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== Peppermint 24 ==
'''Peppermint 24''' is a scale first documented by Margo Schulter on the Yahoo tuning forum:


[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_38440.html#38440 Original article] by Margo Schulter, on the Yahoo tuning forum, is quoted below. In addition to what it says, it may be noted that the Wilson/Pepper fifth it mentions, of size approximately 704.096 cents, has a precise value of (67 + √5)/118 octaves, which is (40200 + 600 √5)/59 cents.
https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_38440.html#38440  


== Margo Schulter's article ==
==Premise==
An interesting feature of tuning systems, as implemented on keyboards (conventional or alternative), is the [[keyboard_mappings|mapping]] of pure or tempered ratios to positions on the keyboard layout.
Peppermint 24 aims to map superparticular and other ratios within [[wikipedia:Harry_Partch|Harry Partch's]] larger 17-limit set, to two conventional piano keyboards.


Here I shall explore the mapping of approximate ratios, and especially of superparticular and other ratios within [https://en.wikipedia.org/wiki/Harry_Partch Harry Partch's] larger 17-limit set, in the tuning system and keyboard arrangement I call Peppermint 24.
It takes as its basis a [[Regular_Temperaments|regular temperament]] mentioned in [[Erv_Wilson|Ervin Wilson]]'s Scale Tree and described on the Tuning List by [[Keenan Pepper]], with a fifth of about 704.096 [[Cent|cents]], and a precise ratio of [[wikipedia:Golden_ratio|Phi]], the Golden Section (~1.618) between the larger chromatic semitone (e.g. C-C#) at about 128.669 cents and the smaller diatonic semitone (e.g. C#-D) at about 79.522 cents. Said fifth has a precise value of (67 + √5)/118 octaves, which is (40200 + 600 √5)/59 cents.
 
Peppermint 24 takes as its basis a [[Regular_Temperaments|regular temperament]] mentioned in [[Erv_Wilson|Ervin Wilson]]'s Scale Tree and described on the Tuning List by [[Keenan_Pepper|Keenan Pepper]], with a fifth of about 704.096 cents, and a precise ratio of [https://en.wikipedia.org/wiki/Golden_ratio Phi], the Golden Section (~1.618) between the larger chromatic semitone (e.g. C-C#) at about 128.669 cents and the smaller diatonic semitone (e.g. C#-D) at about 79.522 cents.


In Peppermint 24, two regular 12-note chains of this temperament are placed at a distance of approximately 58.680 cents, so as to yield some pure ratios of 6:7 (~266.871 cents).
In Peppermint 24, two regular 12-note chains of this temperament are placed at a distance of approximately 58.680 cents, so as to yield some pure ratios of 6:7 (~266.871 cents).


==Keyboard arrangement ==
Here is a 24-note keyboard arrangement, with an asterisk (*) showing a note on the upper keyboard:
Here is a 24-note keyboard arrangement, with an asterisk (*) showing a note on the upper keyboard:


Line 27: Line 26:
 </pre>
 </pre>


In the following catalogue of some ratio equivalents and mappings, I will focus on intervals no further from just than 8:9 or 9:16, which vary from their pure sizes by about 4.282 cents (twice the tempering of the fifth, at about 2.141 cents wide of 2:3).
==Catalogue of ratio equivalents==
What follows is a catalogue of some ratio equivalents and mappings no further from just than 8:9 or 9:16, which vary from their pure sizes by about 4.282 cents (twice the tempering of the fifth, at about 2.141 cents wide of 2:3).


Octave numbers appear in a MIDI-style notation, with C4 as middle C; just ratios and tempered equivalents are given values in cents, shown in parentheses, with tempered variations in cents also shown.
Octave numbers appear in a MIDI-style notation, with C4 as middle C; just ratios and tempered equivalents are given values in cents, shown in parentheses, with tempered variations in cents also shown.


To describe the 58.68-cent interval between the two keyboards, whose addition or subtraction plays a role in obtaining or approximating many ratios, I shall the term "quasi-diesis," or QD for short. This "artificial" diesis-like interval is actually somewhat larger than the natural diesis in the regular Wilson/Pepper temperament at about 49.15 cents (12 tempered fifths less 7 pure octaves).
To describe the 58.68-cent interval between the two keyboards, whose addition or subtraction plays a role in obtaining or approximating many ratios, the term "quasi-diesis" or "QD" is used. This "artificial" diesis-like interval is actually somewhat larger than the natural diesis in the regular Wilson/Pepper temperament at about 49.15 cents (12 tempered fifths less 7 pure octaves).
 
