />
<a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/18%20-%2018.%2021%20octave.mp3" rel="nofollow">Comets Over Flatland 18</a> by <a class="wiki_link" href="/Randy%20Winchester">Randy Winchester</a><br />
<a class="wiki_link_ext" href="http://www.reverbnation.com/ffffiale/song/17858773-lesatonale-ubriaco" rel="nofollow" target="_blank">L'esatonale ubriaco (the drunk hexatonal)</a>, ALIENAMENTE by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Fabrizio%20Fiale">Fabrizio Fulvio Fausto Fiale</a></body></html>