User:Moremajorthanmajor/Ed13: Difference between revisions
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Undo revision 69713 by Moremajorthanmajor (talk) Tag: Undo |
Undo revision 69712 by Moremajorthanmajor (talk) Tag: Undo |
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| Line 2: | Line 2: | ||
= Division of the thirteenth harmonic into n equal parts = | = Division of the thirteenth harmonic into n equal parts = | ||
The thirteenth harmonic is particularly wide as far as equivalences go. There are (at absolute most) ~3 triskaidecataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hendecatave equivalence, this fact shapes one's musical approach dramatically. The thirteenth harmonic causes the ideal chromatic scale to "break down" | The thirteenth harmonic is particularly wide as far as equivalences go. There are (at absolute most) ~3 triskaidecataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hendecatave equivalence, this fact shapes one's musical approach dramatically. The thirteenth harmonic causes the ideal chromatic scale to "break down" during the third octave: | ||
{| class="wikitable" | {| class="wikitable" | ||
|+ | |+ | ||
| Line 25: | Line 25: | ||
!A11 | !A11 | ||
d12 | d12 | ||
!P12 | !P12 | ||
!m13 | !m13 | ||
| Line 66: | Line 45: | ||
!P22 | !P22 | ||
|- | |- | ||
| rowspan="2" |1/1 | |||
| rowspan="2" |15/14 | |||
| rowspan="2" |8/7 | |||
| rowspan="2" |6/5 | |||
| rowspan="2" |4/3 | |||
| rowspan="2" |7/5 | |||
| rowspan="2" |3/2 | |||
| rowspan="2" |8/5 | |||
| rowspan="2" |5/3 | |||
| rowspan="2" |7/2 | |||
| rowspan="2" |15/8 | |||
| rowspan="2" |2/1 | |||
| rowspan="2" |15/7 | |||
| rowspan="2" |9/4 | |||
| rowspan="2" |7/3 | |||
| rowspan="2" |5/2 | |||
| rowspan="2" |8/3 | |||
| rowspan="2" |11/4 | |||
| rowspan="2" |3/1 | | rowspan="2" |3/1 | ||
| rowspan="2" |''13/4'' | | rowspan="2" |''13/4'' | ||
Revision as of 18:46, 11 May 2021
Ed13 means Division of the Thirteenth Harmonic (13/1) into n equal parts.
Division of the thirteenth harmonic into n equal parts
The thirteenth harmonic is particularly wide as far as equivalences go. There are (at absolute most) ~3 triskaidecataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hendecatave equivalence, this fact shapes one's musical approach dramatically. The thirteenth harmonic causes the ideal chromatic scale to "break down" during the third octave:
| Unison | m2 | M2 | m3 | P4 | A4
d5 |
P5 | m6 | M6 | m7 | M7 | P8 | m9 | M9 | m10 | M10 | P11 | A11
d12 |
P12 | m13 | M13 | m14 | M14 | P15 | m16 | M16 | m17 | M17 | P18 | A18
d19 |
P19 | m20 | M20 | m21 | M21 | P22 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1/1 | 15/14 | 8/7 | 6/5 | 4/3 | 7/5 | 3/2 | 8/5 | 5/3 | 7/2 | 15/8 | 2/1 | 15/7 | 9/4 | 7/3 | 5/2 | 8/3 | 11/4 | 3/1 | 13/4 | 10/3 | 7/2 | 15/4 | 4/1 | 17/4 | 9/2 | 14/3 | 5/1 | 16/3 | 11/2 | 6/1 | 13/2 | 7/1 | 15/2 | 8/1 | |
| 32/5 | 20/3 | ||||||||||||||||||||||||||||||||||