User:Cmloegcmluin/EPD: Difference between revisions
Cmloegcmluin (talk | contribs) No edit summary |
mNo edit summary |
||
(12 intermediate revisions by 3 users not shown) | |||
Line 1: | Line 1: | ||
An '''EPD''', or '''equal pitch division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Harmonotonic tunings|harmonotonic]] tuning. | {{Editable user page}} | ||
An '''EPD''', or '''equal pitch division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Harmonotonic tunings|harmonotonic]] tuning. | |||
Its full specification is n- | Because pitch is the overwhelmingly most common musical resource to divide equally, this may be abbreviated to '''ED''', or '''equal division'''. | ||
== Specification == | |||
Its full specification is n-EPDp: n equal (pitch) divisions of interval p. | |||
== Formula == | |||
To find the step size for an n-EPDp, take the nth root of p. For example, the step of 12-EDO is <span><math>2^{\frac{1}{12}}</math></span>. So the formula for the kth step of an n-EPDp is: | |||
<math> | |||
c(k) = p^{\frac{k}{n}} | |||
</math> | |||
This way, when <span><math>k</math></span> is <span><math>0</math></span>, <span><math>c(k)</math></span> is simply <span><math>1</math></span>, because any number to the 0th power is 1. And when <span><math>k</math></span> is <span><math>n</math></span>, <span><math>c(k)</math></span> is simply <span><math>p</math></span>, because any number to the 1st power is itself. | |||
== Relationship to other tunings == | |||
=== Vs. rank-1 temperaments & equal multiplications === | |||
An n-EPDp is equivalent to a [[Tour_of_Regular_Temperaments#Equal_temperaments_.28Rank-1_temperaments.29|rank-1 temperament]] of p/n, or an [[Equal-step_tuning#Equal_multiplications|equal multiplication]] of p/n. | |||
=== Vs. APS === | |||
One period of an EPD will be equivalent to some [[APS|APS, or arithmetic pitch sequence]], which has had its count of pitches specified by prefixing "n-". Specifically, n-EPDx = n-APS(x/n), for example 12-EPD1200¢ = 12-APS(1200¢/12=100¢). | |||
== Examples == | |||
The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal '''pitch''' divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name). | The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal '''pitch''' divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name). | ||
Line 15: | Line 42: | ||
! 4 | ! 4 | ||
|- | |- | ||
! frequency (f) | ! frequency (''f'', ratio) | ||
|(1) | |(1) | ||
|1.19 | |1.19 | ||
Line 22: | Line 49: | ||
|2 | |2 | ||
|- | |- | ||
! pitch ( | ! pitch (log₂''f'', octaves) | ||
|(2⁰⸍⁴) | |(2⁰⸍⁴) | ||
|2¹⸍⁴ | |2¹⸍⁴ | ||
Line 29: | Line 56: | ||
|2⁴⸍⁴ | |2⁴⸍⁴ | ||
|- | |- | ||
! length (1/f) | ! length (1/''f'', ratio) | ||
|(1) | |(1) | ||
|0.84 | |0.84 |
Latest revision as of 01:40, 19 May 2025
![]() |
This user page is editable by any wiki editor.
As a general rule, most users expect their user space to be edited only by themselves, except for minor edits (e.g. maintenance), undoing obviously harmful edits such as vandalism or disruptive editing, and user talk pages. However, by including this message box, the author of this user page has indicated that this page is open to contributions from other users (e.g. content-related edits). |
An EPD, or equal pitch division, is a kind of arithmetic and harmonotonic tuning.
Because pitch is the overwhelmingly most common musical resource to divide equally, this may be abbreviated to ED, or equal division.
Specification
Its full specification is n-EPDp: n equal (pitch) divisions of interval p.
Formula
To find the step size for an n-EPDp, take the nth root of p. For example, the step of 12-EDO is [math]\displaystyle{ 2^{\frac{1}{12}} }[/math]. So the formula for the kth step of an n-EPDp is:
[math]\displaystyle{ c(k) = p^{\frac{k}{n}} }[/math]
This way, when [math]\displaystyle{ k }[/math] is [math]\displaystyle{ 0 }[/math], [math]\displaystyle{ c(k) }[/math] is simply [math]\displaystyle{ 1 }[/math], because any number to the 0th power is 1. And when [math]\displaystyle{ k }[/math] is [math]\displaystyle{ n }[/math], [math]\displaystyle{ c(k) }[/math] is simply [math]\displaystyle{ p }[/math], because any number to the 1st power is itself.
Relationship to other tunings
Vs. rank-1 temperaments & equal multiplications
An n-EPDp is equivalent to a rank-1 temperament of p/n, or an equal multiplication of p/n.
Vs. APS
One period of an EPD will be equivalent to some APS, or arithmetic pitch sequence, which has had its count of pitches specified by prefixing "n-". Specifically, n-EPDx = n-APS(x/n), for example 12-EPD1200¢ = 12-APS(1200¢/12=100¢).
Examples
The most common example of this type of tuning is 12-EDO, standard tuning, which takes the interval of the octave, and equally divides its pitch into 12 parts. For long, we could call this 12-EPDO, for 12 equal pitch divisions of the octave (whenever pitch is the chosen kind of quality, we can assume it, and skip pointing it out; that's why 12-EDO is the better name).
quantity | (0) | 1 | 2 | 3 | 4 |
---|---|---|---|---|---|
frequency (f, ratio) | (1) | 1.19 | 1.41 | 1.68 | 2 |
pitch (log₂f, octaves) | (2⁰⸍⁴) | 2¹⸍⁴ | 2²⸍⁴ | 2³⸍⁴ | 2⁴⸍⁴ |
length (1/f, ratio) | (1) | 0.84 | 0.71 | 0.59 | 0.5 |