31edo: Difference between revisions
→Intervals: + a fairly undisputed interval category system for this specific edo |
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{{ | {{Interwiki | ||
| en = 31edo | |||
| de = 31-EDO | | de = 31-EDO | ||
| es = 31 EDO | | es = 31 EDO | ||
| ja = 31平均律 | | ja = 31平均律 | ||
| zh = 31平均律 | |||
}} | }} | ||
{{Infobox ET}} | {{Infobox ET}} | ||
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Prime 11 is somewhat less accurate, making intervals like [[11/8]] off by about 9 cents. However, intervals like [[11/9]] and [[11/6]] are approximated quite well because the errors cancel out. This makes 31edo a very tone-efficient melodic approximation of the [[11-limit]] (and specifically the [[11-odd-limit]]), although it conflates [[9/7]] with [[14/11]] and [[11/8]] with [[15/11]]. It also maps most [[15-odd-limit]] intervals [[consistent]]ly, the exceptions being [[13/9]], [[13/11]], and their [[octave complement]]s. | Prime 11 is somewhat less accurate, making intervals like [[11/8]] off by about 9 cents. However, intervals like [[11/9]] and [[11/6]] are approximated quite well because the errors cancel out. This makes 31edo a very tone-efficient melodic approximation of the [[11-limit]] (and specifically the [[11-odd-limit]]), although it conflates [[9/7]] with [[14/11]] and [[11/8]] with [[15/11]]. It also maps most [[15-odd-limit]] intervals [[consistent]]ly, the exceptions being [[13/9]], [[13/11]], and their [[octave complement]]s. | ||
Other ways in which 31edo is especially accurate is that it represents a record in [[Pepper ambiguity]] in the [[7-odd-limit|7-]], [[9-odd-limit|9-]], and [[11-odd-limit]], which it is consistent through. It is also a [[ | Other ways in which 31edo is especially accurate is that it represents a record in [[Pepper ambiguity]] in the [[7-odd-limit|7-]], [[9-odd-limit|9-]], and [[11-odd-limit]], which it is consistent through. It is also a [[strict zeta edo]], meaning that it is a zeta peak, zeta peak integer, zeta integral, and zeta gap edo all at once. | ||
One step of 31edo, measuring about 38.7{{c}}, is called a [[diesis]] because it stands in for several intervals called ''dieses'' (most notably, [[128/125]] and [[648/625]]) which are tempered out in [[12edo]]. The diesis is a defining sound of 31edo; when it does not appear directly in a scale, it often shows up as the difference between two or more intervals of a similar size. The diesis is demonstrated in [[SpiralProgressions]]. [[Zhea Erose]]'s 31edo music uses the interval frequently. | |||
In terms of interval categories, because 31edo is a meantone system, the major and minor seconds, thirds, sixth, and sevenths on the chain of fifths are equated to [[5-limit]] intervals, those being [[16/15]], [[10/9]], [[6/5]], [[5/4]], and their [[octave complement]]s. 31edo maps the chromatic semitone to two steps, meaning there are "[[neutral (interval quality)|neutral]]" intervals between minor and major ones, which are not found in [[12edo]]. They can be represented by [[11-limit]] intervals, with [[11/10]]~[[12/11]] being a neutral second, and [[11/9]]~[[27/22]] a neutral third. One step in the other direction from the classical intervals are the subminor and supermajor intervals, which can be seen as intervals of prime [[7/1|7]]. The subminor second is [[21/20]]~[[28/27]], the supermajor second [[8/7]], the subminor third [[7/6]], and the supermajor third [[9/7]]~[[14/11]]. 31edo thus has five varieties of seconds and thirds each, which is much more than the two varieties available in 12edo. | |||
