41edo: Difference between revisions
→Regular temperament properties: correction and note the absolute accuracy in the 7-, 11-, and 17-limit. |
Dave Keenan (talk | contribs) →Sagittal notation: Corrected multiple errors in the table. It did not agree with the staff examples below it. |
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== Notations == | == Notations == | ||
=== | === Stein–Zimmermann–Gould notation === | ||
[[Stein–Zimmermann–Gould notation]] uses sharps and flats combined with quartertone accidentals and arrows: | |||
{{ | {{Sharpness-sharp4-szg}} | ||
The notes within an octave from A are thus: | |||
A, B{{sesquiflat2}}, A{{demisharp2}}, B♭, A♯, B{{demiflat2}}, A{{sesquisharp2}}, B, C{{demiflat2}}, B{{demisharp2}}, C, D{{sesquiflat2}}, C{{demisharp2}}, D♭, C♯, D{{demiflat2}}, C{{sesquisharp2}}, D, E{{sesquiflat2}}, D{{demisharp2}}, E♭, D♯, E{{demiflat2}}, D{{sesquisharp2}}, E, F{{demiflat2}}, E{{demisharp2}}, F, G{{sesquiflat2}}, F{{demisharp2}}, G♭, F♯, G{{demiflat2}}, F{{sesquisharp2}}, G, A{{sesquiflat2}}, G{{demisharp2}}, A♭, G♯, A{{demiflat2}}, G{{sesquisharp2}}, A | |||
{{ | === Kite's ups and downs notation === | ||
41edo can also be notated with [[Kite's ups and downs notation|Kite's ups and downs]], spoken as up, dup, downsharp, sharp, upsharp etc. and down, dud, upflat etc. Note that dup is equivalent to dudsharp and dud is equivalent to dupflat. | |||
{{Ups and downs sharpness}} | |||
Half-sharps and half-flats can be used to avoid double arrows: | |||
{{Ups and downs sharpness|41|true}} | |||
=== Red-Blue notation === | === Red-Blue notation === | ||
A red-note/blue-note system, similar to the one proposed for [[36edo]], is another option for notating 41edo. This is a special case of Kite's | A red-note/blue-note system, similar to the one proposed for [[36edo]], is another option for notating 41edo. This is a special case of [[Kite's color notation]], treating 41edo as a temperament of the 2.3.7 subgroup. We have the "white key" albitonic notes A–G (7 in total), the "black key" sharps and flats (10 in total), a "red" and "blue" version of each albitonic note (14 in total), a "red" (dark red?) version of each sharp and a "blue" (dark blue?) version of each flat (10 in total), adding up to 41. This would result in quite a colorful keyboard! Note that there are no red flats or blue sharps. Using this nomenclature the notes are: | ||
{{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|B♭}}, {{colored note|B♭}}, {{colored note|A♯}}, {{colored note|red|A♯}}, {{colored note|blue|B}}, {{colored note|B}}, {{colored note|red|B}}, {{colored note|blue|C}}, {{colored note|C}}, {{colored note|red|C}}, {{colored note|blue|D♭}}, {{colored note|D♭}}, {{colored note|C♯}}, {{colored note|red|C♯}}, {{colored note|blue|D}}, {{colored note|D}}, {{colored note|red|D}}, {{colored note|blue|E♭}}, {{colored note|E♭}}, {{colored note|D♯}}, {{colored note|red|D♯}}, {{colored note|blue|E}}, {{colored note|E}}, {{colored note|red|E}}, {{colored note|blue|F}}, {{colored note|F}}, {{colored note|red|F}}, {{colored note|blue|G♭}}, {{colored note|G♭}}, {{colored note|F♯}}, {{colored note|red|F♯}}, {{colored note|blue|G}}, {{colored note|G}}, {{colored note|red|G}}, {{colored note|blue|A♭}}, {{colored note|A♭}}, {{colored note|G♯}}, {{colored note|red|G♯}}, {{colored note|blue|A}}, {{colored note|A}} | {{colored note|A}}, {{colored note|red|A}}, {{colored note|blue|B♭}}, {{colored note|B♭}}, {{colored note|A♯}}, {{colored note|red|A♯}}, {{colored note|blue|B}}, {{colored note|B}}, {{colored note|red|B}}, {{colored note|blue|C}}, {{colored note|C}}, {{colored note|red|C}}, {{colored note|blue|D♭}}, {{colored note|D♭}}, {{colored note|C♯}}, {{colored note|red|C♯}}, {{colored note|blue|D}}, {{colored note|D}}, {{colored note|red|D}}, {{colored note|blue|E♭}}, {{colored note|E♭}}, {{colored note|D♯}}, {{colored note|red|D♯}}, {{colored note|blue|E}}, {{colored note|E}}, {{colored note|red|E}}, {{colored note|blue|F}}, {{colored note|F}}, {{colored note|red|F}}, {{colored note|blue|G♭}}, {{colored note|G♭}}, {{colored note|F♯}}, {{colored note|red|F♯}}, {{colored note|blue|G}}, {{colored note|G}}, {{colored note|red|G}}, {{colored note|blue|A♭}}, {{colored note|A♭}}, {{colored note|G♯}}, {{colored note|red|G♯}}, {{colored note|blue|A}}, {{colored note|A}} | ||
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The step size of 41edo is small enough that the smallest interval (the "red/blue unison", seventh-tone, comma, diesis or whatever you want to call it) is actually fairly consonant with most timbres; it resembles a "noticeably out of tune unison" rather than a minor second, and has its own distinct character and appeal. | The step size of 41edo is small enough that the smallest interval (the "red/blue unison", seventh-tone, comma, diesis or whatever you want to call it) is actually fairly consonant with most timbres; it resembles a "noticeably out of tune unison" rather than a minor second, and has its own distinct character and appeal. | ||
If "red" is replaced by "up", "blue" by "down", and "neutral" by "mid", and if "gray" is omitted, this notation becomes essentially the same as | If "red" is replaced by "up", "blue" by "down", and "neutral" by "mid", and if "gray" is omitted, this notation becomes essentially the same as Kite's ups and downs notation. The only difference is the use of minor tritone and major tritone. | ||
=== Sagittal notation === | === Sagittal notation === | ||
41edo can be notated in [[Sagittal notation|Sagittal]] using the [[Sagittal notation #Spartan single-shaft|Spartan | 41edo can be notated in [[Sagittal notation|Sagittal]] using the [[Sagittal notation #Spartan single-shaft|Spartan set]], with the apotome equal to 4 edosteps and the limma to 3 edosteps. Since the apotome can be split in two and the [[243/242|rastma]] is tempered out, a Stein–Zimmermann half-sharp and a half-flat may be used instead of pakai/pakao. Here is a simplified table: | ||
{| class="wikitable" style="text-align: center;" | {| class="wikitable" style="text-align: center;" | ||
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|- | |- | ||
! rowspan="3" |Symbol | ! rowspan="3" |Symbol | ||
! Evo | ! Evo-SZ | ||
| rowspan="3" | <big>{{sagittal||//|}}</big> | | rowspan="3" | <big>{{sagittal| |//| }}</big> | ||
| rowspan="3" | <big>{{sagittal|/|}}</big> | | rowspan="3" | <big>{{sagittal| /| }}</big> | ||
| <big>{{Sagittal|t}}</big> | | <big>{{Sagittal| t }}</big> | ||
| < | | rowspan="2" | <big>{{sagittal| \! }}{{sagittal| # }}</big> | ||
| rowspan="2" | <big>{{sagittal|#}}</big> | | rowspan="2" | <big>{{sagittal| # }}</big> | ||
|- | |- | ||
! Evo | ! Evo | ||
| rowspan="2" | <big>{{sagittal|/|\}}</big | | rowspan="2" | <big>{{sagittal| /|\ }}</big> | ||
|- | |- | ||
! Revo | ! Revo | ||
| <big>{{sagittal| | | <big>{{sagittal| ||\ }}</big> | ||
| <big>{{sagittal|/||\}}</big> | | <big>{{sagittal| /||\ }}</big> | ||
|} | |} | ||
The following enharmonics from the Spartan set are present (comma tempered out): | The following enharmonics from the Spartan set are present (comma tempered out): | ||
* {{Sagittal|//|}} = {{sagittal|/|)}} = {{sagittal|/|\}} ([[325/324]], [[352/351]]) | * {{Sagittal| //| }} = {{sagittal| /|) }} = {{sagittal| /|\ }} ([[325/324]], [[352/351]]) | ||
* {{Sagittal|/|}} = {{sagittal||)}} ([[225/224]]) | * {{Sagittal| /| }} = {{sagittal| |) }} ([[225/224]]) | ||
* {{Sagittal||(}} = {{sagittal||//|}} ([[5120/5103]]) | * {{Sagittal| |( }} = {{sagittal| |//| }} ([[5120/5103]]) | ||
See [[Sagittal notation #Revo|apotome complements]] for equivalent accidental pairs. | See [[Sagittal notation #Revo|apotome complements]] for equivalent accidental pairs. | ||