15edo: Difference between revisions

Wikispaces>k9assassin
**Imported revision 604190146 - Original comment: **
Wikispaces>k9assassin
**Imported revision 604275784 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2017-01-14 22:58:16 UTC</tt>.<br>
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2017-01-16 22:40:05 UTC</tt>.<br>
: The original revision id was <tt>604190146</tt>.<br>
: The original revision id was <tt>604275784</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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==Summary==  
==Summary==  
15 Equal or 15 EDO is a tuning which divides the octave into 15 equally spaced pitches. It can be thought of as three sets of 5-EDO which do not connect by fifths. The fifth at 720 cents is quite wide yet still useable as a perfect fifth. Some would describe the fifth as more shimmery and pungent than anything closer to a just 3/2. The perfect fifth of 15 EDO returns to the octave if stacked five times which is radically different than a meantone system.
15 Equal or 15 EDO is a tuning which divides the octave into 15 equally spaced pitches. It can be thought of as three sets of 5-EDO which do not connect by fifths. The fifth at 720 cents is quite wide yet still useable as a perfect fifth. Some would describe the fifth as more shimmery and pungent than anything closer to a just 3/2. The perfect fifth of 15 EDO returns to the octave if stacked five times which is radically different than a meantone system.
==Sagittal Notation:==
15 EDO can be notated in sagittal as a chain of fifths thus 5 EDO would correspond to a pentatonic scale. However, because a chain of five fifths returns to the octave, the semitone is tempered out in 5 EDO equating E with F, B with C, D with Eb and so on. In this way, 5 EDO is the naturals on the staff. EDIT IN PROGRESS
&lt;span style="display: block; text-align: right;"&gt;
&lt;/span&gt;&lt;span style="display: block; text-align: right;"&gt;[[15平均律|日本語]]
&lt;/span&gt;




