EDO: Difference between revisions
Wikispaces>igliashon **Imported revision 241612841 - Original comment: ** |
Wikispaces>igliashon **Imported revision 241612889 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:igliashon|igliashon]] and made on <tt>2011-07-16 19: | : This revision was by author [[User:igliashon|igliashon]] and made on <tt>2011-07-16 19:43:16 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>241612889</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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It depends entirely on your desires as a musician! | It depends entirely on your desires as a musician! | ||
If you are interested in exploring the unique merits and challenges of each EDO, irrespective of any desire to approximate Just intonation, starting at the bottom and working your way up can be a most illuminating exercise. | If you are interested in exploring the unique merits and challenges of each EDO, irrespective of any desire to approximate Just intonation (or any other a priori musical goal), starting at the bottom and working your way up can be a most illuminating exercise. | ||
If you're a classically-trained musician and you'd like to start with some EDOs that have some relationship to common-practice tonal music, starting with reasonably-low EDOs that give a good approximation to 3/2 (the perfect 5th) can be rewarding. These would be 17, 19, 22, 24, 26, 27, 29, 31, 34, 36, and 41. All of these can be notated with some variant on the A-G "circle of fifths" notation. | If you're a classically-trained musician and you'd like to start with some EDOs that have some relationship to common-practice tonal music, starting with reasonably-low EDOs that give a good approximation to 3/2 (the perfect 5th) can be rewarding. These would be 17, 19, 22, 24, 26, 27, 29, 31, 34, 36, and 41. All of these can be notated with some variant on the A-G "circle of fifths" notation. | ||
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It depends entirely on your desires as a musician!<br /> | It depends entirely on your desires as a musician!<br /> | ||
<br /> | <br /> | ||
If you are interested in exploring the unique merits and challenges of each EDO, irrespective of any desire to approximate Just intonation, starting at the bottom and working your way up can be a most illuminating exercise.<br /> | If you are interested in exploring the unique merits and challenges of each EDO, irrespective of any desire to approximate Just intonation (or any other a priori musical goal), starting at the bottom and working your way up can be a most illuminating exercise.<br /> | ||
<br /> | <br /> | ||
If you're a classically-trained musician and you'd like to start with some EDOs that have some relationship to common-practice tonal music, starting with reasonably-low EDOs that give a good approximation to 3/2 (the perfect 5th) can be rewarding. These would be 17, 19, 22, 24, 26, 27, 29, 31, 34, 36, and 41. All of these can be notated with some variant on the A-G &quot;circle of fifths&quot; notation.<br /> | If you're a classically-trained musician and you'd like to start with some EDOs that have some relationship to common-practice tonal music, starting with reasonably-low EDOs that give a good approximation to 3/2 (the perfect 5th) can be rewarding. These would be 17, 19, 22, 24, 26, 27, 29, 31, 34, 36, and 41. All of these can be notated with some variant on the A-G &quot;circle of fifths&quot; notation.<br /> | ||