As this partial catalogue might suggest, many ratios of 2-3-7-9-11-13 are represented quite accurately, with 14:17:21 and related ratios also closely approximated.
 
'''1. Multiplex (n:1) and [[superparticular|superparticular]] (n+1:n) intervals'''
 
1:2 (1200) -- This is the usual octave (e.g. F3-F4), at a pure 1:2.
 
2:3 (701.96) -- This is the usual fifth (e.g. F3-C4, 704.10, +2.14).
 
3:4 (498.04) -- Usual fourth (e.g. C4-F4, 495.90, -2.14).
 
6:7 (266.87) -- Major second + QD (e.g. D4-E*4), at a pure 6:7.
 
7:8 (231.17) -- Minor third - QD (e.g. C*4-Eb4, 229.03, -2.14)
 
8:9 (203.91) -- Usual major second (e.g. C4-D4, 208.19, +4.28)
 
11:12 (150.64) -- Major second - QD (e.g. C*4-D4, 149.51, -1.13)
 
12:13 (138.57) -- Minor second + QD (e.g. E4-F*4, 138.20, -0.37)
 
13:14 (128.30) -- Usual apotome (e.g. C4-C#4, 128.67, +0.37)
 
17:18 (98.95) -- Diminished third - QD (e.g. G#*4-Bb4, 100.36, -1.41)
 
21:22 (80.54) -- Usual minor second (e.g. E4-F4, 79.52, -1.02)
 
24:25 (70.67) -- Apotome - QD (e.g. E*4-Eb4, 69.99, -0.68)
 
27:28 (62.96) -- QD (e.g. E4-E*4, 58.68, -4.28)
 
'''2. Other ratios -- many within 17-odd limit'''
 
4:7 (968.83) -- Major sixth + QD (e.g. G3-E*4, 970.97, +2.14)
 
7:9 (435.08) -- Fourth - QD (e.g. G*4-C5, 437.22, +2.14)
 
7:12 (933.13) -- Minor seventh - QD (e.g. G*3-F4), at a pure 7:12.
 
9:14 (764.92) -- Fifth + QD (e.g. G4-D*5, 762.78, -2.14)
 
9:16 (996.09) -- Usual minor seventh (e.g. G4-F4, 991.81, -4.28)
 
6:11 (1049.36) -- Minor seventh + QD (e.g. G3-F*4, 1050.49, +1.13)
 
7:11 (782.49) -- Usual minor sixth (e.g. A3-F4, 783.62, +1.13)
 
8:11 (551.32) -- Fourth + QD (e.g. G3-C*4, 554.58, +3.27)
 
9:11 (347.41) -- Minor third + QD (e.g. G3-Bb*3, 346.39, -1.02)
 
8:13 (840.53) -- Minor sixth + QD (e.g. G3-Eb*3, 842.30, +1.77)
 
9:13 (636.62) -- Diminished fifth + QD (e.g. A3-Eb*4, 634.11, -2.51)
 
11:13 (289.21) -- Usual minor third (e.g. D3-F3, 287.71, -1.50)
 
11:14 (417.51) -- Usual major third (e.g. D3-F#3, 416.38, -1.13)
 
11:16 (648.68) -- Fifth - QD (e.g. F*3-C4, 645.42, -3.27)
 
11:18 (852.59) -- Major sixth - QD (e.g. G*4-E5, 853.61, +1.02)
 
11:21 (1119.46) -- Usual major seventh (e.g. F3-E4, 1120.48, +1.02)
 
12:17 (603.00) -- Augmented third + QD (e.g. Eb4-G#*4, 603.73, +0.73)
 
13:16 (359.47) -- Major third - QD (e.g. C*4-E4, 357.70, -1.77)
 
13:18 (563.38) -- Augmented fourth - QD (e.g. C*4-F#4, 565.89, +2.51)
 
13:21 (830.25) -- Usual augmented fifth (e.g. C4-G#4, 832.76, +2.51)
 
13:22 (910.79) -- Usual major sixth (e.g. G3-E4, 912.29, +1.50)
 
13:23 (987.75) -- Usual minor seventh (e.g. D4-C5, 991.81, +4.06)
 