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||= Degree ||= Cents ||= Solfege
||= Degree ||= Cents ||= Solfege
(porcupine-based) ||= Porcupine[8]
(porcupine-based) ||= Porcupine[8]
based notation ||= Blackwood
(Greek) ||= Blackwood
"guitar notation" ||= Porcupine[7]
"guitar notation" ||= Porcupine[7]
(traditional) ||= Blackwood
(traditional) ||= Blackwood
Decimal ||= Approximate Ratios* ||
Decimal ||= Approximate Ratios* ||
||= 0 ||= 0 ||= do ||= b ||= E ||= G ||= 1 ||= 1/1 ||
||= 0 ||= 0 ||= do ||= α ||= E ||= G ||= 1 ||= 1/1 ||
||= 1 ||= 80 ||= di ||= cb ||= E# ||= G# / Abb ||= 1# / 2b ||= 25/24, 21/20, 16/15 ||
||= 1 ||= 80 ||= di ||= α/ β\ ||= E# ||= G# / Abb ||= 1# / 2b ||= 25/24, 21/20, 16/15 ||
||= 2 ||= 160 ||= ru ||= c ||= Gb ||= Gx / Ab ||= 2 ||= 11/10, 12/11, 10/9 ||
||= 2 ||= 160 ||= ru ||= β ||= Gb ||= Gx / Ab ||= 2 ||= 11/10, 12/11, 10/9 ||
||= 3 ||= 240 ||= re ||= d ||= G ||= A ||= 3 ||= 8/7, 7/6, 9/8 ||
||= 3 ||= 240 ||= re ||= β/ χ\ ||= G ||= A ||= 3 ||= 8/7, 7/6, 9/8 ||
||= 4 ||= 320 ||= me ||= db ||= G# ||= A# / Bb ||= 3# / 4b ||= 6/5, 11/9 ||
||= 4 ||= 320 ||= me ||= χ ||= G# ||= A# / Bb ||= 3# / 4b ||= 6/5, 11/9 ||
||= 5 ||= 400 ||= mi ||= ð (eth) ||= Ab ||= B ||= 4 ||= 5/4, 14/11 ||
||= 5 ||= 400 ||= mi ||= χ/ δ\ ||= Ab ||= B ||= 4 ||= 5/4, 14/11 ||
||= 6 ||= 480 ||= fa ||= ð# ||= A ||= B# / Cb ||= 5 ||= 4/3, 9/7, 21/16 ||
||= 6 ||= 480 ||= fa ||= ð ||= A ||= B# / Cb ||= 5 ||= 4/3, 9/7, 21/16 ||
||= 7 ||= 560 ||= fu ||= e ||= A# ||= C ||= 5# / 6b ||= 11/8, 7/5 ||
||= 7 ||= 560 ||= fu ||= δ/ ε\ ||= A# ||= C ||= 5# / 6b ||= 11/8, 7/5 ||
||= 8 ||= 640 ||= su ||= e# ||= Bb ||= C# / Db ||= 6 ||= 16/11, 10/7 ||
||= 8 ||= 640 ||= su ||= ε ||= Bb ||= C# / Db ||= 6 ||= 16/11, 10/7 ||
||= 9 ||= 720 ||= sol ||= f ||= B ||= D ||= 7 ||= 3/2, 14/9, 32/21 ||
||= 9 ||= 720 ||= sol ||= ε/ φ\ ||= B ||= D ||= 7 ||= 3/2, 14/9, 32/21 ||
||= 10 ||= 800 ||= le ||= f# ||= B# ||= D# / Eb ||= 7# / 8b ||= 8/5, 11/7 ||
||= 10 ||= 800 ||= le ||= φ ||= B# ||= D# / Eb ||= 7# / 8b ||= 8/5, 11/7 ||
||= 11 ||= 880 ||= la ||= þ (thorn) ||= Db ||= E ||= 8 ||= 5/3, 18/11 ||
||= 11 ||= 880 ||= la ||= φ/ γ\ ||= Db ||= E ||= 8 ||= 5/3, 18/11 ||
||= 12 ||= 960 ||= ta ||= þ# ||= D ||= E# / Fb ||= 9 ||= 7/4, 12/7, 16/9 ||
||= 12 ||= 960 ||= ta ||= γ ||= D ||= E# / Fb ||= 9 ||= 7/4, 12/7, 16/9 ||
||= 13 ||= 1040 ||= tu ||= æ (ash) ||= D# ||= F ||= 9# / 0b ||= 20/11, 11/6, 9/5 ||
||= 13 ||= 1040 ||= tu ||= γ/ η\ ||= D# ||= F ||= 9# / 0b ||= 20/11, 11/6, 9/5 ||
||= 14 ||= 1120 ||= ti ||= æ# ||= Eb ||= F# /Gb ||= 0 ||= 48/25, 40/21, 15/8 ||
||= 14 ||= 1120 ||= ti ||= η ||= Eb ||= F# /Gb ||= 0 ||= 48/25, 40/21, 15/8 ||
||= 15 ||= 1200 ||= do ||= b ||= E ||= G ||= 1 ||= 2/1 ||
||= 15 ||= 1200 ||= do ||= α ||= E ||= G ||= 1 ||= 2/1 ||
*based on treating 15-EDO as an 11-limit temperament; other approaches are possible
*based on treating 15-EDO as an 11-limit temperament; other approaches are possible


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||= [[16_13|16/13]], [[13_8|13/8]] ||= 39.472 ||
||= [[16_13|16/13]], [[13_8|13/8]] ||= 39.472 ||


= =
=Notation=  
 
=Alternative Notation=  


There are a variety of other ways to notate 15-edo, and the choice of notation depends heavily which rank-2 temperament or MOS scale one wishes to treat as being the "main focus" of 15-edo composition.
There are a variety of other ways to notate 15-edo, and the choice of notation depends heavily which rank-2 temperament or MOS scale one wishes to treat as being the "main focus" of 15-edo composition.
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==Porcupine Notation==  
==Porcupine Notation==  
* See the main [[Porcupine Notation|porcupine notation]] page.
* See the main [[Porcupine Notation|porcupine notation]] page.
==Porcupine[8] Based Notation==
Porcupine notation bases porcupine[8] LLLLLLLs scale using eight nominals α β χ δ ε φ γ η. Others have proposed ABCDEFGHA but conflicts with european notation have caused many to reject this approach. Thus greek letters can be used in place with a close resemblance to the spelling of ABCDEFGHA.
[[image:porcupine alphabet.png width="400" height="81"]]
William Lynch proposes notating 15 EDO based on an eight nominal system using the old english letters: b c d ð e f þ æ as the alphabet.
Porcupine[7] can also be notated by omitting "ð"
 
