Diasem: Difference between revisions

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'''Diasem''' is a 9-note [[Maximum variety|max-variety-3]], [[generator-offset]] scale with step pattern 5L 2M 2s, equivalent to the [[semiquartal]] ([[5L 4s]]) mos with two of the small steps made larger and the other two made smaller. Diasem is [[chiral]], with two rotationally non-equivalent variants: ''right-handed diasem'' LMLSLMLSL and ''left-handed diasem'' LSLMLSLML; these are mirror images. The fact that the small step of diatonic is made smaller results in [[26edo]] and [[31edo]] diasem having better melodic properties than the respective diatonic scales. The scale has two chains of fifth generators (with 5 notes and 4 notes, respectively) with offset a subminor third or a supermajor second. [[21edo]] is the smallest edo to support a non-degenerate diasem.
'''Diasem''' (also denoted 2s in [[groundfault]]'s [[aberrismic theory]]) is a 9-note [[Maximum variety|max-variety-3]], [[generator-offset]] scale with [[step signature]] 5L 2m 2s, equivalent to the [[semiquartal]] ([[5L 4s]]) mos with two of the small steps made larger and the other two made smaller. Diasem is [[chiral]], with two rotationally non-equivalent variants: ''right-handed (RH) diasem'' LmLsLmLsL and ''left-handed (LH) diasem'' LsLmLsLmL; these [[step pattern]]s are mirror images. The fact that the small step of diatonic is made smaller results in [[26edo]] and [[31edo]] diasem having better melodic properties than the respective diatonic scales. [[21edo]] is the smallest edo to support a non-degenerate diasem.


Diasem can be tuned as a [[Just intonation subgroup|2.3.7 subgroup]] JI scale or a tempered version thereof, where L represents [[9/8]], M represents [[28/27]], and S represents [[64/63]].
Diasem can be tuned as a [[Just intonation subgroup|2.3.7 subgroup]] JI scale or a tempered version thereof, where L represents [[9/8]], m represents [[28/27]], and s represents [[64/63]]. This interpretation, or more generally the series of [[generator sequence]] scales generated by GS(7/6, 8/7) or GS(8/7, 7/6), has been named [[Tas]].


"Diasem" is a name given by [[User:ks26|ks26]] (though others have discussed the scale before her). The name is a portmanteau of "diatonic" and "semiquartal" (or "[[semaphore]]") since its step sizes are intermediate between that of [[diatonic]] (5L 2s) and [[semiquartal]] (5L 4s); it is also a pun based on the [[diesis]], which appears as the small step in the scale in the [[31edo]] and [[36edo]] tunings.
"Diasem" is a name given by [[groundfault]] (though others have discussed the scale before her). The name is a portmanteau of "diatonic" and "semiquartal" (or "[[Semaphore]]") since its step sizes are intermediate between that of [[diatonic]] (5L 2s) and [[semiquartal]] (5L 4s); it is also a pun based on the [[diesis]], which appears as the small step in the scale in the [[31edo]] and [[36edo]] tunings.


{| class="wikitable"
{| class="wikitable"
|+ Comparison with semiquartal and diatonic in 62edo
|+ Comparison of diasem with semiquartal and diatonic in 62edo
|-
|-
! Name !! Structure !! Step Sizes !! Graphical Representation
! Name !! Structure !! Step Sizes !! Graphical Representation
|-
|-
| Semiquartal || 5L4s || 10\62, 3\62 || ├─────────┼──┼─────────┼──┼─────────┼──┼─────────┼──┼─────────┤
| Semiquartal || 5L 4s || 10\62, 3\62 || ├─────────┼──┼─────────┼──┼─────────┼──┼─────────┼──┼─────────┤
|-
|-
| Diasem || 5L2m2s || 10\62, 4\62, 2\62 || ├─────────┼───┼─────────┼─┼─────────┼───┼─────────┼─┼─────────┤
| Diasem || 5L 2m 2s || 10\62, 4\62, 2\62 || ├─────────┼───┼─────────┼─┼─────────┼───┼─────────┼─┼─────────┤
|-
|-
| Diatonic || 5L2s || 10\62, 6\62 || ├─────────┼─────┼─────────╫─────────┼─────┼─────────╫─────────┤
| Diatonic || 5L 2s || 10\62, 6\62 || ├─────────┼─────┼─────────╫─────────┼─────┼─────────╫─────────┤
|}
|}


