15edo/Interval names

Degree	Cents	Igs' Input	Keenan Category	Kite's Colours	Margo's Method	SagiSpeak	Aaron's Answer	Ups and a-downs	Gareth's Go	Represented Ratios
0	0	Unison	P1	w1	Unison	P1	P1	P1	P1	1/1
1	80	Subminor 2nd	m2	g2	Minor 2nd	pai-P1	m2	^P1	m2	25/24, 21/20, 16/15
2	160	Neutral 2nd	M2	y2	Large Neutral 2nd	pao-M2	NM2 (Narrow M2)	vM2	M2	11/10, 12/11, 10/9
3	240	Supermajor 2nd	A2/d3	w2	Large Major 2nd	M2	LM2	M2	Serd*	8/7, 7/6, 9/8
4	320	Minor 3rd	m3	g3	Large Minor 3rd	pai-m3	Lm3	^m3	m3	6/5, 11/9
5	400	Major 3rd	M3	y3	Major 3rd	pao-M3	M3	vM3	M3	5/4, 14/11
6	480	Sub 4th	P4	w4	Small Perfect 4th	P4	S4 (Small 4)	P4	P4	4/3, 9/7, 21/16
7	560	Narrow Tritone	A4	zg5	Small Tritone	pai-P4	Na4/Sd5	^P4	A4	11/8, 7/5
8	640	Wide Tritone	d5	ry4	Large Tritone	pao-P5	La4/Wd5	vP5	d5	16/11, 10/7
9	720	Perfect / Super 5th	P5	w5	Large Perfect 5th	P5	L5	P5	P5	3/2, 14/9, 32/21
10	800	Minor 6th	m6	g6	Minor 6th	pai-m6	m6	^m6	m6	8/5, 11/7
11	880	Major 6th	M6	y6	Small Major 6th	pao-M6	SM6	vM6	M6	5/3, 18/11
12	960	Subminor 7th	A6/d7	w7	Small Minor 7th	m7	SM7	m7	Sinth*	7/4, 12/7, 16/9
13	1040	Neutral 7th	m7	g7	Small Neutral 7th	pai-m7	Wm7	^m7	m7	20/11, 11/6, 9/5
14	1120	Supermajor 7th	M7	y7	Major 7th	pao-P8	M7	vP8	M7	48/25, 40/21, 15/8
15	1200	Octave	P8	w8	Octave	P8	P8	P8	P8	2/1

*'Serd' and 'Sinth' are Portmanteaux of Second and Third; and Sixth and Seventh respectively. These intervals represent exact half Perfect 4ths and Perfect 5ths, and replace the "regular" interval name. I have put them in there to gain functionality at the cost of losing familiarity/introducing novelty in addition to 'HO', the half-octave. My (Gareth's) system at this stage is the same as Dave Keenan's but for the addition of these. I suppose they could just be optional additional names for those steps. I was led to this after not finding any reason to change Dave's system, but not liking that it led to A2/d3 for the 240c interval in 5n-edos, and A6/d7 for the 960c interval. Seems weird.

I like Igs' and Dave's systems the best I think. They are very different.