13:24 (1061.43) -- Major seventh - QD (e.g. F*3-E4), 1061.80, +0.37)
 
14:17 (336.13) -- Usual augmented second (e.g. F4-G#4, 336.86, +0.73)
 
14:27 (1137.04) -- Octave - QD (e.g. F*4-F5, 1141.32, +4.28)
 
15:17 (216.69) -- Diminished third + QD (e.g. C#4-Eb*4, 217.72, +1.04)
 
16:21 (470.71) -- Major third + QD (e.g. C4-E*4, 475.06, +4.28)
 
16:23 (628.27) -- Usual augmented fourth (e.g. C4-F#4, 624.57, -3.70)
 
18:23 (424.36) -- Diminished fourth + QD (e.g. B4-Eb*5, 425.91, +1.55)
 
16:25 (772.63) -- Diminished fourth + QD (e.g. F#4-Bb*4, 774.09, +1.46)
 
17:20 (281.36) -- Augmented second - QD (e.g. F*4-G#4, 278.18, -3.18)
 
17:21 (365.83) -- Usual diminished fourth (e.g. F#4-Bb4, 367.24, +1.41)
 
17:28 (863.87) -- Usual diminished seventh (e.g. F#4-Eb4, 863.14, -0.73)
 
21:34 (834.17) -- Usual augmented fifth (e.g. F3-C#4, 832.76, +1.41)
 
28:51 (1038.08) -- Usual augmented sixth (e.g. Eb3-C#4, 1040.96, +2.87)
 
21:23 (157.49) -- Usual diminished third (e.g. C#4-Eb4, 159.04, +1.55)


21:26 (369.75) -- Usual diminished fourth (e.g. C#4-F4, 367.24, -1.51)
Many ratios of 2-3-7-9-11-13 are represented quite accurately, with 14:17:21 and related ratios also closely approximated.


23:27 (277.59) -- Augmented second - QD (e.g. Eb*4-F#4, 278.18, +0.59)
==='''Multiplex (n:1) and [[superparticular]] (n+1:n) intervals'''===


26:33 (412.75) -- Usual major third (e.g. F4-A4, 416.38, +3.63)
*1:2 (1200) -- This is the usual octave (e.g. F3-F4), at a pure 1:2.
*2:3 (701.96) -- This is the usual fifth (e.g. F3-C4, 704.10, +2.14).
* 3:4 (498.04) -- Usual fourth (e.g. C4-F4, 495.90, -2.14).
*6:7 (266.87) -- Major second + QD (e.g. D4-E*4), at a pure 6:7.
*7:8 (231.17) -- Minor third - QD (e.g. C*4-Eb4, 229.03, -2.14)
*8:9 (203.91) -- Usual major second (e.g. C4-D4, 208.19, +4.28)
*11:12 (150.64) -- Major second - QD (e.g. C*4-D4, 149.51, -1.13)
*12:13 (138.57) -- Minor second + QD (e.g. E4-F*4, 138.20, -0.37)
* 13:14 (128.30) -- Usual apotome (e.g. C4-C#4, 128.67, +0.37)
*17:18 (98.95) -- Diminished third - QD (e.g. G#*4-Bb4, 100.36, -1.41)
* 21:22 (80.54) -- Usual minor second (e.g. E4-F4, 79.52, -1.02)
*24:25 (70.67) -- Apotome - QD (e.g. E*4-Eb4, 69.99, -0.68)
*27:28 (62.96) -- QD (e.g. E4-E*4, 58.68, -4.28)


28:33 (284.45) -- Usual minor third (e.g. E4-G4, 287.71, +3.27)
==='''Other ratios (many within 17-odd limit'''===
Many of these fall within the [[17-odd-limit]].


