User:TallKite/How To Play the Kite Guitar: Difference between revisions
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Created page with "(Kite's initial notes for an e-book) (includes Kite bass) Chapter 1: Why Play the Kite Guitar? * New sounds * Old sounds sound cleaner * Dirty sounds work better Chapter 2:..." |
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| Line 3: | Line 3: | ||
(includes Kite bass) | (includes Kite bass) | ||
'''INTRODUCTION''' - Why Play the Kite Guitar? | |||
* New | * New chords | ||
* Old | * Old chords sound cleaner | ||
* Dirty sounds work better | * Dirty sounds work better with chords | ||
* New melodies | |||
'''PART I - THEORY''' | |||
Chapter | Chapter 1: Just Intonation and the Harmonic Series | ||
* (take from the website's What It Is page) | * (take from the website's What It Is page) | ||
* disclaimer -- no 11-limit in this book | * disclaimer -- no 11-limit in this book | ||
Chapter 2: 41-equal | |||
* difference between edosteps and ratios | |||
'''PART II - NOTATION''' | |||
Chapter 3: | Chapter 3: Ups and Downs | ||
* | * note names | ||
* | * interval names | ||
* staff notation | * staff notation | ||
Chapter 4: Tablature | |||
* KDF tablature | * KDF tablature | ||
* relative tablature | |||
'''PART III - FINDING YOUR WAY AROUND''' | |||
Chapter 5: The Fretboard's Notes | Chapter 5: The Fretboard's Notes | ||
* diagrams for 6, 7 and 8 strings, plus bass | * downmajor tuning (mention other tunings are in appendix 3) | ||
* the three kites | |||
* a fifth equals three dots equals one kite | |||
* no octave fret | |||
* note diagrams for 6, 7 and 8 strings, plus bass | |||
* example riff in tab & score | * example riff in tab & score | ||
| Line 34: | Line 39: | ||
* microtonal apps | * microtonal apps | ||
* standard tuner with a sus4 chord | * standard tuner with a sus4 chord | ||
* tuning via 1sns and 8ves | |||
Chapter 7: The Fretboard's Intervals | Chapter 7: The Fretboard's Intervals | ||
* various diagrams with rainbows | * various diagrams with rainbows | ||
'''PART IV - MUSIC''' | |||
Chapter 8: Basic Scales | Chapter 8: Basic Scales | ||
| Line 43: | Line 50: | ||
Chapter 9: Basic Triads | Chapter 9: Basic Triads | ||
* | * how chords are named | ||
* | * downmajor - Amazing Grace | ||
* upminor - Wade In the Water | |||
* downminor, upmajor - Downminor Nocturne riff | |||
* sus4, sus2 | |||
* updim, downdim | |||
Chapter 10: Basic Chord Progressions | Chapter 10: Basic Chord Progressions | ||
| Line 69: | Line 79: | ||
* melody vs. harmony | * melody vs. harmony | ||
* (take from my xenwiki examples) | * (take from my xenwiki examples) | ||
'''APPENDICES''' | |||
Appendix 1: Giant | Appendix 1: Giant chords list | ||
* (take from the xenwiki) | * (take from the xenwiki) | ||
Appendix 2: Giant scales list | Appendix 2: Giant scales list | ||
* (take from the xenwiki) | * (take from the xenwiki) | ||
Appendix 3: Finding the Notes | |||
* staff and tab for every note | |||
Appendix | Appendix 4: Alternate tunings | ||
* Downmajor 3rds (isomorphic) | |||
* Alternating 3rds, P4-M2 (dimorphic) | |||
* Open tunings | |||
* The a-fret | |||
* The Multi-fret Capo | |||
* Banjo Spikes | |||
Latest revision as of 01:42, 23 November 2022
(Kite's initial notes for an e-book)
(includes Kite bass)
INTRODUCTION - Why Play the Kite Guitar?
- New chords
- Old chords sound cleaner
- Dirty sounds work better with chords
- New melodies
PART I - THEORY
Chapter 1: Just Intonation and the Harmonic Series
- (take from the website's What It Is page)
- disclaimer -- no 11-limit in this book
Chapter 2: 41-equal
- difference between edosteps and ratios
PART II - NOTATION
Chapter 3: Ups and Downs
- note names
- interval names
- staff notation
Chapter 4: Tablature
- KDF tablature
- relative tablature
PART III - FINDING YOUR WAY AROUND
Chapter 5: The Fretboard's Notes
- downmajor tuning (mention other tunings are in appendix 3)
- the three kites
- a fifth equals three dots equals one kite
- no octave fret
- note diagrams for 6, 7 and 8 strings, plus bass
- example riff in tab & score
Chapter 6: How To Tune
- microtonal apps
- standard tuner with a sus4 chord
- tuning via 1sns and 8ves
Chapter 7: The Fretboard's Intervals
- various diagrams with rainbows
PART IV - MUSIC
Chapter 8: Basic Scales
- vM, ^m, example melodies in each
- vm, ^M, play same melodies
Chapter 9: Basic Triads
- how chords are named
- downmajor - Amazing Grace
- upminor - Wade In the Water
- downminor, upmajor - Downminor Nocturne riff
- sus4, sus2
- updim, downdim
Chapter 10: Basic Chord Progressions
- Iv - IVv - Vv
- Iv - vII^m
Chapter 11: Pitch Shifts
- Iv - IVv - II^m - Vv
Chapter 12: Basic Tetrads
- v7, v,7
- vM7, ^m7, vm7
- ^7, ^9
- ^d^7, vdv7
- ^d7, vd7
Chapter 13: Bending
- half-fret bend
- microbend for fine-tuning vM3, vM6
Chapter 14: How to Translate Songs
- IvM7 - II^m7 - Vv7 - IvM7 issues
- melody vs. harmony
- (take from my xenwiki examples)
APPENDICES
Appendix 1: Giant chords list
- (take from the xenwiki)
Appendix 2: Giant scales list
- (take from the xenwiki)
Appendix 3: Finding the Notes
- staff and tab for every note
Appendix 4: Alternate tunings
- Downmajor 3rds (isomorphic)
- Alternating 3rds, P4-M2 (dimorphic)
- Open tunings
- The a-fret
- The Multi-fret Capo
- Banjo Spikes