The full alphabet with normal sharps and flats: b b# c c# d ð ð# e e# f f# þ þ# æ æ#
alphabet with ups and downs: b b^ c c^ d ð ð^ e e^ f f^ þ þ^ æ æ^


==Interval names for Porcupine[8]:==  
==Interval names for Porcupine[8]:==  
|| Cents || Interval Name || Note names ||
|| Cents || Interval Name || Note names ||
|| 80 || Half Quill || b - b# ||
|| 80 || Half Quill || α - β\ ||
|| 160 || Quill || b - c ||
|| 160 || Quill || α - β ||
|| 240 || Small Diquill || b - c# ||
|| 240 || Small Diquill || α - χ\ ||
|| 320 || Large Diquill || b - d ||
|| 320 || Large Diquill || α - χ ||
|| 400 || Small Triquill || b - ð ||
|| 400 || Small Triquill || α - δ\ ||
|| 480 || Large Triquill || b - ð# ||
|| 480 || Large Triquill || α - δ ||
|| 560 || Small Fourquill || b - e ||
|| 560 || Small Fourquill || α - ε\ ||
|| 640 || Large Fourquill || b - e# ||
|| 640 || Large Fourquill || α - ε ||
|| 720 || Small Fivequill || b - f ||
|| 720 || Small Fivequill || α - φ\ ||
|| 800 || Large Fivequill || b - f# ||
|| 800 || Large Fivequill || α - φ ||
|| 880 || Small Sixquill || b - þ ||
|| 880 || Small Sixquill || α - γ\ ||
|| 960 || Large Sixquill || b - þ# ||
|| 960 || Large Sixquill || α - γ ||
|| 1040 || Small Sevenquill || b - æ ||
|| 1040 || Small Sevenquill || α - η\ ||
|| 1120 || Large Sevenquill || b - æ# ||
|| 1120 || Large Sevenquill || α - η ||
|| 1200 || Octoquill || b - b ||
|| 1200 || Octoquill || α - α ||




