Garibaldi: Difference between revisions

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Garibaldi is very naturally considered as a [[detemperament]] of the [[12edo|12 equal temperament]]. The table below shows a 53-tone detempered scale, with a generator range of -26 to +26. Each interval category of the 12 equal temperament is further divided into "double-sub", "sub", "plain", "super" and "double-super" qualities, separated by an [[diesis (scale theory)|enharmonic diesis]], which represents the syntonic~septimal comma; the "plain" type here consists of a [[5L 7s]] scale in 6|5 mode. Combining this division with the minor and major qualities of the 12 equal temperament, and calling the "double-sub major" and "double-super minor" qualities ''artoneutral'' and ''tendoneutral'', respectively, garibaldi gives us at least ''eight'' qualities for each diatonic category: subminor, minor, supraminor, artoneutral, tendoneutral, submajor, major, and supermajor.

Notice also the little comma between artoneutral and ~~tendoaneutral~~. This interval spans 41 generator steps. 41edo tempers it out so that it merges artoneutral and tendoneutral into one neutral interval whereas 53edo exaggerates it to the size of the syntonic~septimal comma. 94edo tunes it to one half the size of the syntonic~septimal comma, which can be seen as a good compromise.

Notice also the little comma between artoneutral and tendoneutral. This interval spans 41 generator steps. 41edo tempers it out so that it merges artoneutral and tendoneutral into one neutral interval whereas 53edo exaggerates it to the size of the syntonic~septimal comma. 94edo tunes it to one half the size of the syntonic~septimal comma, which can be seen as a good compromise.

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== Notation ==

Using schismic can be a challenge because it defies the tradition of tertian harmony in [[chain-of-fifths notation]]. The just major triad on C is C–Fb–G, for example. Due to the generalized comma of ~~schismic~~, a natural choice is to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C–vE–G.

Using schismic can be a challenge because it defies the tradition of tertian harmony in [[chain-of-fifths notation]]. The just major triad on C is C–Fb–G, for example. Due to the generalized comma of garibaldi, a natural choice is to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C–vE–G.

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@@ Line 325: / Line 325: @@
 Garibaldi is very naturally considered as a [[detemperament]] of the [[12edo|12 equal temperament]]. The table below shows a 53-tone detempered scale, with a generator range of -26 to +26. Each interval category of the 12 equal temperament is further divided into "double-sub", "sub", "plain", "super" and "double-super" qualities, separated by an [[diesis (scale theory)|enharmonic diesis]], which represents the syntonic~septimal comma; the "plain" type here consists of a [[5L 7s]] scale in 6|5 mode. Combining this division with the minor and major qualities of the 12 equal temperament, and calling the "double-sub major" and "double-super minor" qualities ''artoneutral'' and ''tendoneutral'', respectively, garibaldi gives us at least ''eight'' qualities for each diatonic category: subminor, minor, supraminor, artoneutral, tendoneutral, submajor, major, and supermajor.
-Notice also the little comma between artoneutral and tendoaneutral. This interval spans 41 generator steps. 41edo tempers it out so that it merges artoneutral and tendoneutral into one neutral interval whereas 53edo exaggerates it to the size of the syntonic~septimal comma. 94edo tunes it to one half the size of the syntonic~septimal comma, which can be seen as a good compromise.
+Notice also the little comma between artoneutral and tendoneutral. This interval spans 41 generator steps. 41edo tempers it out so that it merges artoneutral and tendoneutral into one neutral interval whereas 53edo exaggerates it to the size of the syntonic~septimal comma. 94edo tunes it to one half the size of the syntonic~septimal comma, which can be seen as a good compromise.
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 == Notation ==
-Using schismic can be a challenge because it defies the tradition of tertian harmony in [[chain-of-fifths notation]]. The just major triad on C is C–Fb–G, for example. Due to the generalized comma of schismic, a natural choice is to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C–vE–G.
+Using schismic can be a challenge because it defies the tradition of tertian harmony in [[chain-of-fifths notation]]. The just major triad on C is C–Fb–G, for example. Due to the generalized comma of garibaldi, a natural choice is to adopt an additional module of accidentals such as arrows to represent the comma step, allowing them to write the chord above as C–vE–G.
 {| class="wikitable center-1 center-3"