Armodue theory: Difference between revisions
Wikispaces>genewardsmith **Imported revision 240229187 - Original comment: ** |
Wikispaces>Osmiorisbendi **Imported revision 240255593 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
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=Semi-equalized Armodue= | =Semi-equalized Armodue= | ||
One step of 16edo (75 cents) is nearly equal to two steps (2\31) of [[31edo]] (77.42 cents). If we take the latter as a base, we get semi-equalized Armodue. In this temperament there is inevitably a smaller microtone (eka between the notes # | One step of 16edo (75 cents) is nearly equal to two steps (2\31) of [[31edo]] (77.42 cents). If we take the latter as a base, we get semi-equalized Armodue. In this temperament there is inevitably a smaller microtone (eka between the notes '7#' and '8'). leading to the 16 note MOS Valentine[16] of [[Starling temperaments#Valentine|valentine temperament]]. Similarly we might use three steps of [[46edo]], 3\46, 78.26 cents, or five steps of [[77edo]], 77.92 cents. | ||
Semi-equalized Armodue provides a balance between the symmetry of the equalized system and the purity of natural intervals (intervals of semi-equalized Armodue are very pure, and at the same time it preserves the symmetry of the equalized system and its interval sizes almost unchanged).</pre></div> | Semi-equalized Armodue provides a balance between the symmetry of the equalized system and the purity of natural intervals (intervals of semi-equalized Armodue are very pure, and at the same time it preserves the symmetry of the equalized system and its interval sizes almost unchanged).</pre></div> | ||
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<!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="Semi-equalized Armodue"></a><!-- ws:end:WikiTextHeadingRule:4 -->Semi-equalized Armodue</h1> | <!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="Semi-equalized Armodue"></a><!-- ws:end:WikiTextHeadingRule:4 -->Semi-equalized Armodue</h1> | ||
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One step of 16edo (75 cents) is nearly equal to two steps (2\31) of <a class="wiki_link" href="/31edo">31edo</a> (77.42 cents). If we take the latter as a base, we get semi-equalized Armodue. In this temperament there is inevitably a smaller microtone (eka between the notes # | One step of 16edo (75 cents) is nearly equal to two steps (2\31) of <a class="wiki_link" href="/31edo">31edo</a> (77.42 cents). If we take the latter as a base, we get semi-equalized Armodue. In this temperament there is inevitably a smaller microtone (eka between the notes '7#' and '8'). leading to the 16 note MOS Valentine[16] of <a class="wiki_link" href="/Starling%20temperaments#Valentine">valentine temperament</a>. Similarly we might use three steps of <a class="wiki_link" href="/46edo">46edo</a>, 3\46, 78.26 cents, or five steps of <a class="wiki_link" href="/77edo">77edo</a>, 77.92 cents.<br /> | ||
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Semi-equalized Armodue provides a balance between the symmetry of the equalized system and the purity of natural intervals (intervals of semi-equalized Armodue are very pure, and at the same time it preserves the symmetry of the equalized system and its interval sizes almost unchanged).</body></html></pre></div> | Semi-equalized Armodue provides a balance between the symmetry of the equalized system and the purity of natural intervals (intervals of semi-equalized Armodue are very pure, and at the same time it preserves the symmetry of the equalized system and its interval sizes almost unchanged).</body></html></pre></div> | ||