Kite33: Difference between revisions
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m recat |
m Moving from Category:33-tone to Category:33-tone scales using Cat-a-lot |
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Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly. | Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly. | ||
[[Category:33-tone]] | [[Category:33-tone scales]] | ||
[[Category:7-limit]] | [[Category:7-limit]] | ||
[[Category:Just intonation scales]] | [[Category:Just intonation scales]] | ||
[[Category:Pages with Scala files]] | [[Category:Pages with Scala files]] | ||
Revision as of 18:16, 26 February 2022
! kite33.scl
!
33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3"
33
!
64/63
200/189
15/14
49/45
10/9
9/8
8/7
25/21
6/5
5/4
80/63
21/16
250/189
4/3
10/7
125/84
3/2
32/21
25/16
100/63
8/5
5/3
320/189
12/7
7/4
1000/567
16/9
25/14
9/5
15/8
40/21
125/63
2/1
Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly.