24edo chord names: Difference between revisions

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-Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and Downs Notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
+Various [[24edo]] triads, 6th and 7th chords, named via [[Ups and downs notation|ups and downs]]. Not meant to be exhaustive, but this list does demonstrate the basic rules for naming. ^M6 and vm7 are the same interval, and chords that use that interval can be named as either a 6th chord or a 7th chord.
+Highly implausible chords are named as a more plausible [[Chord homonym|homonym]], e.g. {{nowrap|0–5–15 {{=}} Cvm(^5)}} becomes {{nowrap|15–24–29 {{=}} ^G^}}, where "a" stands for augmented and "d" stands for diminished.
 {| class="wikitable"
-|+
-!
-!vm3
-!m3
-!~3
-!M3
-!^M3
-!P4
-!~4
 |-
-!triad
+! colspan="2" | Thirds &rarr;
-|Cvm
+! vm3
-|Cm
+! m3
-|C~
+! ~3
-|C
+! M3
-|C^
+! ^M3
-|C4
+! P4
-|C~4
+! ~4
+|-
+! colspan="2" | Triads with P5
+| Cvm
+| Cm
+| C~
+| C
+| C^
+| C4
+| C~4
+|-
+! rowspan="4" | Other<br />triads
+! v5
+| Cvm(v5)
+| Cm(v5)
+| C~(v5)
+| C(v5)
+| C^(v5)
+| C4(v5)
+| C~4(v5)
+|-
+! d5
+| Cvd
+| Cd
+| C^d
+| C(b5)
+| C^(b5)
+| C4(b5)
+| C~4(b5)
+|-
+! ^5
+| ''(^G^)''
+| Cm(^5)
+| C~(^5)
+| C(^5)
+| C^(^5)
+| C4(^5)
+| C~4(^5)
+|-
+! a5
+| Cvm(#5)
+| ''(Ab)''
+| Cva
+| Ca
+| C^a
+| ''(Fm)''
+| C~4(#5)
 |-
-!~6
+! rowspan="7" |Tetrads<br />with
-|Cvm~6
-|Cm~6
+P5
-|C~6
+! ~6
-|C,~6
+| Cvm~6
-|C^,~6
+| Cm~6
-|C4~6
+| C~6
-|C~4~6
+| C,~6
+| C^,~6
+| C4~6
+| C~4~6
 |-
-!M6
+! M6
-|Cvm,6
+| Cvm,6
-|Cm6
+| Cm6
-|C~,6
+| C~,6
-|C6
+| C6
-|C^,6
+| C^,6
-|C4,6
+| C4,6
-|C~4,6
+| C~4,6
 |-
-!^M6
+! ^M6<br />vm7
-vm7
+| (Cvm^6)<br />Cvm7
-|(Cvm^6)
+| Cm^6<br />Cmv7
-Cvm7
+| C~^6<br />C~v7
-|Cm^6
+| C,^6<br />C,v7
-Cmv7
+| C^6<br />(C^v7)
-|C~^6
+| C4^6<br />C4v7
-C~v7
+| C~4^6<br />C~4v7
-|C,^6
-C,v7
-|C^6
-(C^v7)
-|C4^6
-C4v7
-|C~4^6
-C~4v7
 |-
-!m7
+! m7
-|Cvm,7
+| Cvm,7
-|Cm7
+| Cm7
-|C~,7
+| C~,7
-|C7
+| C7
-|C^,7
+| C^,7
-|C4,7
+| C4,7
-|C~4,7
+| C~4,7
 |-
-!~7
+! ~7
-|Cvm~7
+| Cvm~7
-|Cm~7
+| Cm~7
-|C~7
+| C~7
-|C,~7
+| C,~7
-|C^,~7
+| C^,~7
-|C4~7
+| C4~7
-|C~4~7
+| C~4~7
 |-
-!M7
+! M7
-|CvmM7
+| CvmM7
-|CmM7
+| CmM7
-|C~M7
+| C~M7
-|CM7
+| CM7
-|C^,M7
+| C^,M7
-|C4M7
+| C4M7
-|C~4M7
+| C~4M7
 |-
-!^M7
+! ^M7
-|Cvm^M7
+| Cvm^M7
-|Cm^M7
+| Cm^M7
-|C~^M7
+| C~^M7
-|C,^M7
+| C,^M7
-|C^M7
+| C^M7
-|C4^M7
+| C4^M7
-|C~4^M7
+| C~4^M7
 |}
-A comma (the actual punctuation mark ",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.
-See also:
+A punctuation comma (",") is spoken as "add", thus C^,7 is "C-up add-seven". The only exception is when a comma separates two numbers, as in C4,7 which is "C four-seven". A comma is written, and "add" is spoken, whenever not doing so would cause confusion with another chord. C^,~6 is clear without a comma if limiting oneself to 24edo. However, some edos like 58-edo have an upmid 3rd and 6th, and C^~6 would be P1 ^~3 P5 ^~6.
-* [[19edo Chord Names]]
+== See also ==
-* [[22edo Chord Names]]
+* [[15edo chord names]]
-* [[31edo Chord Names]]
+* [[19edo chord names]]
-* [[41edo Chord Names]]
+* [[22edo chord names]]
-* [[Kite Guitar Chord Shapes (downmajor tuning)]]
+* [[31edo chord names]]
+* [[41edo chord names]]
+* [[Kite Guitar chord shapes (downmajor tuning)]]
 [[Category:24edo]]
 [[Category:Chords]]
+[[Category:Ups and downs notation]]
+[[Category:Notation]]