17edo: Difference between revisions

Line 54:

| [[22/21]], [[25/24]], [[26/25]], [[28/27]], [[33/32]], [[24/23]]

| Minor 2nd (Semiaugmented 1sn)

| Eb (D+)

| Eb (Dt)

| up unison, minor 2nd

| ^1, m2

Line 111:

| [[11/9]], [[16/13]], [[28/23]]

| Diminished 4th (Neutral 3rd)

| Gb (F+)

| Gb (Ft)

| mid 3rd

| ~3

Line 153:

| [[11/8]], [[18/13]], [[32/23]]

| Diminished 5th (Semiaugmented 4th)

| Ab (G+)

| Ab (Gt)

| mid 4th, diminished 5th

| ~4, d5

Line 197:

| [[25/16]], [[14/9]], [[11/7]], [[52/33]], [[36/23]]

| Minor 6th (Semiaugmented 5th)

| Bb (A+)

| Bb (At)

| minor 6th

| m6

Line 253:

| [[11/6]], [[24/13]], [[13/7]], [[46/25]]

| Diminished 8ve (Neutral 7th)

| Db (C+)

| Db (Ct)

| mid 7th

| ~7

Line 295:

<nowiki>*</nowiki> Ratios based on treating 17edo as a 2.3.7.11.13.23.25 subgroup temperament.

† Half-sharps and half-flats (denoted "+" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat.

† Half-sharps and half-flats (denoted "t" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat.

=== Interval quality and chord names in color notation ===

@@ Line 54: / Line 54: @@
 | [[22/21]], [[25/24]], [[26/25]], [[28/27]], [[33/32]], [[24/23]]
 | Minor 2nd<br>(Semiaugmented 1sn)
-| Eb<br>(D+)
+| Eb<br>(Dt)
 | up unison, <br>minor 2nd
 | ^1, m2
@@ Line 111: / Line 111: @@
 | [[11/9]], [[16/13]], [[28/23]]
 | Diminished 4th<br>(Neutral 3rd)
-| Gb<br>(F+)
+| Gb<br>(Ft)
 | mid 3rd
 | ~3
@@ Line 153: / Line 153: @@
 | [[11/8]], [[18/13]], [[32/23]]
 | Diminished 5th<br>(Semiaugmented 4th)
-| Ab<br>(G+)
+| Ab<br>(Gt)
 | mid 4th, <br>diminished 5th
 | ~4, d5
@@ Line 197: / Line 197: @@
 | [[25/16]], [[14/9]], [[11/7]], [[52/33]], [[36/23]]
 | Minor 6th<br>(Semiaugmented 5th)
-| Bb<br>(A+)
+| Bb<br>(At)
 | minor 6th
 | m6
@@ Line 253: / Line 253: @@
 | [[11/6]], [[24/13]], [[13/7]], [[46/25]]
 | Diminished 8ve<br>(Neutral 7th)
-| Db<br>(C+)
+| Db<br>(Ct)
 | mid 7th
 | ~7
@@ Line 295: / Line 295: @@
 <nowiki>*</nowiki> Ratios based on treating 17edo as a 2.3.7.11.13.23.25 subgroup temperament.
-† Half-sharps and half-flats (denoted "+" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat.
+† Half-sharps and half-flats (denoted "t" and "d", respectively) can be used to alter the note by a single step, since sharps and flats each span two edosteps. Using half-sharps and half-flats may be preferable for compatibility with the ups-and-downs notation in [[34edo]], in which an up or down respectively constitute a quarter-sharp or quarter-flat.
 === Interval quality and chord names in color notation ===