33:56 (915.55) -- Usual major sixth (e.g. G4-E5, 912.29, -3.27)
*4:7 (968.83) -- Major sixth + QD (e.g. G3-E*4, 970.97, +2.14)
*7:9 (435.08) -- Fourth - QD (e.g. G*4-C5, 437.22, +2.14)
*7:12 (933.13) -- Minor seventh - QD (e.g. G*3-F4), at a pure 7:12.
*9:14 (764.92) -- Fifth + QD (e.g. G4-D*5, 762.78, -2.14)
*9:16 (996.09) -- Usual minor seventh (e.g. G4-F4, 991.81, -4.28)
*6:11 (1049.36) -- Minor seventh + QD (e.g. G3-F*4, 1050.49, +1.13)
*7:11 (782.49) -- Usual minor sixth (e.g. A3-F4, 783.62, +1.13)
*8:11 (551.32) -- Fourth + QD (e.g. G3-C*4, 554.58, +3.27)
*9:11 (347.41) -- Minor third + QD (e.g. G3-Bb*3, 346.39, -1.02)
*8:13 (840.53) -- Minor sixth + QD (e.g. G3-Eb*3, 842.30, +1.77)
* 9:13 (636.62) -- Diminished fifth + QD (e.g. A3-Eb*4, 634.11, -2.51)
*11:13 (289.21) -- Usual minor third (e.g. D3-F3, 287.71, -1.50)
*11:14 (417.51) -- Usual major third (e.g. D3-F#3, 416.38, -1.13)
*11:16 (648.68) -- Fifth - QD (e.g. F*3-C4, 645.42, -3.27)
*11:18 (852.59) -- Major sixth - QD (e.g. G*4-E5, 853.61, +1.02)
*11:21 (1119.46) -- Usual major seventh (e.g. F3-E4, 1120.48, +1.02)
*12:17 (603.00) -- Augmented third + QD (e.g. Eb4-G#*4, 603.73, +0.73)
*13:16 (359.47) -- Major third - QD (e.g. C*4-E4, 357.70, -1.77)
*13:18 (563.38) -- Augmented fourth - QD (e.g. C*4-F#4, 565.89, +2.51)
* 13:21 (830.25) -- Usual augmented fifth (e.g. C4-G#4, 832.76, +2.51)
*13:22 (910.79) -- Usual major sixth (e.g. G3-E4, 912.29, +1.50)
*13:23 (987.75) -- Usual minor seventh (e.g. D4-C5, 991.81, +4.06)
*13:24 (1061.43) -- Major seventh - QD (e.g. F*3-E4), 1061.80, +0.37)
*14:17 (336.13) -- Usual augmented second (e.g. F4-G#4, 336.86, +0.73)
*14:27 (1137.04) -- Octave - QD (e.g. F*4-F5, 1141.32, +4.28)
*15:17 (216.69) -- Diminished third + QD (e.g. C#4-Eb*4, 217.72, +1.04)
* 16:21 (470.71) -- Major third + QD (e.g. C4-E*4, 475.06, +4.28)
*16:23 (628.27) -- Usual augmented fourth (e.g. C4-F#4, 624.57, -3.70)
*18:23 (424.36) -- Diminished fourth + QD (e.g. B4-Eb*5, 425.91, +1.55)
* 16:25 (772.63) -- Diminished fourth + QD (e.g. F#4-Bb*4, 774.09, +1.46)
*17:20 (281.36) -- Augmented second - QD (e.g. F*4-G#4, 278.18, -3.18)
*17:21 (365.83) -- Usual diminished fourth (e.g. F#4-Bb4, 367.24, +1.41)
* 17:28 (863.87) -- Usual diminished seventh (e.g. F#4-Eb4, 863.14, -0.73)
*21:34 (834.17) -- Usual augmented fifth (e.g. F3-C#4, 832.76, +1.41)
*28:51 (1038.08) -- Usual augmented sixth (e.g. Eb3-C#4, 1040.96, +2.87)
*21:23 (157.49) -- Usual diminished third (e.g. C#4-Eb4, 159.04, +1.55)
*21:26 (369.75) -- Usual diminished fourth (e.g. C#4-F4, 367.24, -1.51)
*23:27 (277.59) -- Augmented second - QD (e.g. Eb*4-F#4, 278.18, +0.59)
*26:33 (412.75) -- Usual major third (e.g. F4-A4, 416.38, +3.63)
*28:33 (284.45) -- Usual minor third (e.g. E4-G4, 287.71, +3.27)
*33:56 (915.55) -- Usual major sixth (e.g. G4-E5, 912.29, -3.27)
[[Category:24-tone scales]]
[[Category:24-tone scales]]
[[Category:Todo:cleanup]]
[[Category:Todo:clarify]]
[[Category:Todo:clarify]]

Revision as of 05:51, 18 June 2023

Peppermint 24 is a scale first documented by Margo Schulter on the Yahoo tuning forum:

https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_38440.html#38440

Premise

Peppermint 24 aims to map superparticular and other ratios within Harry Partch's larger 17-limit set, to two conventional piano keyboards.

