User:Inthar/18edo: Difference between revisions

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Notes: I'm also taking some of Well-Tempered Fox's ideas.
Notes: I ([[User:Inthar|Inthar]]) am also taking some of Well-Tempered Fox's ideas how to approach [[18edo]].
 
== Scales ==
== Scales ==
* Irregularized diatonic: 2333133 or 1333233
* Irregularized diatonic: 2333133 or 1333233
* [[4L 3s/Inthar's approach|Smitonic]]
* [[4L 3s/Inthar's approach|Smitonic]]
* [[5L 3s/Inthar's approach|Oneirotonic]]
* [[5L 3s/Inthar's approach|Oneirotonic]]
* "Octokaidecal" (8L 2s)
* "Octokaidecal" (8L 2s)
== Chords ==
== Chords ==
=== Stacked-third chords ===
=== Stacked-third chords ===
Split the major ninth, 1400 cents, into two different fifths, one 666 and one 733. Split each fifth into two thirds. This results in 24 possibilities.
Split the major ninth, 1400 cents, into two different fifths, one 666 and one 733. Split each fifth into two thirds. This results in 24 possibilities.
* 0-467-733-1133-200
* 0-467-733-1133-200
Line 32: Line 36:
* 0-267-666-1000-200
* 0-267-666-1000-200
* 0-267-666-933-200
* 0-267-666-933-200
== Harmonic syntax ==
== Harmonic syntax ==
* resolve the 600 tritone inwards to 467 or outwards to 733 instead of a traditional third
* resolve the 600 tritone inwards to 467 or outwards to 733 instead of a traditional third
=== Modulation ===
Some important modulatory intervals in 18edo:
5ths and 4ths
* sup5 / sub4, sub5 / sup4
3rds and 6ths
* maj3 / min6, supmin3 / submaj6, submin3 / supmaj6
2nds
* maj2 / min7 (maj2 = sup5 + sub5 = 3*sub4 = 3*submaj6) -- these are familiar
Dissonances
* supmin2 / submaj7, submin2 / supmaj7, tritone
Sup and sub cancel and result in a 12edo (actually 6edo) interval. So do 3 sup's and 3 sub's, as one sup/sub = ±1\36.
sub5/sup4 forms a 9edo subset, maj3 forms 3edo subset, maj2 forms 6edo subset. supmin3 and sub4 form complete cycles
[[Category:18edo]]

Latest revision as of 08:18, 29 December 2023

Notes: I (Inthar) am also taking some of Well-Tempered Fox's ideas how to approach 18edo.

Scales

Chords

Stacked-third chords

Split the major ninth, 1400 cents, into two different fifths, one 666 and one 733. Split each fifth into two thirds. This results in 24 possibilities.

  • 0-467-733-1133-200
  • 0-467-733-1067-200
  • 0-467-733-1000-200
  • 0-400-733-1133-200
  • 0-400-733-1067-200
  • 0-400-733-1000-200
  • 0-333-733-1133-200
  • 0-333-733-1067-200
  • 0-333-733-1000-200
  • 0-267-733-1133-200
  • 0-267-733-1067-200
  • 0-267-733-1000-200
  • 0-400-666-1133-200
  • 0-400-666-1067-200
  • 0-400-666-1000-200
  • 0-400-666-933-200
  • 0-333-666-1133-200
  • 0-333-666-1067-200
  • 0-333-666-1000-200
  • 0-333-666-933-200
  • 0-267-666-1133-200
  • 0-267-666-1067-200
  • 0-267-666-1000-200
  • 0-267-666-933-200

Harmonic syntax

  • resolve the 600 tritone inwards to 467 or outwards to 733 instead of a traditional third

Modulation

Some important modulatory intervals in 18edo:

5ths and 4ths

  • sup5 / sub4, sub5 / sup4

3rds and 6ths

  • maj3 / min6, supmin3 / submaj6, submin3 / supmaj6

2nds

  • maj2 / min7 (maj2 = sup5 + sub5 = 3*sub4 = 3*submaj6) -- these are familiar

Dissonances

  • supmin2 / submaj7, submin2 / supmaj7, tritone

Sup and sub cancel and result in a 12edo (actually 6edo) interval. So do 3 sup's and 3 sub's, as one sup/sub = ±1\36.

sub5/sup4 forms a 9edo subset, maj3 forms 3edo subset, maj2 forms 6edo subset. supmin3 and sub4 form complete cycles