=== Prime harmonics === | === Prime harmonics === | ||
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=== As a tuning of other temperaments === | === As a tuning of other temperaments === | ||
Besides meantone, 31edo can be used as a tuning for [[mohajira]], [[mothra]] or less optimally [[miracle]] and [[valentine]]. These temperaments split 31edo's fifth, at 18 steps, into two, three, six, and nine equal parts | Besides meantone, 31edo can be used as a tuning for [[mohajira]], [[mothra]] or less optimally [[miracle]] and [[valentine]]. These temperaments split 31edo's fifth, at 18 steps, into two, three, six, and nine equal parts. In fact, 31edo can be defined as the unique temperament that [[tempering out|tempers out]] [[81/80]], [[99/98]], [[121/120]], and [[126/125]]. | ||
If we split the meantone [[generator]] of ~3/2 into two neutral thirds, each representing [[11/9]]~[[27/22]], then we get the [[2.3.5.11 subgroup|2.3.5.11-subgroup]] temperament [[mohaha]], tempering out [[121/120]] and [[243/242]]. We can then map [[7/4]] to the semi-diminished seventh (-13 generators), tempering out [[385/384]], to get the full 11-limit mohajira temperament, which maps 7/6, 6/5, 11/9, 5/4, and 9/7 equidistant from each other. Alternatively, we can use the septimal meantone mapping of 7/4 (+20 generators) to get [[migration]]. Mohajira and [[migration]] merge in 31edo, and create a near-optimal 11-limit meantone structure in one unified system. | |||
31edo also [[support]]s [[orwell]], which splits the [[3/1|perfect twelfth]] into seven equal parts of ~7/6. Another notable temperament it supports is [[myna]], which | The supermajor second [[8/7]] is mapped to a third of the perfect fifth in 31edo, thus tempering out [[1029/1024]], supporting [[slendric]] in the [[2.3.7 subgroup|2.3.7-subgroup]]. Slendric is a [[cluster temperament]] with 5 clusters of notes in an octave, each with nearby intervals separated by the interval found at -5 generators, or 1 step of 31edo, representing [[49/48]]~[[64/63]]. For example, 9/8, 8/7, and 7/6 are one step apart from each other, as well as 9/7, 21/16, and 4/3. 31edo supports the full 7-limit extension mothra, which tempers out 81/80, thus equating the 49/48~64/63 spacer with [[36/35]], so that 9/8~10/9, 8/7, 7/6, and 6/5 are all mapped equidistantly, as well as 5/4, 9/7, 21/16, and 4/3. Mothra splits into two 11-limit extensions: [[Gamelismic clan#Undecimal mothra|undecimal mothra]] (26 & 31) tempering out [[99/98]], and [[mosura]] (31 & 36) tempering out [[176/175]]. | ||
[[Miracle]] temperament splits the slendric generator in two parts and the perfect fifth in six, each representing [[15/14]]~[[16/15]], thus tempering out [[225/224]], so that 5/4 is found at -7 generators. The 11-limit version of miracle sets 11/9 to the neutral third, with prime 11 mapped at +15 generators. While 31edo supports miracle, a more accurate tuning is [[72edo]]. [[Valentine]] temperament splits the slendric generator in three parts and the perfect fifth in nine, each representing [[21/20]], tempering out [[126/125]]. Valentine can also be seen as [[Carlos Alpha]] but with octaves added. The canonical 11-limit extension equates the step with [[22/21]], thus tempering out [[121/120]], [[176/175]], and [[441/440]]. | |||
31edo also [[support]]s [[orwell]], which splits the [[3/1|perfect twelfth]] into seven equal parts of ~7/6. Three of these reach [[8/5]], and two reach [[11/8]], with 1–7/6–11/8–8/5 being the [[orwell tetrad]]. Commas tempered out by orwell include [[99/98]], [[121/120]], [[176/175]], and [[385/384]], among others. | |||