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! [[31edo]] (L:m:s = 5:2:1)
! [[31edo]] (L:m:s = 5:2:1)
|- bgcolor="#eaeaff"
|- bgcolor="#eaeaff"
!rowspan=3|[[TAMNAMS|1-step]]
!rowspan=3|[[TAMNAMS|1-steps]]
!| <small>small</small>
!| <small>small</small>
|| s
|| s
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| 5\31, 193.55¢
| 5\31, 193.55¢
|-
|-
!rowspan=3|[[TAMNAMS|2-step]]
!rowspan=3|[[TAMNAMS|2-steps]]
!|<small>small</small>
!|<small>small</small>
| L + s
| L + s
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| 10\31, 387.10¢
| 10\31, 387.10¢
|-  bgcolor="#eaeaff"
|-  bgcolor="#eaeaff"
!rowspan=3|[[TAMNAMS|3-step]]
!rowspan=3|[[TAMNAMS|3-steps]]
!|<small>small</small>
!|<small>small</small>
| L + m + s
| L + m + s
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| 12\31, 464.52¢
| 12\31, 464.52¢
|-  
|-  
!rowspan=3|[[TAMNAMS|4-step]]
!rowspan=3|[[TAMNAMS|4-steps]]
!|<small>small</small>
!|<small>small</small>
| 2L + m + s
| 2L + m + s
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| 17\31, 658.06¢
| 17\31, 658.06¢
|- bgcolor="#eaeaff"
|- bgcolor="#eaeaff"
!rowspan=3|[[TAMNAMS|5-step]]
!rowspan=3|[[TAMNAMS|5-steps]]
!|<small>small</small>
!|<small>small</small>
| 2L + m + 2s
| 2L + m + 2s
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| 18\31, 696.77¢
| 18\31, 696.77¢
|-
|-
!rowspan=3|[[TAMNAMS|6-step]]
!rowspan=3|[[TAMNAMS|6-steps]]
!|<small>small</small>
!|<small>small</small>
| 3L + m + 2s
| 3L + m + 2s
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| 23\31, 890.32¢
| 23\31, 890.32¢
|-  bgcolor="#eaeaff"
|-  bgcolor="#eaeaff"
!rowspan=3|[[TAMNAMS|7-step]]
!rowspan=3|[[TAMNAMS|7-steps]]
!|<small>small</small>
!|<small>small</small>
| 3L + 2m + 2s
| 3L + 2m + 2s
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| 25\31, 967.74¢
| 25\31, 967.74¢
|-  
|-  
!rowspan=3|[[TAMNAMS|8-step]]
!rowspan=3|[[TAMNAMS|8-steps]]
!|<small>small</small>
!|<small>small</small>
| 4L + 2m + 2s
| 4L + 2m + 2s
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The octave can be called the "perfect 9-step" in [[TAMNAMS]].
The octave can be called the "perfect 9-step" in [[TAMNAMS]].


== Important properties ==
== Properties ==
Any diasem scale has a fifth (large 5-step) between 4\9 (666.67¢) and 3\5 (720¢). The fifth is:
Any diasem scale with positive step sizes has a fifth (large 5-step) between 4\9 (666.67¢) and 3\5 (720¢). The fifth is:
* > 4\7 if L > m + s
* > 4\7 if L > m + s
* = 4\7 if L = m + s
* = 4\7 if L = m + s
* < 4\7 if L < m + s
* < 4\7 if L < m + s
(This can be seen as follows: Let s' = m + s. Then the fifth generates the mos 5L 2s', which is either diatonic, 7edo or antidiatonic depending on the above conditions.)
(This can be seen as follows: Let s' = m + s. Then the fifth generates the mos 5L 2s', which is either diatonic, 7edo or antidiatonic depending on the above conditions.)
The scale has two chains of fifth generators (with 5 notes and 4 notes, respectively) with offset L + m or L + s (respectively a flat minor third or a sharp major second in tunings of diasem with "reasonable" fifths and small s steps).


== Modes ==
== Modes ==
Diasem has 18 modes, 9 modes of LH diasem and 9 modes of RH diasem. To minimize bias (e.g. towards certain tunings), this article names the modes after the [[semiquartal]] mode that the diasem mode is based on (the semiquartal modes are given in [[UDP notation]]).
Diasem has 18 modes, 9 modes of LH diasem and 9 modes of RH diasem. We have provided names based on the modes of the [[5L 4s]], [[5L 2s]] and [[7L 2s]] temperings of each mode.