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<h4>Original HTML content:</h4>
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&lt;!-- ws:end:WikiTextTocRule:42 --&gt;&lt;!-- ws:start:WikiTextTocRule:43: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#toc6"&gt; &lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:36 --&gt;&lt;!-- ws:start:WikiTextTocRule:37: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Notation-Blackwood Notation"&gt;Blackwood Notation&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:44 --&gt;&lt;!-- ws:start:WikiTextTocRule:45: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Alternative Notation-Blackwood Notation"&gt;Blackwood Notation&lt;/a&gt;&lt;/div&gt;
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&lt;!-- ws:end:WikiTextTocRule:45 --&gt;&lt;!-- ws:start:WikiTextTocRule:46: --&gt;&lt;div style="margin-left: 2em;"&gt;&lt;a href="#Alternative Notation-Porcupine Notation"&gt;Porcupine Notation&lt;/a&gt;&lt;/div&gt;
&lt;!-- ws:end:WikiTextTocRule:39 --&gt;&lt;!-- ws:start:WikiTextTocRule:40: --&gt;&lt;div style="margin-left: 1em;"&gt;&lt;a href="#Rank two temperaments"&gt;Rank two temperaments&lt;/a&gt;&lt;/div&gt;
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  &lt;!-- ws:start:WikiTextLocalImageRule:1350:&amp;lt;img src=&amp;quot;/file/view/15%20tone%20keyboard.png/604190106/800x333/15%20tone%20keyboard.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 333px; width: 800px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/15%20tone%20keyboard.png/604190106/800x333/15%20tone%20keyboard.png" alt="15 tone keyboard.png" title="15 tone keyboard.png" style="height: 333px; width: 800px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1350 --&gt;&lt;br /&gt;
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  &lt;!-- ws:start:WikiTextLocalImageRule:1359:&amp;lt;img src=&amp;quot;/file/view/15%20tone%20keyboard.png/604190106/800x333/15%20tone%20keyboard.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 333px; width: 800px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/15%20tone%20keyboard.png/604190106/800x333/15%20tone%20keyboard.png" alt="15 tone keyboard.png" title="15 tone keyboard.png" style="height: 333px; width: 800px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1359 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x15-Tone Equal Temperament (15-EDO)-Summary"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Summary&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x15-Tone Equal Temperament (15-EDO)-Summary"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Summary&lt;/h2&gt;
  15 Equal or 15 EDO is a tuning which divides the octave into 15 equally spaced pitches. It can be thought of as three sets of 5-EDO which do not connect by fifths. The fifth at 720 cents is quite wide yet still useable as a perfect fifth. Some would describe the fifth as more shimmery and pungent than anything closer to a just 3/2. The perfect fifth of 15 EDO returns to the octave if stacked five times which is radically different than a meantone system.&lt;br /&gt;
  15 Equal or 15 EDO is a tuning which divides the octave into 15 equally spaced pitches. It can be thought of as three sets of 5-EDO which do not connect by fifths. The fifth at 720 cents is quite wide yet still useable as a perfect fifth. Some would describe the fifth as more shimmery and pungent than anything closer to a just 3/2. The perfect fifth of 15 EDO returns to the octave if stacked five times which is radically different than a meantone system.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x15-Tone Equal Temperament (15-EDO)-Sagittal Notation:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Sagittal Notation:&lt;/h2&gt;
15 EDO can be notated in sagittal as a chain of fifths thus 5 EDO would correspond to a pentatonic scale. However, because a chain of five fifths returns to the octave, the semitone is tempered out in 5 EDO equating E with F, B with C, D with Eb and so on. In this way, 5 EDO is the naturals on the staff. EDIT IN PROGRESS&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="display: block; text-align: right;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;span style="display: block; text-align: right;"&gt;&lt;a class="wiki_link" href="/15%E5%B9%B3%E5%9D%87%E5%BE%8B"&gt;日本語&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Line 301: Line 274:
A recommended method to the notation of 15-edo by some is a system based on porcupine[8] in which eight nominals form the base diatonic scale. In this sense, the &amp;quot;quill&amp;quot; is the name given to the two step interval (160c) of 15-edo while the &amp;quot;small quill&amp;quot; (80c) is the chroma of 15-edo. This produces a very consistent notation for both porcupine[8] and Blackwood[10] and seems to work much better than attempting to put 15-edo into a seven nominal based framework.&lt;br /&gt;
A recommended method to the notation of 15-edo by some is a system based on porcupine[8] in which eight nominals form the base diatonic scale. In this sense, the &amp;quot;quill&amp;quot; is the name given to the two step interval (160c) of 15-edo while the &amp;quot;small quill&amp;quot; (80c) is the chroma of 15-edo. This produces a very consistent notation for both porcupine[8] and Blackwood[10] and seems to work much better than attempting to put 15-edo into a seven nominal based framework.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Images&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Images&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc4"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Intervals&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc3"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Intervals&lt;/h1&gt;
   
   


Line 318: Line 291:
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Porcupine[8]&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Porcupine[8]&lt;br /&gt;
based notation&lt;br /&gt;
(Greek)&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Blackwood&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Blackwood&lt;br /&gt;
Line 339: Line 312:
         &lt;td style="text-align: center;"&gt;do&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;do&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;b&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;α&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;E&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;E&lt;br /&gt;
