Harmonic entropy: Difference between revisions
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Add a sentence to introduction (the sentence was written by sintel on the XA Discord when explaining HE to me. It wasn't written by me.) |
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'''Harmonic entropy''' ('''HE''') is a simple model to quantify the extent to which musical [[chord]]s align with the [[harmonic series]], and thus tend to partly "fuse" into the perception of a single sound with a complex timbre and [[virtual fundamental]] pitch. | '''Harmonic entropy''' ('''HE''') is a simple model to quantify the extent to which musical [[chord]]s align with the [[harmonic series]], and thus tend to partly "fuse" into the perception of a single sound with a complex timbre and [[virtual fundamental]] pitch. | ||
A simple way to state this, is: harmonic entropy measures degree of certainty in the perception of the (virtual) [[root]]. | |||
Harmonic entropy was invented by [[Paul Erlich]] and developed extensively on the Yahoo! tuning and harmonic_entropy lists, and draws from prior research by Parncutt and Terhardt. Various later contributions to the model have been made by [[Steve Martin]], [[Mike Battaglia]], [[Keenan Pepper]], and others. | |||
Note: the terms dyad, triad and tetrad usually refer to chord with 2, 3, or 4 [[pitch class]]es. But in this discussion they refer to chords with 2, 3, or 4 ''pitches''. Thus {{dash|C, E, G, C}} is a tetrad instead of a triad. | Note: the terms dyad, triad and tetrad usually refer to chord with 2, 3, or 4 [[pitch class]]es. But in this discussion they refer to chords with 2, 3, or 4 ''pitches''. Thus {{dash|C, E, G, C}} is a tetrad instead of a triad. |