=== Cyclic order ===
The modes arranged in cyclic order:
The modes arranged in cyclic order:
{| class="wikitable"
{| class="wikitable"
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! style="text-align:center;" |Right-handed modes
! style="text-align:center;" |Right-handed modes
|-
|-
| | LSLMLSLML <br/>LH Diasem 4|4<br/>LH Diasem Mixo
| | '''LsLmLsLmL''' <br/>LH Diasem Nucifragan<br/>LH Diasem Mixo<br/>LH Diasem Superaeolian
| | LMLSLMLSL <br/>RH Diasem 4|4<br/>RH Diasem Aeolian
| | '''LmLsLmLsL''' <br/>RH Diasem Nucifragan<br/>RH Diasem Aeolian<br/>RH Diasem Supermixo
|-
|-
| | SLMLSLMLL <br/>LH Diasem 0|8<br/>LH Diasem Brightened Aeolian
| | '''sLmLsLmLL''' <br/>LH Diasem Pyrrhian<br/>LH Diasem Bright Aeolian<br/>LH Diasem Superlocrian
| | MLSLMLSLL <br/>RH Diasem 0|8<br/>RH Diasem Locrian
| | '''mLsLmLsLL''' <br/>RH Diasem Pyrrhian<br/>RH Diasem Locrian<br/>RH Diasem Olympian
|-
|-
| | LMLSLMLLS <br/>LH Diasem 5|3<br/>LH Diasem Aeolian
| | '''LmLsLmLLs''' <br/>LH Diasem Cornician<br/>LH Diasem Dark Aeolian<br/>LH Diasem Superionian
| | LSLMLSLLM <br/>RH Diasem 5|3<br/>RH Diasem Ionian
| | '''LsLmLsLLm''' <br/>RH Diasem Cornician<br/>RH Diasem Ionian<br/>RH Diasem Superaeolian
|-
|-
| | MLSLMLLSL <br/>LH Diasem 1|7<br/>LH Diasem Locrian
| | '''mLsLmLLsL''' <br/>LH Diasem Coloean<br/>LH Diasem Locrian<br/>LH Diasem Corinthian
| | SLMLSLLML <br/>RH Diasem 1|7<br/>RH Diasem Bright Dorian
| | '''sLmLsLLmL''' <br/>RH Diasem Coloean<br/>RH Diasem Bright Dorian<br/>RH Diasem Superlocrian
|-
|-
| | LSLMLLSLM <br/>LH Diasem 6|2<br/>LH Diasem Ionian
| | '''LsLmLLsLm''' <br/>LH Diasem Stellerian<br/>LH Diasem Ionian<br/>LH Diasem Superdorian
| | LMLSLLMLS <br/>RH Diasem 6|2<br/>RH Diasem Dark Dorian
| | '''LmLsLLmLs''' <br/>RH Diasem Stellerian<br/>RH Diasem Dark Dorian<br/>RH Diasem Superionian
|-
|-
| | SLMLLSLML <br/>LH Diasem 2|6<br/>LH Diasem Bright Dorian
| | '''sLmLLsLmL''' <br/>LH Diasem Frugilegian<br/>LH Diasem Bright Dorian<br/>LH Diasem Superphrygian
| | MLSLLMLSL <br/>RH Diasem 2|6<br/>RH Diasem Phrygian
| | '''mLsLLmLsL''' <br/>RH Diasem Frugilegian<br/>RH Diasem Phrygian<br/>RH Diasem Corinthian
|-
|-
| | LMLLSLMLS <br/>LH Diasem 7|1<br/>LH Diasem Dark Dorian
| | '''LmLLsLmLs''' <br/>LH Diasem Pican<br/>LH Diasem Dark Dorian<br/>LH Diasem Superlydian
| | LSLLMLSLM <br/>RH Diasem 7|1<br/>RH Diasem Lydian
| | '''LsLLmLsLm''' <br/>RH Diasem Pican<br/>RH Diasem Lydian<br/>RH Diasem Superdorian
|-
|-
| | MLLSLMLSL <br/>LH Diasem 3|5<br/>LH Diasem Phrygian
| | '''mLLsLmLsL''' <br/>LH Diasem Coracian<br/>LH Diasem Phrygian<br/>LH Diasem Supermixo
| | SLLMLSLML <br/>RH Diasem 3|5<br/>RH Diasem Mixo
| | '''sLLmLsLmL''' <br/>RH Diasem Coracian<br/>RH Diasem Bright Mixo<br/>RH Diasem Superphrygian
|-
|-
| | LLSLMLSLM <br/>LH Diasem 8|0<br/>LH Diasem Lydian
| | '''LLsLmLsLm''' <br/>LH Diasem Cristatan<br/>LH Diasem Lydian<br/>LH Diasem Olympian
| | LLMLSLMLS <br/>RH Diasem 8|0<br/>RH Diasem Darkened Mixo
| | '''LLmLsLmLs''' <br/>RH Diasem Cristatan<br/>RH Diasem Dark Mixo<br/>RH Diasem Superlydian
|}
|}


