Adaptive diatonic interval names: Difference between revisions

No edit summary
BudjarnLambeth (talk | contribs)
m Uncategorised page
Line 154: Line 154:
[[File:Oneieh.png|thumb|18edo with oneirotonic vs. diatonic schemes compared. Note the lack of unison, octave, or perfect fourth/fifth in diatonic, and the tritone intervals in oneirotonic.]]
[[File:Oneieh.png|thumb|18edo with oneirotonic vs. diatonic schemes compared. Note the lack of unison, octave, or perfect fourth/fifth in diatonic, and the tritone intervals in oneirotonic.]]
One possible extension to handle edos with an oneirotonic fifth (3, 6, 8, 13, and 18) is to use the neutralized oneirotonic scale as the basis instead of the neutralized diatonic scale. In this case, things function exactly the same as before, but based on oneirotonic instead of diatonic. The additional degree may be called a median or tritone - special tritone labels are not used as the semioctave is always the neutral tritone.
One possible extension to handle edos with an oneirotonic fifth (3, 6, 8, 13, and 18) is to use the neutralized oneirotonic scale as the basis instead of the neutralized diatonic scale. In this case, things function exactly the same as before, but based on oneirotonic instead of diatonic. The additional degree may be called a median or tritone - special tritone labels are not used as the semioctave is always the neutral tritone.
[[Category:Interval naming]]