Another notable temperament it supports is [[myna]], which is generated by the minor third, and sets the intervals [[7/6]], [[6/5]], 11/9~[[16/13]], 5/4, and 9/7 being equidistant. Like mohajira, it creates five interval categories, but with 126/125 tempered out instead of 81/80. | |||
31edo also supports [[squares]], which splits the [[8/3|perfect eleventh]] into four equal parts, each representing [[14/11]]~9/7, two of which make [[18/11]], and four of which make [[8/3]]. The [[2.3.7.11-subgroup|2.3.7.11 subgroup]] version of this temperament is sometimes known as ''skwares'', tempering out 99/98 and 243/242. Then, prime [[5/1|5]] is found by tempering out [[81/80]], completing the 11-limit. | |||
Another temperament supported by 31edo is [[würschmidt]], which is generated by 5/4, such that 8 intervals of 5/4 reach [[6/1]]. Würschmidt extends to the 7- and 11-limit through the skwares mapping, also creating 5 interval categories, with the thirds being 7/6, 6/5, 11/9, 5/4, and 14/11~9/7, each equidistant from each other. | |||
=== Subsets and supersets === | === Subsets and supersets === | ||
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! Cents | ! Cents | ||
! Interval categories | ! Interval categories | ||
! Approximate ratios<ref group="note"> | ! Approximate ratios<ref group="note">As a 13-limit temperament, with additional ratios of 17, 19, and 23. Inconsistent intervals are in ''italics''.</ref> | ||
! [[Kite's ups and downs notation|Ups and downs notation]] | ! [[Kite's ups and downs notation|Ups and downs notation]] | ||
|- | |- | ||
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| 38.7 | | 38.7 | ||
| Super-unison | | Super-unison | ||
| [[45/44]], [[49/48]], [[ | | [[36/35]], [[45/44]], [[49/48]], [[50/49]], [[64/63]], [[128/125]] | ||
| {{UDnote|step=1}} | | {{UDnote|step=1}} | ||
|- | |- | ||
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| 77.4 | | 77.4 | ||
| Subminor second | | Subminor second | ||
| [[ | | [[21/20]], [[22/21]], [[23/22]], [[25/24]], [[28/27]] | ||
| {{UDnote|step=2}} | | {{UDnote|step=2}} | ||
|- | |- | ||
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| 116.1 | | 116.1 | ||
| Minor second | | Minor second | ||
| [[15/14]], [[16/15]] | | [[14/13]], [[15/14]], [[16/15]] | ||
| {{UDnote|step=3}} | | {{UDnote|step=3}} | ||
|- | |- | ||
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| 154.8 | | 154.8 | ||
| Neutral second | | Neutral second | ||
| [[12/11]], [[ | | [[11/10]], [[12/11]], [[13/12]], [[35/32]] | ||
| {{UDnote|step=4}} | | {{UDnote|step=4}} | ||
|- | |- | ||
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| 232.3 | | 232.3 | ||
| Supermajor second | | Supermajor second | ||
| [[8/7 | | [[8/7]] | ||
| {{UDnote|step=6}} | | {{UDnote|step=6}} | ||
|- | |- | ||
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| 271.0 | | 271.0 | ||
| Subminor third | | Subminor third | ||
| [[7/6 | | [[7/6]] | ||
| {{UDnote|step=7}} | | {{UDnote|step=7}} | ||
|- | |- | ||
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| 309.7 | | 309.7 | ||
| Minor third | | Minor third | ||
| [[6/5]], | | [[6/5]], [[25/21]], ''[[13/11]]'' | ||
| {{UDnote|step=8}} | | {{UDnote|step=8}} | ||
|- | |- | ||
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| 348.4 | | 348.4 | ||
| Neutral third | | Neutral third | ||
| [[11/9 | | [[11/9]], [[16/13]] | ||
