13/11: Difference between revisions
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| Monzo = 0 0 0 0 -1 1 | | Monzo = 0 0 0 0 -1 1 | ||
| Cents = 289.20972 | | Cents = 289.20972 | ||
| Name = tridecimal minor third, <br> Neo-Gothic minor third | | Name = tridecimal minor third, <br>Neo-Gothic minor third | ||
| Color name = | | Color name = | ||
| FJS name = m3<sup>13</sup><sub>11</sub> | |||
| Sound = jid_13_11_pluck_adu_dr220.mp3 | | Sound = jid_13_11_pluck_adu_dr220.mp3 | ||
}} | }} | ||
In [[13-limit]] [[just intonation]], '''13/11''' is ''' | In [[13-limit]] [[just intonation]], '''13/11''' is the '''tridecimal minor third''' or '''Neo-Gothic minor third''', measuring about 289.2¢. It is the difference between the 11th and 13th [[harmonic]]s. The (octave-reduced) 11th harmonic ([[11/8]], about 551.3¢) and 13th harmonic ([[13/8]], about 840.5¢) are both quite xenharmonic and demand new interval categories, while 13/11 can be likened unto some kind of relatively complex minor third. It can even function as such in a 13-limit [[Neo-Gothic]] minor triad of 22:26:33, with a [[3/2]] perfect fifth between 33 and 22. Compare this to 22:26:32 (11:13:16), which has the much more dissonant [[16/11]] as the outside interval in place of 3/2. The latter triad sounds more like a xenharmonic version of a diminished triad, and could not be confused with simpler diminished triads such as 5:6:7. | ||
13/11 is the classic [[ | 13/11 is the classic [[mediant]] between the simpler and more familiar ratios [[6/5]] and [[7/6]], as it can be given as (6+7)/(5+6). This puts in between the latter ratios, slightly closer to 7/6. More complex minor thirds can be generated by taking the mediant between 13/11 and 7/6 (which yields (13+7)/(11+6) = [[20/17]], the septendecimal subminor third, about 281.4¢) and between 13/11 and 6/5 (which yields (13+6)/(11+5) = [[19/16]], the overtone minor third of [[19-limit]] JI, about 297.5¢). (See the diagram below.) | ||
{| class="wikitable center-all" | {| class="wikitable center-all" | ||
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== See also == | == See also == | ||
* [[22/13]] – its [[octave complement]] | |||
* [[22/13]] | * [[33/26]] – its [[fifth complement]] | ||
* [[33/26]] | |||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
* [[ | * [[Gentle chords]] | ||
* [[List of root-3rd-P5 triads in JI]] | * [[List of root-3rd-P5 triads in JI]] | ||
* [[:File:Ji-13-11-csound-foscil-220hz.mp3]] | * [[:File:Ji-13-11-csound-foscil-220hz.mp3]] – another sound example | ||
== External links == | == External links == | ||
* [http://dkeenan.com/Music/NobleMediant.txt ''The Noble Mediant''] by Margo Schulter and David Keenan, the earliest description of 13/11 as the "Neo-Gothic" minor third | |||
[[Category:13-limit]] | |||
[[Category:Interval ratio]] | |||
[[Category:Minor third]] | [[Category:Minor third]] | ||
[[Category:Third]] | [[Category:Third]] | ||
[[Category:Listen]] | [[Category:Listen]] | ||
[[Category:Over-11]] | [[Category:Over-11]] | ||
[[Category:Minthmic]] | |||
[[Category:Gentle]] | |||
[[Category:Neo-gothic]] | |||
Revision as of 11:15, 20 September 2020
| Interval information |
Neo-Gothic minor third
[sound info]
In 13-limit just intonation, 13/11 is the tridecimal minor third or Neo-Gothic minor third, measuring about 289.2¢. It is the difference between the 11th and 13th harmonics. The (octave-reduced) 11th harmonic (11/8, about 551.3¢) and 13th harmonic (13/8, about 840.5¢) are both quite xenharmonic and demand new interval categories, while 13/11 can be likened unto some kind of relatively complex minor third. It can even function as such in a 13-limit Neo-Gothic minor triad of 22:26:33, with a 3/2 perfect fifth between 33 and 22. Compare this to 22:26:32 (11:13:16), which has the much more dissonant 16/11 as the outside interval in place of 3/2. The latter triad sounds more like a xenharmonic version of a diminished triad, and could not be confused with simpler diminished triads such as 5:6:7.
13/11 is the classic mediant between the simpler and more familiar ratios 6/5 and 7/6, as it can be given as (6+7)/(5+6). This puts in between the latter ratios, slightly closer to 7/6. More complex minor thirds can be generated by taking the mediant between 13/11 and 7/6 (which yields (13+7)/(11+6) = 20/17, the septendecimal subminor third, about 281.4¢) and between 13/11 and 6/5 (which yields (13+6)/(11+5) = 19/16, the overtone minor third of 19-limit JI, about 297.5¢). (See the diagram below.)
| subminor and minor third | 7/6 266.9¢ |
6/5 315.6¢ | |||||||
|---|---|---|---|---|---|---|---|---|---|
| interval in between | << | 36:35 48.7¢ |
>> | ||||||
| add mediant (13/11) | 7/6 266.9¢ |
13/11 289.2¢ |
6/5 315.6¢ | ||||||
| intervals in between | << | 78:77 22.3¢ |
>> | << | 66:65 26.4¢ |
>> | |||
| add mediants (20/17 and 19/16) | 7/6 266.9¢ |
20/17 281.4¢ |
13/11 289.2¢ |
19/16 297.5¢ |
6/5 315.6¢ | ||||
| intervals in between | << 120:119 >> 14.5¢ |
<< 221:220 >> 7.9¢ |
<< 209:208 >> 8.3¢ |
<< 96:95 >> 18.1¢ |
|||||
13/11 is also 352/351 (about 4.9¢) narrower than 32/27, the minor third in Pythagorean (3-limit) tuning.
See also
- 22/13 – its octave complement
- 33/26 – its fifth complement
- Gallery of just intervals
- Gentle chords
- List of root-3rd-P5 triads in JI
- File:Ji-13-11-csound-foscil-220hz.mp3 – another sound example
External links
- The Noble Mediant by Margo Schulter and David Keenan, the earliest description of 13/11 as the "Neo-Gothic" minor third