15edo: Difference between revisions

Wikispaces>hstraub
**Imported revision 556380533 - Original comment: **
Wikispaces>k9assassin
**Imported revision 561701355 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-08-09 07:49:44 UTC</tt>.<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-10-07 21:11:53 UTC</tt>.<br>
: The original revision id was <tt>556380533</tt>.<br>
: The original revision id was <tt>561701355</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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==Porcupine Notation==  
==Porcupine Notation==  
* See the main [[Porcupine Notation|porcupine notation]] page.
* See the main [[Porcupine Notation|porcupine notation]] page.
==Porcupine[8] Based Notation==
[[image:porcupine alphabet.png width="400" height="81"]]
William Lynch proposes notating 15 EDO based on an eight nominal system using the old english letters: b c d ð e f þ æ as the alphabet.
Porcupine[7] can also be notated by omitting "ð"
The full alphabet with normal sharps and flats: b b# c c# d ð ð# e e# f f# þ þ# æ æ#
alphabet with ups and downs: b b^ c c^ d ð ð^ e e^ f f^ þ þ^ æ æ^


=Rank two temperaments=  
=Rank two temperaments=  
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[[media type="custom" key="23473468"]]</pre></div>
[[media type="custom" key="23473468"]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
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  &lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/15%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
  &lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/15%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
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  &lt;ul&gt;&lt;li&gt;&lt;strong&gt;Decimal Version:&lt;/strong&gt; Using the nominals 1-0 (with 0 representing &amp;quot;10&amp;quot;), one of the three chains of 5-edo is represented by the odd numbers, the second by the even numbers, and the third by numbers with accidentals (either odd numbers with sharps, or even numbers with flats).&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Guitar Version:&lt;/strong&gt; On a 15-edo guitar, because the &amp;quot;perfect fourth&amp;quot; comes from 5-edo, all of the open strings can be tuned a perfect fourth apart and still span exactly two octaves. If one starts the circle of fourths on B — B-E-A-D-G-(B) — then the open strings of the guitar can be notated as usual (E-A-D-G-B-E). However, because the circle of fourths closes at five, and does not continue to circulate through the other 10 notes of 15-edo, it is necessary to use accidentals to notate intervals on the other two chains of 5-edo. This notation is not particularly ideal as a basis for a staff notation (as it requires all non-5edo chords to be notated with accidentals). It is nevertheless useful because it reflects an intuitive approach to 15-edo on the guitar, since 5-edo provides a useful set of 3-limit landmarks (or &amp;quot;perfect fourths&amp;quot; and &amp;quot;perfect fifths&amp;quot;) that can be used to navigate the fretboard. It's especially convenient for writing chord charts, where the funky accidental-laden spellings can be more or less ignored.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;strong&gt;Decimal Version:&lt;/strong&gt; Using the nominals 1-0 (with 0 representing &amp;quot;10&amp;quot;), one of the three chains of 5-edo is represented by the odd numbers, the second by the even numbers, and the third by numbers with accidentals (either odd numbers with sharps, or even numbers with flats).&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Guitar Version:&lt;/strong&gt; On a 15-edo guitar, because the &amp;quot;perfect fourth&amp;quot; comes from 5-edo, all of the open strings can be tuned a perfect fourth apart and still span exactly two octaves. If one starts the circle of fourths on B — B-E-A-D-G-(B) — then the open strings of the guitar can be notated as usual (E-A-D-G-B-E). However, because the circle of fourths closes at five, and does not continue to circulate through the other 10 notes of 15-edo, it is necessary to use accidentals to notate intervals on the other two chains of 5-edo. This notation is not particularly ideal as a basis for a staff notation (as it requires all non-5edo chords to be notated with accidentals). It is nevertheless useful because it reflects an intuitive approach to 15-edo on the guitar, since 5-edo provides a useful set of 3-limit landmarks (or &amp;quot;perfect fourths&amp;quot; and &amp;quot;perfect fifths&amp;quot;) that can be used to navigate the fretboard. It's especially convenient for writing chord charts, where the funky accidental-laden spellings can be more or less ignored.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Notation-Porcupine Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Porcupine Notation&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Notation-Porcupine Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Porcupine Notation&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;See the main &lt;a class="wiki_link" href="/Porcupine%20Notation"&gt;porcupine notation&lt;/a&gt; page.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;See the main &lt;a class="wiki_link" href="/Porcupine%20Notation"&gt;porcupine notation&lt;/a&gt; page.&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Notation-Porcupine[8] Based Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Porcupine[8] Based Notation&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Rank two temperaments&lt;/h1&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:900:&amp;lt;img src=&amp;quot;/file/view/porcupine%20alphabet.png/561701315/400x81/porcupine%20alphabet.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 81px; width: 400px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/porcupine%20alphabet.png/561701315/400x81/porcupine%20alphabet.png" alt="porcupine alphabet.png" title="porcupine alphabet.png" style="height: 81px; width: 400px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:900 --&gt;&lt;br /&gt;
William Lynch proposes notating 15 EDO based on an eight nominal system using the old english letters: b c d ð e f þ æ as the alphabet. &lt;br /&gt;
Porcupine[7] can also be notated by omitting &amp;quot;ð&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The full alphabet with normal sharps and flats: b b# c c# d ð ð# e e# f f# þ þ# æ æ# &lt;br /&gt;
alphabet with ups and downs: b b^ c c^ d ð ð^ e e^ f f^ þ þ^ æ æ^ &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Rank two temperaments&lt;/h1&gt;
  &lt;a class="wiki_link" href="/List%20of%2015et%20rank%20two%20temperaments%20by%20badness"&gt;List of 15et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link" href="/List%20of%2015et%20rank%20two%20temperaments%20by%20badness"&gt;List of 15et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2015et%20rank%20two%20temperaments"&gt;List of edo-distinct 15et rank two temperaments&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2015et%20rank%20two%20temperaments"&gt;List of edo-distinct 15et rank two temperaments&lt;/a&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Commas&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc9"&gt;&lt;a name="Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Commas&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