| {{UDnote|step=9}} | | {{UDnote|step=9}} | ||
|- | |- | ||
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| 464.5 | | 464.5 | ||
| Subfourth | | Subfourth | ||
| | | [[13/10]], [[17/13]], [[21/16]] | ||
| {{UDnote|step=12}} | | {{UDnote|step=12}} | ||
|- | |- | ||
| Line 132: | Line 147: | ||
| 541.9 | | 541.9 | ||
| Superfourth | | Superfourth | ||
| [[ | | [[11/8]], [[15/11]], [[26/19]], ''[[18/13]]'', [[48/35]] | ||
| {{UDnote|step=14}} | | {{UDnote|step=14}} | ||
|- | |- | ||
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| 580.6 | | 580.6 | ||
| Augmented fourth | | Augmented fourth | ||
| [[7/5]], [[ | | [[7/5]], [[25/18]], [[45/32]] | ||
| {{UDnote|step=15}} | | {{UDnote|step=15}} | ||
|- | |- | ||
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| 619.4 | | 619.4 | ||
| Diminished fifth | | Diminished fifth | ||
| [[10/7]], [[ | | [[10/7]], [[36/25]], [[64/45]] | ||
| {{UDnote|step=16}} | | {{UDnote|step=16}} | ||
|- | |- | ||
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| 658.1 | | 658.1 | ||
| Subfifth | | Subfifth | ||
| [[ | | [[16/11]], [[19/13]], [[22/15]], ''[[13/9]]'', [[35/24]] | ||
| {{UDnote|step=17}} | | {{UDnote|step=17}} | ||
|- | |- | ||
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| 735.5 | | 735.5 | ||
| Superfifth | | Superfifth | ||
| | | [[20/13]], [[26/17]], [[32/21]] | ||
| {{UDnote|step=19}} | | {{UDnote|step=19}} | ||
|- | |- | ||
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| 774.2 | | 774.2 | ||
| Subminor sixth | | Subminor sixth | ||
| [[ | | [[11/7]], [[14/9]], [[25/16]] | ||
| {{UDnote|step=20}} | | {{UDnote|step=20}} | ||
|- | |- | ||
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| 851.6 | | 851.6 | ||
| Neutral sixth | | Neutral sixth | ||
| | | [[13/8]], [[18/11]] | ||
| {{UDnote|step=22}} | | {{UDnote|step=22}} | ||
|- | |- | ||
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| 890.3 | | 890.3 | ||
| Major sixth | | Major sixth | ||
| [[5/3]], [[42/25]] | | [[5/3]], [[42/25]], ''[[22/13]]'' | ||
| {{UDnote|step=23}} | | {{UDnote|step=23}} | ||
|- | |- | ||
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| 929.0 | | 929.0 | ||
| Supermajor sixth | | Supermajor sixth | ||
| [[12/7 | | [[12/7]] | ||
| {{UDnote|step=24}} | | {{UDnote|step=24}} | ||
|- | |- | ||
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| 967.7 | | 967.7 | ||
| Subminor seventh | | Subminor seventh | ||
| [[7/4 | | [[7/4]] | ||
| {{UDnote|step=25}} | | {{UDnote|step=25}} | ||
|- | |- | ||
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| 1006.5 | | 1006.5 | ||
| Minor seventh | | Minor seventh | ||
| [[ | | [[9/5]], [[16/9]], [[25/14]], [[34/19]] | ||
| {{UDnote|step=26}} | | {{UDnote|step=26}} | ||
|- | |- | ||
| Line 210: | Line 225: | ||
| 1045.2 | | 1045.2 | ||
| Neutral seventh | | Neutral seventh | ||
| [[11/6]], [[20/11]], [[64/35]] | | [[11/6]], [[20/11]], [[24/13]], [[64/35]] | ||
| {{UDnote|step=27}} | | {{UDnote|step=27}} | ||
|- | |- | ||
| Line 216: | Line 231: | ||
| 1083.9 | | 1083.9 | ||
| Major seventh | | Major seventh | ||
| [[ | | [[13/7]], [[15/8]], [[28/15]] | ||
| {{UDnote|step=28}} | | {{UDnote|step=28}} | ||
|- | |- | ||
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| 1122.6 | | 1122.6 | ||
| Supermajor seventh | | Supermajor seventh | ||
| [[ | | [[21/11]], [[27/14]], [[40/21]], [[44/23]], [[48/25]] | ||
| {{UDnote|step=29}} | | {{UDnote|step=29}} | ||
|- | |- | ||
| Line 228: | Line 243: | ||
| 1161.3 | | 1161.3 | ||
| Sub-octave | | Sub-octave | ||
