Farya Faraji: Difference between revisions
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== Inspirations == | == Inspirations == | ||
Musical traditions he has based pieces upon include [[Albanian]], [[Altai]], [[Armenian]] (ancient, medieval & modern), [[Azerbaijani]], [[Belarusian]], [[Bulgarian]], [[Celtic]] (inc. Breton, Gaulish, Ancient Irish, Ancient Welsh), [[Chinese]] (ancient, medieval & modern), [[Croatian]], [[Greek]] ([[Ancient Greek|ancient]], [[Byzantine]] & modern), [[Arabic, Turkish, Persian|Iranian]] (ancient, medieval & modern), [[Jewish]] (Sephardic), [[Kurdish]], [[Arabic, Turkish, Persian|Levantine Arabic]], [[Montenegrin]], [[Moroccan]], [[Nogai]], [[Old Norse]], [[Ancient Roman]], [[Romanian]], [[Russian]], [[Serbian]], [[Spanish]] ([[Arabic, Turkish, Persian|Andalusian]], flamenco), [[Turkic]], [[Arabic, Turkish, Persian|Turkish]] (inc. Ottoman), [[Ukrainian]], [[ | Musical traditions he has based pieces upon include [[Albanian]], [[Altai]], [[Armenian]] (ancient, medieval & modern), [[Azerbaijani]], [[Belarusian]], [[Bulgarian]], [[Celtic]] (inc. Breton, Gaulish, Ancient Irish, Ancient Welsh), [[Chinese]] (ancient, medieval & modern), [[Croatian]], [[Greek]] ([[Ancient Greek|ancient]], [[Byzantine]] & modern), [[Arabic, Turkish, Persian|Iranian]] (ancient, medieval & modern), [[Jewish]] (Sephardic), [[Kurdish]], [[Arabic, Turkish, Persian|Levantine Arabic]], [[Montenegrin]], [[Moroccan]], [[Nogai]], [[Old Norse]], [[Ancient Roman]], [[Romanian]], [[Russian]], [[Serbian]], [[Spanish]] ([[Arabic, Turkish, Persian|Andalusian]], flamenco), [[Turkic]], [[Arabic, Turkish, Persian|Turkish]] (inc. Ottoman), [[Ukrainian]], [[Medieval]] Western European, [[Historical temperaments|Renaissance]] Western European. | ||
He has also written [[Indian]]-inspired music which is much looser and less close in its inspiration than his other music (i.e. unlike his other music, it’s not specifically based on a specific place or time, like “carnatic music” or anything like that). | He has also written [[Indian]]-inspired music which is much looser and less close in its inspiration than his other music (i.e. unlike his other music, it’s not specifically based on a specific place or time, like “carnatic music” or anything like that). | ||