19edo: Difference between revisions
Wikispaces>k9assassin **Imported revision 578941255 - Original comment: ** |
Wikispaces>MasonGreen1 **Imported revision 579988845 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
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In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased "A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. " Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend ton<span style="line-height: 15.6000003814697px;">l</span><span style="line-height: 1.5;">aity without sounding too alien.</span> | In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased "A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. " Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend ton<span style="line-height: 15.6000003814697px;">l</span><span style="line-height: 1.5;">aity without sounding too alien.</span> | ||
The narrow whole tones and wide diatonic semitones of 19edo give the diatonic scale a somewhat duller quality, but has the opposite effect on the pentatonic scale, which becomes much more expressive owing to the larger contrast between the narrow whole tone and wide minor third. While 12edo has an expressive diatonic and dull pentatonic, the reverse is true in 19. Pentatonicism thus becomes more important in 19edo, and one option is to use the pentatonic scale as a sort of "super-chord", with "chord progressions" being modulations between pentatonic subsets of the superdiatonic scale. | |||
==Intervals and linear temperaments== | ==Intervals and linear temperaments== | ||
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In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased &quot;A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. &quot; Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend ton<span style="line-height: 15.6000003814697px;">l</span><span style="line-height: 1.5;">aity without sounding too alien.</span><br /> | In addition, Joseph Yasser talks about the idea of a 12 tone supra diatonic scale where the 7 tone major scale in 19 EDO becomes akin to the pentatonic of western music; as it would sound to a future generation, ambiguous and not tonally fortified. As paraphrased &quot;A system in which the undeniable laws of tonal gravity exist, yet in a much more complex tonal universe. &quot; Yasser believed that music would eventually move to a 19 tone system with a 12 note supra diatonic scale would become the standard. While this has yet to happen, Yasser's concept of supra-diatonicity is intriguing and worth exploring for those wanting to extend ton<span style="line-height: 15.6000003814697px;">l</span><span style="line-height: 1.5;">aity without sounding too alien.</span><br /> | ||
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The narrow whole tones and wide diatonic semitones of 19edo give the diatonic scale a somewhat duller quality, but has the opposite effect on the pentatonic scale, which becomes much more expressive owing to the larger contrast between the narrow whole tone and wide minor third. While 12edo has an expressive diatonic and dull pentatonic, the reverse is true in 19. Pentatonicism thus becomes more important in 19edo, and one option is to use the pentatonic scale as a sort of &quot;super-chord&quot;, with &quot;chord progressions&quot; being modulations between pentatonic subsets of the superdiatonic scale.<br /> | |||
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<!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc3"><a name="As a means of extending harmony-Intervals and linear temperaments"></a><!-- ws:end:WikiTextHeadingRule:8 -->Intervals and linear temperaments</h2> | <!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc3"><a name="As a means of extending harmony-Intervals and linear temperaments"></a><!-- ws:end:WikiTextHeadingRule:8 -->Intervals and linear temperaments</h2> | ||