| [[ | | [[35/18]], [[49/25]], [[63/32]], [[88/45]], [[96/49]], [[125/64]] | ||
| {{UDnote|step=30}} | | {{UDnote|step=30}} | ||
|- | |- | ||
| Line 928: | Line 943: | ||
| 3.584 | | 3.584 | ||
|} | |} | ||
* 31et is lower in relative error than any previous equal temperaments in the 7-, 11-, 13-, and 17-limit. The next equal temperaments doing better in those subgroups are 72, 72, 41, and 46, respectively. | * 31et is lower in relative error than any previous equal temperaments in the 7-, 11-, 13-, and 17-limit. The next equal temperaments doing better in those subgroups are [[72edo|72]], 72, [[41edo|41]], and [[46edo|46]], respectively. | ||
* 31et excels in the 2.5.7 subgroup (the JI chord 4:5:7 is represented highly [[consistent]]ly: to [[consistency #Consistency to distance d|distance]] 10.36). In 2.5.7 it tempers out the didacus comma [[3136/3125]] and the quince comma [[823543/819200]], thus also tempering out the very small [[rainy comma]], the simplest 2.5.7 comma tempered out by the 7-limit microtemperament [[171edo]]. | * 31et excels in the [[2.5.7 subgroup]] (the JI chord [[4:5:7]] is represented highly [[consistent]]ly: to [[consistency #Consistency to distance d|distance]] 10.36). In 2.5.7 it tempers out the didacus comma [[3136/3125]] and the quince comma [[823543/819200]], thus also tempering out the very small [[rainy comma]], the simplest 2.5.7 comma tempered out by the 7-limit microtemperament [[171edo]]. | ||
* In the 17-limit it tempers out [[120/119]], equating the otonal tetrad of [[4:5:6:7]] and the inversion of the [[10:12:15:17]] minor tetrad. | * In the [[17-limit]] it tempers out [[120/119]], equating the otonal tetrad of [[4:5:6:7]] and the inversion of the [[10:12:15:17]] minor tetrad. | ||
=== Uniform maps === | === Uniform maps === | ||
| Line 1,218: | Line 1,233: | ||
| 0.42 | | 0.42 | ||
| Sathurugu | | Sathurugu | ||
| | | Minisma | ||
|} | |} | ||
<references group="note" /> | <references group="note" /> | ||
| Line 1,328: | Line 1,343: | ||
| (P8, ccP4/5) | | (P8, ccP4/5) | ||
|} | |} | ||
<nowiki/>* [[Normal | <nowiki/>* [[Normal forms #Equave-reduced-generator form|Octave-reduced form]], reduced to the first half-octave, and [[normal forms #Minimal-generator form|minimal form]] in parentheses if distinct | ||
== Octave stretch or compression == | == Octave stretch or compression == | ||
| Line 1,503: | Line 1,518: | ||
=== Other Instruments === | === Other Instruments === | ||
[[File:31edo array kalimba.jpg|none|thumb|640x640px|31edo array kalimba built by Tristan Bay; 3 octaves, 94 keys, and laid out in circle-of-fourths meantone tuning]] | [[File:31edo array kalimba.jpg|none|thumb|640x640px|31edo array kalimba built by [[Tristan Bay]]; 3 octaves, 94 keys, and laid out in circle-of-fourths meantone tuning]] | ||
=== Lumatone === | === Lumatone === | ||
| Line 1,510: | Line 1,525: | ||
=== Skip fretting === | === Skip fretting === | ||
'''[[Skip fretting system 31 2 9]]''' is a [[skip fretting]] system for 31edo. | '''[[Skip fretting system 31 2 9]]''' is a [[skip fretting]] system for 31edo. | ||
'''[[Skip fretting system 31 3 7]]''' is another skip fretting system for 31edo. | '''[[Skip fretting system 31 3 7]]''' is another skip fretting system for 31edo. | ||
'''Skip fretting system 31 2 5''' is another skip fretting system for 31edo. All examples on this page are for 7-string [[guitar]]. | '''Skip fretting system 31 2 5''' is another skip fretting system for 31edo. All examples on this page are for 7-string [[guitar]]. | ||