Kite33: Difference between revisions
Wikispaces>genewardsmith **Imported revision 453024340 - Original comment: ** |
Wikispaces>TallKite **Imported revision 630868587 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:TallKite|TallKite]] and made on <tt>2018-07-11 19:46:37 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>630868587</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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! | ! | ||
33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3" | 33 note 7-limit scale used by Kite Giedraitis to retune Liszt's "Consolation #3" | ||
33 | |||
! | ! | ||
64/63 | |||
200/189 | |||
15/14 | |||
49/45 | |||
10/9 | |||
9/8 | |||
8/7 | |||
25/21 | |||
6/5 | |||
5/4 | |||
80/63 | |||
21/16 | |||
250/189 | |||
4/3 | |||
10/7 | |||
125/84 | |||
3/2 | |||
32/21 | |||
25/16 | |||
100/63 | |||
8/5 | |||
5/3 | |||
320/189 | |||
12/7 | |||
7/4 | |||
1000/567 | |||
16/9 | |||
25/14 | |||
9/5 | |||
15/8 | |||
40/21 | |||
125/63 | |||
2/1 | |||
</pre></div> | |||
Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly.</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>kite33</title></head><body>! kite33.scl<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>kite33</title></head><body>! kite33.scl<br /> | ||
!<br /> | !<br /> | ||
33 note 7-limit scale used by Kite Giedraitis to retune Liszt's &quot;Consolation #3&quot;<br /> | 33 note 7-limit scale used by Kite Giedraitis to retune Liszt's &quot;Consolation #3&quot;<br /> | ||
33<br /> | |||
!<br /> | !<br /> | ||
64/63<br /> | |||
200/189<br /> | |||
15/14<br /> | |||
49/45<br /> | |||
10/9<br /> | |||
9/8<br /> | |||
8/7<br /> | |||
25/21<br /> | |||
6/5<br /> | |||
5/4<br /> | |||
80/63<br /> | |||
21/16<br /> | |||
250/189<br /> | |||
4/3<br /> | |||
10/7<br /> | |||
125/84<br /> | |||
3/2<br /> | |||
32/21<br /> | |||
25/16<br /> | |||
100/63<br /> | |||
8/5<br /> | |||
5/3<br /> | |||
320/189<br /> | |||
12/7<br /> | |||
7/4<br /> | |||
1000/567<br /> | |||
16/9<br /> | |||
25/14<br /> | |||
9/5<br /> | |||
15/8<br /> | |||
40/21<br /> | |||
125/63<br /> | |||
2/1<br /> | |||
<br /> | |||
Kite notes that in his tuning, the piece pumps the starling comma. To avoid a pitch shift, the tonic drifts steadily upwards 14¢ over the course of the piece. Individual notes have a stable pitch, thus each note has a unique pitch. Thus Kite's tuning of this piece does not use a fixed scale, and this scala file will not tune the Liszt piece properly.</body></html></pre></div> | |||