User:Cmloegcmluin/EPD: Difference between revisions
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Its full specification is n-EDp: n equal (pitch) divisions of interval p. It is equivalent to a rank-1 temperament of p/n, or an [[Equal-step_tuning#Equal_multiplications|equal multiplication]] of p/n. | Its full specification is n-EDp: n equal (pitch) divisions of interval p. It is equivalent to a rank-1 temperament of p/n, or an [[Equal-step_tuning#Equal_multiplications|equal multiplication]] of p/n. | ||
An EPD will be equivalent to some [[APS|APS, or arithmetic pitch sequence]], which has had its count of pitches specified by prefixing "n-". Specifically, n-EPDx = n-APS(x/n), for example 12-EPD1200¢ = 12-APS(1200¢/12=100¢). | |||
The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal '''pitch''' divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name). | The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal '''pitch''' divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name). | ||
Revision as of 18:12, 23 March 2021
An EPD, or equal pitch division, is a kind of arithmetic and harmonotonic tuning.
Its full specification is n-EDp: n equal (pitch) divisions of interval p. It is equivalent to a rank-1 temperament of p/n, or an equal multiplication of p/n.
An EPD will be equivalent to some APS, or arithmetic pitch sequence, which has had its count of pitches specified by prefixing "n-". Specifically, n-EPDx = n-APS(x/n), for example 12-EPD1200¢ = 12-APS(1200¢/12=100¢).
The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal pitch divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name).
| quantity | (0) | 1 | 2 | 3 | 4 |
|---|---|---|---|---|---|
| frequency (f) | (1) | 1.19 | 1.41 | 1.68 | 2 |
| pitch (log₂f) | (2⁰⸍⁴) | 2¹⸍⁴ | 2²⸍⁴ | 2³⸍⁴ | 2⁴⸍⁴ |
| length (1/f) | (1) | 0.84 | 0.71 | 0.59 | 0.5 |