Line 357: Line 330:
         &lt;td style="text-align: center;"&gt;di&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;di&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;cb&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;α/ β\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;E#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;E#&lt;br /&gt;
Line 375: Line 348:
         &lt;td style="text-align: center;"&gt;ru&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;ru&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;c&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;β&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Gb&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Gb&lt;br /&gt;
Line 393: Line 366:
         &lt;td style="text-align: center;"&gt;re&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;re&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;d&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;β/ χ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;G&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;G&lt;br /&gt;
Line 411: Line 384:
         &lt;td style="text-align: center;"&gt;me&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;me&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;db&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;χ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;G#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;G#&lt;br /&gt;
Line 429: Line 402:
         &lt;td style="text-align: center;"&gt;mi&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;mi&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;ð (eth)&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;χ/ δ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Ab&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Ab&lt;br /&gt;
Line 447: Line 420:
         &lt;td style="text-align: center;"&gt;fa&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;fa&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;ð#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;ð&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;A&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;A&lt;br /&gt;
Line 465: Line 438:
         &lt;td style="text-align: center;"&gt;fu&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;fu&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;e&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;δ/ ε\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;A#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;A#&lt;br /&gt;
Line 483: Line 456:
         &lt;td style="text-align: center;"&gt;su&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;su&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;e#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;ε&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Bb&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Bb&lt;br /&gt;
Line 501: Line 474:
         &lt;td style="text-align: center;"&gt;sol&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;sol&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;f&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;ε/ φ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;B&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;B&lt;br /&gt;
Line 519: Line 492:
         &lt;td style="text-align: center;"&gt;le&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;le&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;f#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;φ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;B#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;B#&lt;br /&gt;
Line 537: Line 510:
         &lt;td style="text-align: center;"&gt;la&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;la&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;þ (thorn)&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;φ/ γ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Db&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Db&lt;br /&gt;
Line 555: Line 528:
         &lt;td style="text-align: center;"&gt;ta&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;ta&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;þ#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;γ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;D&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;D&lt;br /&gt;
Line 573: Line 546:
         &lt;td style="text-align: center;"&gt;tu&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;tu&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;æ (ash)&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;γ/ η\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;D#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;D#&lt;br /&gt;
Line 591: Line 564:
         &lt;td style="text-align: center;"&gt;ti&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;ti&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;æ#&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;η&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;Eb&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;Eb&lt;br /&gt;
Line 609: Line 582:
         &lt;td style="text-align: center;"&gt;do&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;do&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;b&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;α&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td style="text-align: center;"&gt;E&lt;br /&gt;
         &lt;td style="text-align: center;"&gt;E&lt;br /&gt;
Line 923: Line 896:
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Intervals-Selected just intervals by error"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Selected just intervals by error&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Intervals-Selected just intervals by error"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Selected just intervals by error&lt;/h2&gt;
  The following table shows how &lt;a class="wiki_link" href="/Just-24"&gt;some prominent just intervals&lt;/a&gt; are represented in 15edo (ordered by absolute error).&lt;br /&gt;
  The following table shows how &lt;a class="wiki_link" href="/Just-24"&gt;some prominent just intervals&lt;/a&gt; are represented in 15edo (ordered by absolute error).&lt;br /&gt;