It takes as its basis a regular temperament mentioned in Ervin Wilson's Scale Tree and described on the Tuning List by Keenan Pepper, with a fifth of about 704.096 cents, and a precise ratio of Phi, the Golden Section (~1.618) between the larger chromatic semitone (e.g. C-C#) at about 128.669 cents and the smaller diatonic semitone (e.g. C#-D) at about 79.522 cents. Said fifth has a precise value of (67 + √5)/118 octaves, which is (40200 + 600 √5)/59 cents.

In Peppermint 24, two regular 12-note chains of this temperament are placed at a distance of approximately 58.680 cents, so as to yield some pure ratios of 6:7 (~266.871 cents).

Keyboard arrangement

Here is a 24-note keyboard arrangement, with an asterisk (*) showing a note on the upper keyboard: 

     187.349  346.393              683.253    891.445 1050.488
       C#*      Eb*                   F#*       G#*     Bb*
  C*        D*          E*      F*        G*        A*       B*     C*
58.680   266.871    475.062  554.584   762.775  970.967  1179.158 1258.680
           7/6
-------------------------------------------------------------------------
     128.669  287.713              624.574    832.765 991.809
        C#      Eb                    F#         G#     Bb
  C         D           E       F          G         A        B     C
  0       208.191    416.382 495.904    704.096   912.287 1120.478 1200
 
 

Catalogue of ratio equivalents

What follows is a catalogue of some ratio equivalents and mappings no further from just than 8:9 or 9:16, which vary from their pure sizes by about 4.282 cents (twice the tempering of the fifth, at about 2.141 cents wide of 2:3).

Octave numbers appear in a MIDI-style notation, with C4 as middle C; just ratios and tempered equivalents are given values in cents, shown in parentheses, with tempered variations in cents also shown.

To describe the 58.68-cent interval between the two keyboards, whose addition or subtraction plays a role in obtaining or approximating many ratios, the term "quasi-diesis" or "QD" is used. This "artificial" diesis-like interval is actually somewhat larger than the natural diesis in the regular Wilson/Pepper temperament at about 49.15 cents (12 tempered fifths less 7 pure octaves).

Many ratios of 2-3-7-9-11-13 are represented quite accurately, with 14:17:21 and related ratios also closely approximated.

Multiplex (n:1) and superparticular (n+1:n) intervals

  • 1:2 (1200) -- This is the usual octave (e.g. F3-F4), at a pure 1:2.
  • 2:3 (701.96) -- This is the usual fifth (e.g. F3-C4, 704.10, +2.14).
  • 3:4 (498.04) -- Usual fourth (e.g. C4-F4, 495.90, -2.14).
  • 6:7 (266.87) -- Major second + QD (e.g. D4-E*4), at a pure 6:7.
  • 7:8 (231.17) -- Minor third - QD (e.g. C*4-Eb4, 229.03, -2.14)
  • 8:9 (203.91) -- Usual major second (e.g. C4-D4, 208.19, +4.28)
  • 11:12 (150.64) -- Major second - QD (e.g. C*4-D4, 149.51, -1.13)
  • 12:13 (138.57) -- Minor second + QD (e.g. E4-F*4, 138.20, -0.37)
  • 13:14 (128.30) -- Usual apotome (e.g. C4-C#4, 128.67, +0.37)
  • 17:18 (98.95) -- Diminished third - QD (e.g. G#*4-Bb4, 100.36, -1.41)
  • 21:22 (80.54) -- Usual minor second (e.g. E4-F4, 79.52, -1.02)
  • 24:25 (70.67) -- Apotome - QD (e.g. E*4-Eb4, 69.99, -0.68)
  • 27:28 (62.96) -- QD (e.g. E4-E*4, 58.68, -4.28)

Other ratios (many within 17-odd limit

Many of these fall within the 17-odd-limit.

