5:6:7: Difference between revisions
Jump to navigation
Jump to search
m {{stub}} |
see also section |
||
| Line 2: | Line 2: | ||
'''5:6:7''' is a [[diminished triad]] found as an upper structure of [[4:5:6:7]], the harmonic seventh chord. As a [[7-odd-limit]] [[otonal]] chord, this is the most [[consonant]] JI tuning of a diminished triad. | '''5:6:7''' is a [[diminished triad]] found as an upper structure of [[4:5:6:7]], the harmonic seventh chord. As a [[7-odd-limit]] [[otonal]] chord, this is the most [[consonant]] JI tuning of a diminished triad. | ||
== See also == | |||
* [[30:35:42]] - it's utonal inverse | |||
* [[Odim and udim]] | |||
[[Category:Diminished triads|#]] | [[Category:Diminished triads|#]] | ||
{{stub}} | {{stub}} | ||
Revision as of 13:47, 25 December 2025
| Chord information |
5:6:7 is a diminished triad found as an upper structure of 4:5:6:7, the harmonic seventh chord. As a 7-odd-limit otonal chord, this is the most consonant JI tuning of a diminished triad.
See also
- 30:35:42 - it's utonal inverse
- Odim and udim
| This page is a stub. You can help the Xenharmonic Wiki by expanding it. |