Line 1,083: Line 1,056:


&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt; &lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc5"&gt;&lt;a name="Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Notation&lt;/h1&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Alternative Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Alternative Notation&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
There are a variety of other ways to notate 15-edo, and the choice of notation depends heavily which rank-2 temperament or MOS scale one wishes to treat as being the &amp;quot;main focus&amp;quot; of 15-edo composition.&lt;br /&gt;
There are a variety of other ways to notate 15-edo, and the choice of notation depends heavily which rank-2 temperament or MOS scale one wishes to treat as being the &amp;quot;main focus&amp;quot; of 15-edo composition.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Alternative Notation-Blackwood Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Blackwood Notation&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Notation-Blackwood Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;Blackwood Notation&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&lt;strong&gt;Decimal Version:&lt;/strong&gt; Using the nominals 1-0 (with 0 representing &amp;quot;10&amp;quot;), one of the three chains of 5-edo is represented by the odd numbers, the second by the even numbers, and the third by numbers with accidentals (either odd numbers with sharps, or even numbers with flats).&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Guitar Version:&lt;/strong&gt; On a 15-edo guitar, because the &amp;quot;perfect fourth&amp;quot; comes from 5-edo, all of the open strings can be tuned a perfect fourth apart and still span exactly two octaves. If one starts the circle of fourths on B — B-E-A-D-G-(B) — then the open strings of the guitar can be notated as usual (E-A-D-G-B-E). However, because the circle of fourths closes at five, and does not continue to circulate through the other 10 notes of 15-edo, it is necessary to use accidentals to notate intervals on the other two chains of 5-edo. This notation is not particularly ideal as a basis for a staff notation (as it requires all non-5edo chords to be notated with accidentals). It is nevertheless useful because it reflects an intuitive approach to 15-edo on the guitar, since 5-edo provides a useful set of 3-limit landmarks (or &amp;quot;perfect fourths&amp;quot; and &amp;quot;perfect fifths&amp;quot;) that can be used to navigate the fretboard. It's especially convenient for writing chord charts, where the funky accidental-laden spellings can be more or less ignored.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;&lt;strong&gt;Decimal Version:&lt;/strong&gt; Using the nominals 1-0 (with 0 representing &amp;quot;10&amp;quot;), one of the three chains of 5-edo is represented by the odd numbers, the second by the even numbers, and the third by numbers with accidentals (either odd numbers with sharps, or even numbers with flats).&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Guitar Version:&lt;/strong&gt; On a 15-edo guitar, because the &amp;quot;perfect fourth&amp;quot; comes from 5-edo, all of the open strings can be tuned a perfect fourth apart and still span exactly two octaves. If one starts the circle of fourths on B — B-E-A-D-G-(B) — then the open strings of the guitar can be notated as usual (E-A-D-G-B-E). However, because the circle of fourths closes at five, and does not continue to circulate through the other 10 notes of 15-edo, it is necessary to use accidentals to notate intervals on the other two chains of 5-edo. This notation is not particularly ideal as a basis for a staff notation (as it requires all non-5edo chords to be notated with accidentals). It is nevertheless useful because it reflects an intuitive approach to 15-edo on the guitar, since 5-edo provides a useful set of 3-limit landmarks (or &amp;quot;perfect fourths&amp;quot; and &amp;quot;perfect fifths&amp;quot;) that can be used to navigate the fretboard. It's especially convenient for writing chord charts, where the funky accidental-laden spellings can be more or less ignored.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc9"&gt;&lt;a name="Alternative Notation-Porcupine Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Porcupine Notation&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="Notation-Porcupine Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Porcupine Notation&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;See the main &lt;a class="wiki_link" href="/Porcupine%20Notation"&gt;porcupine notation&lt;/a&gt; page.&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc10"&gt;&lt;a name="Alternative Notation-Porcupine[8] Based Notation"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Porcupine[8] Based Notation&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;See the main &lt;a class="wiki_link" href="/Porcupine%20Notation"&gt;porcupine notation&lt;/a&gt; page.&lt;/li&gt;&lt;/ul&gt;Porcupine notation bases porcupine[8] LLLLLLLs scale using eight nominals α β χ δ ε φ γ η. Others have proposed ABCDEFGHA but conflicts with european notation have caused many to reject this approach. Thus greek letters can be used in place with a close resemblance to the spelling of ABCDEFGHA. &lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:1363:&amp;lt;img src=&amp;quot;/file/view/porcupine%20alphabet.png/561701315/400x81/porcupine%20alphabet.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 81px; width: 400px;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/porcupine%20alphabet.png/561701315/400x81/porcupine%20alphabet.png" alt="porcupine alphabet.png" title="porcupine alphabet.png" style="height: 81px; width: 400px;" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1363 --&gt;&lt;br /&gt;
William Lynch proposes notating 15 EDO based on an eight nominal system using the old english letters: b c d ð e f þ æ as the alphabet.&lt;br /&gt;
Porcupine[7] can also be notated by omitting &amp;quot;ð&amp;quot;&lt;br /&gt;
&lt;br /&gt;
The full alphabet with normal sharps and flats: b b# c c# d ð ð# e e# f f# þ þ# æ æ#&lt;br /&gt;
alphabet with ups and downs: b b^ c c^ d ð ð^ e e^ f f^ þ þ^ æ æ^&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc11"&gt;&lt;a name="Alternative Notation-Interval names for Porcupine[8]:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;Interval names for Porcupine[8]:&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="Notation-Interval names for Porcupine[8]:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Interval names for Porcupine[8]:&lt;/h2&gt;
   
   


