The Library: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-~~16 16~~:19:00 UTC</tt>.

: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-24 05:06:16 UTC</tt>.

: The original revision id was <tt>~~358211341~~</tt>.

: The original revision id was <tt>359643669</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963

Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969

Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], Rochester University, Ph. D., 1980

Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006

Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning & Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008

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Adkins, Cecil Dale, <a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow">The Theory and Practice of the Monochord</a> . State University of Iowa, Ph.D., 1963

Green, Burdette Lamar, <a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow">The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music</a> . The Ohio State University, Ph.D., 1969

Battan, Suzette Mary, <a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1" rel="nofollow">Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems</a>, Rochester University, Ph. D., 1980

Skinner. Myles, <a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow">Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky</a>, Buffalo University, Ph. D., 2006

Yarman, Ozan, <a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow">79-Tone Tuning &amp; Theory for Turkish Maqam Music</a>. Istanbul Technical University, Ph. D., 2008

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-16 16:19:00 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2012-08-24 05:06:16 UTC</tt>.<br>
-: The original revision id was <tt>358211341</tt>.<br>
+: The original revision id was <tt>359643669</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 24: / Line 24: @@
 Adkins, Cecil Dale, //[[http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF|The Theory and Practice of the Monochord]] .// State University of Iowa, Ph.D., 1963
 Green, Burdette Lamar, //[[http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF|The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music]]// . The Ohio State University, Ph.D., 1969
+Battan, Suzette Mary, [[https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;versionNumber=1|Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems]], Rochester University, Ph. D., 1980
 Skinner. Myles, [[http://www.tierceron.com/diss/index.php|Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky]], Buffalo University, Ph. D., 2006
 Yarman, Ozan, [[http://www.ozanyarman.com/files/doctorate_thesis.pdf|79-Tone Tuning &amp; Theory for Turkish Maqam Music]]. Istanbul Technical University, Ph. D., 2008
@@ Line 54: / Line 55: @@
 Adkins, Cecil Dale, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Adkins%20-%20Theory%20and%20Practice%20of%20the%20Monochord.PDF" rel="nofollow"&gt;The Theory and Practice of the Monochord&lt;/a&gt; .&lt;/em&gt; State University of Iowa, Ph.D., 1963&lt;br /&gt;
 Green, Burdette Lamar, &lt;em&gt;&lt;a class="wiki_link_ext" href="http://dav.ols16.com/nagarjuna/harmonic/Green%20-%20The%20Harmonic%20Series%20from%20Mersenne%20to%20Rameau.PDF" rel="nofollow"&gt;The Harmonic Series from Mersenne to Rameau: An Historical Study of Circumstances Leading to its Recognition and Application to Music&lt;/a&gt;&lt;/em&gt; . The Ohio State University, Ph.D., 1969&lt;br /&gt;
+Battan, Suzette Mary, &lt;a class="wiki_link_ext" href="https://urresearch.rochester.edu/institutionalPublicationPublicView.action;jsessionid=B8031D1422BD2EC30DBD72A5E81ADE95?institutionalItemId=2625&amp;amp;versionNumber=1" rel="nofollow"&gt;Alois Hába’s Neue Harmonielehre des diatonischen, chromatischen, Viertel-, Drittel-, Sechstel- und Zwölftel-Tonsystems&lt;/a&gt;, Rochester University, Ph. D., 1980&lt;br /&gt;
 Skinner. Myles, &lt;a class="wiki_link_ext" href="http://www.tierceron.com/diss/index.php" rel="nofollow"&gt;Toward a Quarter-Tone Syntax: Selected Analyses of Works by Blackwood, Hába, Ives, and Wyschnegradsky&lt;/a&gt;, Buffalo University, Ph. D., 2006&lt;br /&gt;
 Yarman, Ozan, &lt;a class="wiki_link_ext" href="http://www.ozanyarman.com/files/doctorate_thesis.pdf" rel="nofollow"&gt;79-Tone Tuning &amp;amp; Theory for Turkish Maqam Music&lt;/a&gt;. Istanbul Technical University, Ph. D., 2008&lt;br /&gt;