15 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers&lt;/a&gt; out the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes the val &amp;lt; 15 24 35 42 52 56 |.)&lt;br /&gt;
15 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers&lt;/a&gt; out the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes the val &amp;lt; 15 24 35 42 52 56 |.)&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc9"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Theory&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Theory&lt;/h1&gt;
  &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/dar35.htm" rel="nofollow"&gt;The 15-Tone Scale System&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZyzKBEW" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/dar35.htm" rel="nofollow"&gt;The 15-Tone Scale System&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZyzKBEW" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.inteas.com/Penta01.htm" rel="nofollow"&gt;The Pentadecaphonic System&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.inteas.com/Penta01.htm" rel="nofollow"&gt;The Pentadecaphonic System&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Ebrentishere/15noteequaltempermenttutorial.html" rel="nofollow"&gt;15-EDO Tutorial&lt;/a&gt; by &lt;a class="wiki_link" href="/Brent%20Carson"&gt;Brent Carson&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeJYBsDg" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Ebrentishere/15noteequaltempermenttutorial.html" rel="nofollow"&gt;15-EDO Tutorial&lt;/a&gt; by &lt;a class="wiki_link" href="/Brent%20Carson"&gt;Brent Carson&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeJYBsDg" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Practical Theory / Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Practical Theory / Books&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc11"&gt;&lt;a name="Practical Theory / Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;Practical Theory / Books&lt;/h1&gt;
  &lt;a class="wiki_link_ext" href="http://www.swordguitars.com" rel="nofollow"&gt;Sword, Ronald. &amp;quot;Pendecaphonic Scales for Guitar&amp;quot; IAAA Press, UK-USA. First Ed: June 2009.&lt;/a&gt; - A large repository of all known scales and temperament families in the 15-edo system. 300+ examples /w chord-scale progressions.&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://www.swordguitars.com" rel="nofollow"&gt;Sword, Ronald. &amp;quot;Pendecaphonic Scales for Guitar&amp;quot; IAAA Press, UK-USA. First Ed: June 2009.&lt;/a&gt; - A large repository of all known scales and temperament families in the 15-edo system. 300+ examples /w chord-scale progressions.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc11"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;Compositions&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc12"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;Compositions&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/" rel="nofollow" target="_blank"&gt;XA 15-ET Directory&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/" rel="nofollow" target="_blank"&gt;XA 15-ET Directory&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
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&lt;a class="wiki_link_ext" href="http://youtu.be/6TyQ9kDm2fk" rel="nofollow"&gt;Ode For Ada&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/5f07ebbdf8b4ba8ef067ed3d00a38357-158.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://youtu.be/6TyQ9kDm2fk" rel="nofollow"&gt;Ode For Ada&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/5f07ebbdf8b4ba8ef067ed3d00a38357-158.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;br /&gt;
Suite in 15-Note Equal Tuning, opus 33 by Easley Blackwood (as well as one of the Twelve Microtonal Etudes, opus 28)&lt;br /&gt;
Suite in 15-Note Equal Tuning, opus 33 by Easley Blackwood (as well as one of the Twelve Microtonal Etudes, opus 28)&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:898:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/15edo-Chords.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@15edo-Chords.ogg&amp;quot; title=&amp;quot;File: 15edo-Chords.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="15edo-Chords.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');" class="filename" title="15edo-Chords.ogg"&gt;15edo-Chords.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/15edo-Chords.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:898 --&gt; Some nice sounds I found in 15 EDO&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:902:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/15edo-Chords.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@15edo-Chords.ogg&amp;quot; title=&amp;quot;File: 15edo-Chords.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="15edo-Chords.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');" class="filename" title="15edo-Chords.ogg"&gt;15edo-Chords.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/15edo-Chords.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:902 --&gt; Some nice sounds I found in 15 EDO&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:899:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/happenstance15.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@happenstance15.ogg&amp;quot; title=&amp;quot;File: happenstance15.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="happenstance15.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');" class="filename" title="happenstance15.ogg"&gt;happenstance15.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/happenstance15.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:899 --&gt;Sonic experiment in 15. Somewhat familiar tonality.&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:903:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/happenstance15.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@happenstance15.ogg&amp;quot; title=&amp;quot;File: happenstance15.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="happenstance15.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');" class="filename" title="happenstance15.ogg"&gt;happenstance15.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/happenstance15.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:903 --&gt;Sonic experiment in 15. Somewhat familiar tonality.&lt;br /&gt;
&lt;span class="long-title"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=kQECU5ecCd4" rel="nofollow" target="_blank"&gt;Portrait of insects with 15-tone equal tempered guitar music &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="long-title"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=kQECU5ecCd4" rel="nofollow" target="_blank"&gt;Portrait of insects with 15-tone equal tempered guitar music &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.reverbnation.com/ffffiale/song/3073160-pentadecafonicoda-15et" rel="nofollow"&gt;PentadecafoniCoda (15et)&lt;/a&gt; by &lt;span class="wiki_link_ext"&gt;F.F.F. Fiale&lt;/span&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.reverbnation.com/ffffiale/song/3073160-pentadecafonicoda-15et" rel="nofollow"&gt;PentadecafoniCoda (15et)&lt;/a&gt; by &lt;span class="wiki_link_ext"&gt;F.F.F. Fiale&lt;/span&gt;&lt;br /&gt;