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         &lt;td&gt;Half Quill&lt;br /&gt;
         &lt;td&gt;Half Quill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - b#&lt;br /&gt;
         &lt;td&gt;α - β\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Quill&lt;br /&gt;
         &lt;td&gt;Quill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - c&lt;br /&gt;
         &lt;td&gt;α - β&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Small Diquill&lt;br /&gt;
         &lt;td&gt;Small Diquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - c#&lt;br /&gt;
         &lt;td&gt;α - χ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Large Diquill&lt;br /&gt;
         &lt;td&gt;Large Diquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - d&lt;br /&gt;
         &lt;td&gt;α - χ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Small Triquill&lt;br /&gt;
         &lt;td&gt;Small Triquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - ð&lt;br /&gt;
         &lt;td&gt;α - δ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Large Triquill&lt;br /&gt;
         &lt;td&gt;Large Triquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - ð#&lt;br /&gt;
         &lt;td&gt;α - δ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Small Fourquill&lt;br /&gt;
         &lt;td&gt;Small Fourquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - e&lt;br /&gt;
         &lt;td&gt;α - ε\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Large Fourquill&lt;br /&gt;
         &lt;td&gt;Large Fourquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - e#&lt;br /&gt;
         &lt;td&gt;α - ε&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Small Fivequill&lt;br /&gt;
         &lt;td&gt;Small Fivequill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - f&lt;br /&gt;
         &lt;td&gt;α - φ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Large Fivequill&lt;br /&gt;
         &lt;td&gt;Large Fivequill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - f#&lt;br /&gt;
         &lt;td&gt;α - φ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Small Sixquill&lt;br /&gt;
         &lt;td&gt;Small Sixquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - þ&lt;br /&gt;
         &lt;td&gt;α - γ\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Large Sixquill&lt;br /&gt;
         &lt;td&gt;Large Sixquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - þ#&lt;br /&gt;
         &lt;td&gt;α - γ&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Small Sevenquill&lt;br /&gt;
         &lt;td&gt;Small Sevenquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - æ&lt;br /&gt;
         &lt;td&gt;α - η\&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Large Sevenquill&lt;br /&gt;
         &lt;td&gt;Large Sevenquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - æ#&lt;br /&gt;
         &lt;td&gt;α - η&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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         &lt;td&gt;Octoquill&lt;br /&gt;
         &lt;td&gt;Octoquill&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
         &lt;td&gt;b - b&lt;br /&gt;
         &lt;td&gt;α - α&lt;br /&gt;
&lt;/td&gt;
&lt;/td&gt;
     &lt;/tr&gt;
     &lt;/tr&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc12"&gt;&lt;a name="Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;Rank two temperaments&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc9"&gt;&lt;a name="Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;Rank two temperaments&lt;/h1&gt;
  &lt;a class="wiki_link" href="/List%20of%2015et%20rank%20two%20temperaments%20by%20badness"&gt;List of 15et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link" href="/List%20of%2015et%20rank%20two%20temperaments%20by%20badness"&gt;List of 15et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2015et%20rank%20two%20temperaments"&gt;List of edo-distinct 15et rank two temperaments&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%20edo-distinct%2015et%20rank%20two%20temperaments"&gt;List of edo-distinct 15et rank two temperaments&lt;/a&gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:28:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc13"&gt;&lt;a name="Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:28 --&gt;Commas&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:22:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc10"&gt;&lt;a name="Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:22 --&gt;Commas&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
15 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers&lt;/a&gt; out the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes the val &amp;lt; 15 24 35 42 52 56 |.)&lt;br /&gt;
15 EDO &lt;a class="wiki_link" href="/tempering%20out"&gt;tempers&lt;/a&gt; out the following &lt;a class="wiki_link" href="/comma"&gt;comma&lt;/a&gt;s. (Note: This assumes the val &amp;lt; 15 24 35 42 52 56 |.)&lt;br /&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:30:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc14"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:30 --&gt;Theory&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:24:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc11"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:24 --&gt;Theory&lt;/h1&gt;
  &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/dar35.htm" rel="nofollow"&gt;The 15-Tone Scale System&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZyzKBEW" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/dar35.htm" rel="nofollow"&gt;The 15-Tone Scale System&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xZyzKBEW" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.inteas.com/Penta01.htm" rel="nofollow"&gt;The Pentadecaphonic System&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.inteas.com/Penta01.htm" rel="nofollow"&gt;The Pentadecaphonic System&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Ebrentishere/15noteequaltempermenttutorial.html" rel="nofollow"&gt;15-EDO Tutorial&lt;/a&gt; by &lt;a class="wiki_link" href="/Brent%20Carson"&gt;Brent Carson&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeJYBsDg" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://home.comcast.net/%7Ebrentishere/15noteequaltempermenttutorial.html" rel="nofollow"&gt;15-EDO Tutorial&lt;/a&gt; by &lt;a class="wiki_link" href="/Brent%20Carson"&gt;Brent Carson&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeJYBsDg" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
