2/7-comma meantone: Difference between revisions
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m Xenwolf moved page 2-7 Syntonic Comma Meantone to 2/7 syntonic comma meantone: changed into intended lemma (that was not possible in Wikispaces), changed into Sentence case |
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In 2/7-comma meantone, the JI fifth of 3/2 is flattened by 2/7 of a syntonic comma (81/80.) It is one of the meantone tunings proposed early on, by Gioseffo Zarlino, Francisco Salinas and Vincenzo Galilei. It may also be described as the regular tuning which tempers out 81/80 and tunes 2 and 25/24 purely. | In '''2/7-comma meantone''', the JI fifth of [[3/2]] is flattened by 2/7 of a syntonic comma ([[81/80]].) It is one of the meantone tunings proposed early on, by Gioseffo Zarlino, Francisco Salinas and Vincenzo Galilei. It may also be described as the regular tuning which tempers out 81/80 and tunes 2 and [[25/24]] purely. | ||
[http://www.tonalsoft.com/enc/number/2-7cmt.aspx Tonalsoft article on 2/7 comma meantone] | == See also == | ||
* [http://www.tonalsoft.com/enc/number/2-7cmt.aspx Tonalsoft article on 2/7 comma meantone] | |||
[[Category:Meantone]] | |||
Revision as of 21:38, 24 October 2018
In 2/7-comma meantone, the JI fifth of 3/2 is flattened by 2/7 of a syntonic comma (81/80.) It is one of the meantone tunings proposed early on, by Gioseffo Zarlino, Francisco Salinas and Vincenzo Galilei. It may also be described as the regular tuning which tempers out 81/80 and tunes 2 and 25/24 purely.