  • 4:7 (968.83) -- Major sixth + QD (e.g. G3-E*4, 970.97, +2.14)
  • 7:9 (435.08) -- Fourth - QD (e.g. G*4-C5, 437.22, +2.14)
  • 7:12 (933.13) -- Minor seventh - QD (e.g. G*3-F4), at a pure 7:12.
  • 9:14 (764.92) -- Fifth + QD (e.g. G4-D*5, 762.78, -2.14)
  • 9:16 (996.09) -- Usual minor seventh (e.g. G4-F4, 991.81, -4.28)
  • 6:11 (1049.36) -- Minor seventh + QD (e.g. G3-F*4, 1050.49, +1.13)
  • 7:11 (782.49) -- Usual minor sixth (e.g. A3-F4, 783.62, +1.13)
  • 8:11 (551.32) -- Fourth + QD (e.g. G3-C*4, 554.58, +3.27)
  • 9:11 (347.41) -- Minor third + QD (e.g. G3-Bb*3, 346.39, -1.02)
  • 8:13 (840.53) -- Minor sixth + QD (e.g. G3-Eb*3, 842.30, +1.77)
  • 9:13 (636.62) -- Diminished fifth + QD (e.g. A3-Eb*4, 634.11, -2.51)
  • 11:13 (289.21) -- Usual minor third (e.g. D3-F3, 287.71, -1.50)
  • 11:14 (417.51) -- Usual major third (e.g. D3-F#3, 416.38, -1.13)
  • 11:16 (648.68) -- Fifth - QD (e.g. F*3-C4, 645.42, -3.27)
  • 11:18 (852.59) -- Major sixth - QD (e.g. G*4-E5, 853.61, +1.02)
  • 11:21 (1119.46) -- Usual major seventh (e.g. F3-E4, 1120.48, +1.02)
  • 12:17 (603.00) -- Augmented third + QD (e.g. Eb4-G#*4, 603.73, +0.73)
  • 13:16 (359.47) -- Major third - QD (e.g. C*4-E4, 357.70, -1.77)
  • 13:18 (563.38) -- Augmented fourth - QD (e.g. C*4-F#4, 565.89, +2.51)
  • 13:21 (830.25) -- Usual augmented fifth (e.g. C4-G#4, 832.76, +2.51)
  • 13:22 (910.79) -- Usual major sixth (e.g. G3-E4, 912.29, +1.50)
  • 13:23 (987.75) -- Usual minor seventh (e.g. D4-C5, 991.81, +4.06)
  • 13:24 (1061.43) -- Major seventh - QD (e.g. F*3-E4), 1061.80, +0.37)
  • 14:17 (336.13) -- Usual augmented second (e.g. F4-G#4, 336.86, +0.73)
  • 14:27 (1137.04) -- Octave - QD (e.g. F*4-F5, 1141.32, +4.28)
  • 15:17 (216.69) -- Diminished third + QD (e.g. C#4-Eb*4, 217.72, +1.04)
  • 16:21 (470.71) -- Major third + QD (e.g. C4-E*4, 475.06, +4.28)
  • 16:23 (628.27) -- Usual augmented fourth (e.g. C4-F#4, 624.57, -3.70)
  • 18:23 (424.36) -- Diminished fourth + QD (e.g. B4-Eb*5, 425.91, +1.55)
  • 16:25 (772.63) -- Diminished fourth + QD (e.g. F#4-Bb*4, 774.09, +1.46)
  • 17:20 (281.36) -- Augmented second - QD (e.g. F*4-G#4, 278.18, -3.18)
  • 17:21 (365.83) -- Usual diminished fourth (e.g. F#4-Bb4, 367.24, +1.41)
  • 17:28 (863.87) -- Usual diminished seventh (e.g. F#4-Eb4, 863.14, -0.73)
  • 21:34 (834.17) -- Usual augmented fifth (e.g. F3-C#4, 832.76, +1.41)
  • 28:51 (1038.08) -- Usual augmented sixth (e.g. Eb3-C#4, 1040.96, +2.87)
  • 21:23 (157.49) -- Usual diminished third (e.g. C#4-Eb4, 159.04, +1.55)
  • 21:26 (369.75) -- Usual diminished fourth (e.g. C#4-F4, 367.24, -1.51)
  • 23:27 (277.59) -- Augmented second - QD (e.g. Eb*4-F#4, 278.18, +0.59)
  • 26:33 (412.75) -- Usual major third (e.g. F4-A4, 416.38, +3.63)
  • 28:33 (284.45) -- Usual minor third (e.g. E4-G4, 287.71, +3.27)
  • 33:56 (915.55) -- Usual major sixth (e.g. G4-E5, 912.29, -3.27)
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