Yer: Difference between revisions
Cmloegcmluin (talk | contribs) No edit summary |
Cmloegcmluin (talk | contribs) |
||
| Line 102: | Line 102: | ||
It has a minor third of 19:16 and a minor second 17:16. | It has a minor third of 19:16 and a minor second 17:16. | ||
== EFG | == EFG as combination of CPS's == | ||
Every pitch in the system is a combination of either zero, one, two, three, or four of 11, 13, 17, or 19, for a total of 1 + 4 + 6 + 4 + 1 = 16 pitches. In other words it is the [[wikipedia:Power_set|powerset]] of {11, 13, 17, 19}. If familiar with [[Erv Wilson|Erv Wilson]]’s [[Combination_product_sets|Combination Product Sets]], or CPS's, it may help to think of an Euler-Fokker Genus as the intersection of the choose-1 tetrany, the choose-2 hexany, and the choose-3 tetrany, plus the unison, plus 11 * 13 * 17 * 19 all together which may be called the aota, an acronym for “all of the above”. | Every pitch in the system is a combination of either zero, one, two, three, or four of 11, 13, 17, or 19, for a total of 1 + 4 + 6 + 4 + 1 = 16 pitches. In other words it is the [[wikipedia:Power_set|powerset]] of {11, 13, 17, 19}. If familiar with [[Erv Wilson|Erv Wilson]]’s [[Combination_product_sets|Combination Product Sets]], or CPS's, it may help to think of an Euler-Fokker Genus as the intersection of the choose-1 tetrany, the choose-2 hexany, and the choose-3 tetrany, plus the unison, plus 11 * 13 * 17 * 19 all together which may be called the aota, an acronym for “all of the above”. | ||
[[File:EFG as CPSs.png|none|thumb| | [[File:EFG as CPSs.png|none|thumb| | ||
EFG as combination of | EFG as combination of CPS's | ||
]] | ]] | ||
As an EFG, it has no subharmonic factors, that is, no division - only multiplication of them together, which leads to it being [https://en.xen.wiki/w/Otonality_and_utonality#Ambitonal ambitonal], not otonal or utonal leaning. While it is nicely “balanced/symmetrical” as all CPSs are, pitches in the resultant system are not evenly distributed. There are two massive gaps of 185 cents, and two places where pitches land almost directly on top of each other. | As an EFG, it has no subharmonic factors, that is, no division - only multiplication of them together, which leads to it being [https://en.xen.wiki/w/Otonality_and_utonality#Ambitonal ambitonal], not otonal or utonal leaning. While it is nicely “balanced/symmetrical” as all CPSs are, pitches in the resultant system are not evenly distributed. There are two massive gaps of 185 cents, and two places where pitches land almost directly on top of each other. | ||
== | == Blumeyer comma == | ||
Those pitches right on top of each other are a feature, not a bug. The pitch 11 * 13 * 17 is 2431, only one off from the pitch 19, which when octave adjusted is 2432. So we end up with this superparticular ratio, 2432:2431, called the Blumeyer comma. | Those pitches right on top of each other are a feature, not a bug. The pitch 11 * 13 * 17 is 2431, only one off from the pitch 19, which when octave adjusted is 2432. So we end up with this superparticular ratio, 2432:2431, called the Blumeyer comma. | ||
| Line 126: | Line 126: | ||
|0.71200249782 | |0.71200249782 | ||
|<nowiki>| 7 0 0 0 -1 -1 -1 1 ></nowiki> | |<nowiki>| 7 0 0 0 -1 -1 -1 1 ></nowiki> | ||
|} | |} | ||
[[File:Blumeyer comma.png|none|thumb| | |||
Blumeyer comma visualized | |||
]] | |||
== Lattice Play == | == Lattice Play == | ||
| Line 146: | Line 142: | ||
So every point in the first cube is connected to the analogous node in the second cube. Normally the node for 19 would not have any direct connection with the node 11, 13, 17. It only directly connects with one node in the other cube, its analogous one, the unison. But here we see that not only is there another effect going on connecting these two nodes, that effect goes beyond connecting them, it straight up conflates them. | So every point in the first cube is connected to the analogous node in the second cube. Normally the node for 19 would not have any direct connection with the node 11, 13, 17. It only directly connects with one node in the other cube, its analogous one, the unison. But here we see that not only is there another effect going on connecting these two nodes, that effect goes beyond connecting them, it straight up conflates them. | ||
But that's not all; recall that there were two other pairs of pitches that were almost the same, too. One of those pairs has such simple sounding members, it may surprise you: 13 and 11 * 19. In this view, we can see that they are nowhere near each other. So we’ll have to nudge our lattice around a little bit more; that's how we arrive at the final lattice shown in the introduction. | |||
[[File:Yer - other comma conflation.png|none|thumb| | [[File:Yer - other comma conflation.png|none|thumb| | ||
Blume comma conflation | Blume comma conflation - before | ||
]] | |||
== Blume comma == | |||
The reason why 13 and 11 * 19 are so close is that it turns out there is a *another* comma existing in this world of 11’s, 13’s, 17’s, and 19’s — not nearly as exciting or colorful of one, but it’s there. If we move by an eleventh, a seventeenth, and another eleventh, we end up right back where you started, off by 7.591 cents. 13 and 11 * 19 are off from each other by an amount of one Blumeyer comma and one Blume comma. These two commas are just both so small that it doesn’t much matter. 7.591 + 0.712 is still just 8.303 cents. | |||
{| class="wikitable" | |||
|+ | |||
!name | |||
!value | |||
!cents | |||
!monzo | |||
|- | |||
|Blume comma | |||
|2057/2048 | |||
|7.59129422992 | |||
|<nowiki>| -11 0 0 0 2 0 1 ></nowiki> | |||
|} | |||
[[File:Blume comma.png|none|thumb| | |||
Blume comma visualized | |||
]] | ]] | ||
== Scala file == | == Scala file == | ||