Talk:Familiar melodies in unfamiliar tunings: Difference between revisions
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== 19-edo == | |||
---- | I'd argue that 99.9% of all mainstream music can be adapted into 19-edo without any effort whatsoever. The article mentions only 31-edo, but really 31-edo is to 19-edo as 19-edo is to 12-edo. | ||
That said, I'm not even sure if pieces adapted into 19-edo even vaguely qualify as xenharmonic, although, the same ought to apply to "standard" pieces faithfully adapted into 31-edo, for the same reasons. | |||
I have a fairly extensive collection of recordings of other people's music I recorded in 19-edo, going back decades - none of it particularly good nor interesting, in my opinion. | |||
--[[User:Bozu|Bozu]] ([[User talk:Bozu|talk]]) 19:51, 27 May 2020 (UTC) | |||
== Bohlen-Pierce == | |||
I'd love to hear what something like Bouree would sound like in BP! I can imagine it'd be a heck of a lot of effort to make any sense of something with counterpoint in a system without octaves, though. | |||
Latest revision as of 19:54, 27 May 2020
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19-edo
I'd argue that 99.9% of all mainstream music can be adapted into 19-edo without any effort whatsoever. The article mentions only 31-edo, but really 31-edo is to 19-edo as 19-edo is to 12-edo.
That said, I'm not even sure if pieces adapted into 19-edo even vaguely qualify as xenharmonic, although, the same ought to apply to "standard" pieces faithfully adapted into 31-edo, for the same reasons.
I have a fairly extensive collection of recordings of other people's music I recorded in 19-edo, going back decades - none of it particularly good nor interesting, in my opinion.
--Bozu (talk) 19:51, 27 May 2020 (UTC)
Bohlen-Pierce
I'd love to hear what something like Bouree would sound like in BP! I can imagine it'd be a heck of a lot of effort to make any sense of something with counterpoint in a system without octaves, though.