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&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:32:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc15"&gt;&lt;a name="Practical Theory / Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:32 --&gt;Practical Theory / Books&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:26:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc12"&gt;&lt;a name="Practical Theory / Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:26 --&gt;Practical Theory / Books&lt;/h1&gt;
  &lt;a class="wiki_link_ext" href="http://www.swordguitars.com" rel="nofollow"&gt;Sword, Ronald. &amp;quot;Pendecaphonic Scales for Guitar&amp;quot; IAAA Press, UK-USA. First Ed: June 2009.&lt;/a&gt; - A large repository of all known scales and temperament families in the 15-edo system. 300+ examples /w chord-scale progressions.&lt;br /&gt;
  &lt;a class="wiki_link_ext" href="http://www.swordguitars.com" rel="nofollow"&gt;Sword, Ronald. &amp;quot;Pendecaphonic Scales for Guitar&amp;quot; IAAA Press, UK-USA. First Ed: June 2009.&lt;/a&gt; - A large repository of all known scales and temperament families in the 15-edo system. 300+ examples /w chord-scale progressions.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:34:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc16"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:34 --&gt;Compositions&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:28:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc13"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:28 --&gt;Compositions&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/" rel="nofollow" target="_blank"&gt;XA 15-ET Directory&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
&lt;strong&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/15-ET/" rel="nofollow" target="_blank"&gt;XA 15-ET Directory&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
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&lt;a class="wiki_link_ext" href="http://youtu.be/6TyQ9kDm2fk" rel="nofollow"&gt;Ode For Ada&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/5f07ebbdf8b4ba8ef067ed3d00a38357-158.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://youtu.be/6TyQ9kDm2fk" rel="nofollow"&gt;Ode For Ada&lt;/a&gt; by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt; (&lt;a class="wiki_link_ext" href="http://www.seraph.it/blog_files/5f07ebbdf8b4ba8ef067ed3d00a38357-158.html" rel="nofollow"&gt;blog entry&lt;/a&gt;)&lt;br /&gt;
Suite in 15-Note Equal Tuning, opus 33 by Easley Blackwood (as well as one of the Twelve Microtonal Etudes, opus 28)&lt;br /&gt;
Suite in 15-Note Equal Tuning, opus 33 by Easley Blackwood (as well as one of the Twelve Microtonal Etudes, opus 28)&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:1365:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/15edo-Chords.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@15edo-Chords.ogg&amp;quot; title=&amp;quot;File: 15edo-Chords.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="15edo-Chords.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');" class="filename" title="15edo-Chords.ogg"&gt;15edo-Chords.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/15edo-Chords.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:1365 --&gt; Some nice sounds I found in 15 EDO&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:1355:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/15edo-Chords.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@15edo-Chords.ogg&amp;quot; title=&amp;quot;File: 15edo-Chords.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="15edo-Chords.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg" onclick="ws.common.trackFileLink('/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg');" class="filename" title="15edo-Chords.ogg"&gt;15edo-Chords.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/15edo-Chords.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/15edo-Chords.ogg/252472844/15edo-Chords.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;2 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:1355 --&gt; Some nice sounds I found in 15 EDO&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:1366:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/happenstance15.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@happenstance15.ogg&amp;quot; title=&amp;quot;File: happenstance15.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="happenstance15.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');" class="filename" title="happenstance15.ogg"&gt;happenstance15.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/happenstance15.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:1366 --&gt;Sonic experiment in 15. Somewhat familiar tonality.&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:1356:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/happenstance15.ogg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@happenstance15.ogg&amp;quot; title=&amp;quot;File: happenstance15.ogg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="happenstance15.ogg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg" onclick="ws.common.trackFileLink('/file/view/happenstance15.ogg/257380320/happenstance15.ogg');" class="filename" title="happenstance15.ogg"&gt;happenstance15.ogg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/happenstance15.ogg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/happenstance15.ogg/257380320/happenstance15.ogg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;6 MB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:1356 --&gt;Sonic experiment in 15. Somewhat familiar tonality.&lt;br /&gt;
&lt;span class="long-title"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=kQECU5ecCd4" rel="nofollow" target="_blank"&gt;Portrait of insects with 15-tone equal tempered guitar music &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span class="long-title"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=kQECU5ecCd4" rel="nofollow" target="_blank"&gt;Portrait of insects with 15-tone equal tempered guitar music &lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.reverbnation.com/ffffiale/song/3073160-pentadecafonicoda-15et" rel="nofollow"&gt;PentadecafoniCoda (15et)&lt;/a&gt; by &lt;span class="wiki_link_ext"&gt;F.F.F. Fiale&lt;/span&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://www.reverbnation.com/ffffiale/song/3073160-pentadecafonicoda-15et" rel="nofollow"&gt;PentadecafoniCoda (15et)&lt;/a&gt; by &lt;span class="wiki_link_ext"&gt;F.F.F. Fiale&lt;/span&gt;&lt;br /&gt;