=== Dechiralized modes ===
=== Arranged by generator chain ===
By taking the union of the two chiralities for each diatonic mode, we obtain the achiral scale LSCSLMLSLM, where c = L &minus; s. This is a stretched version of the [[blackdye]] scale with the same step ratio (with the L in the "SLS" of blackdye made smaller). There are 8 dechiralized modes that result from changing an occurrence of SL and LS in it to SCS (on the same root as the original chiral modes).
When we arrange the modes in the order given by rotating each mode by the generator (the perfect fifth) we obtain the following families of modes (">" roughly means 'brighter than'):
# RH
## LsLLmLsLm (RH Lydian) > LsLmLsLLm (RH Ionian) > sLLmLsLmL (RH Bright Mixo) > sLmLsLLmL (RH Bright Dorian)
## LLmLsLmLs (RH Dark Mixo) > LmLsLLmLs (RH Dark Dorian) > LmLsLmLsL (RH Aeolian) > mLsLLmLsL (RH Phrygian) > mLsLmLsLL (RH Locrian)
# LH
## LLsLmLsLm (LH Lydian) > LsLmLLsLm (LH Ionian) > LsLmLsLmL (LH Mixo) > sLmLLsLmL (LH Bright Dorian) > sLmLsLmLL (LH Bright Aeolian)
## LmLLsLmLs (LH Dark Dorian) > LmLsLmLLs (LH Dark Aeolian) > mLLsLmLsL (LH Phrygian) > mLsLmLLsL (LH Locrian)
This provides a clear motivation for the diatonic-based mode names.
 
=== Negative-s blackdye ===
Consider right-hand diasem, fixing a choice of positive step sizes. There exists a way of superimposing a left-hand diasem mode on the right hand diasem so that the right-hand diasem and the left-hand diasem overlap in 8 notes, yielding a scale of 10 notes, possibly after changing the mode of right-hand diasem. For example, superimposing LmLsLmLsL (RH Aeolian) and LmLsLmLLs (LH Dark Aeolian) gives LmLsLmLs(L-s)s (in fifth-based notation on C: C D Ebv Fv F G Abv Bbv Bb Cv C, where v denotes lowering by s). Note that the union is achiral. This new scale has two chains of perfect fifths each spanning 5 notes:
 
Chain 1: '''Bb''' (L-s)sLmLs '''F''' LmLs(L-s)S '''C''' LmLsL '''G''' mLs(L-s)sL '''D'''


{| class="wikitable"
Chain 2: '''Abv''' Ls(L-s)sLm '''Ebv''' LsLmL '''Bbv''' S(L-s)sLmL '''Fv''' sLmLs(L-s) '''Cv'''
|-
 
! style="text-align:center;" |Dechiralized modes
Notice that we have two generator chains of equal length. To give this scale a generator-offset structure we can treat the large 7-step as the offset of the 10-note scale. We treat L+S as one scale step and consider the scale an interleaving of two pentatonic scales, using the notes of C-D-F-G-Bb for the even numbered notes and Cv-Ebv-Fv-Abv-Bbv for the odd ones. This gives the following ordering: C Cv D Ebv F Fv G Abv Bb Bbv C, or in step sizes, -s L+s M L+s -s L+s M L+s -s L+s. This is formally a [[blackdye]] (sL'mL's'L'mL's'L') pattern, albeit with a negative step size s' = -s! This scale has been called '''negative blackdye''' or '''negative-s blackdye'''.
|-
 
| | LSCSLMLSLM <br/> Dechiralized Diasem Lydian
== Alterations ==
|-
* Diasem Melodic Minor LmLsLLsLm
| | LSLMLSCSLM <br/> Dechiralized Diasem Ionian
|-
| | SCSLMLSLML <br/> Dechiralized Diasem Mixo
|-
| | SLMLSCSLML <br/> Dechiralized Diasem Bright Dorian
|-
| | LMLSCSLMLS <br/> Dechiralized Diasem Dark Dorian
|-
| | LMLSLMLSCS <br/> Dechiralized Diasem Aeolian
|-
| | MLSCSLMLSL <br/> Dechiralized Diasem Phrygian
|-
| | MLSLMLSCSL <br/> Dechiralized Diasem Locrian
|-
| | CSLMLSLMLS
|-
| | SLMLSLMLSC
|}
The last two modes are exceptional because they begin and end in a C and thus do not result from a union-taking that preserves the tonic.


== In JI and similar tunings ==
== In JI and similar tunings ==
Like [[superpyth]], diasem is great for diatonic melodies in the 2.3.7 subgroup; however, it does not temper 64/63, adding two diesis-sized steps to what would normally be a diatonic scale. Not tempering 64/63 is actually quite useful, because it's the difference between only two 4/3 and a 7/4, so the error is spread over just two perfect fourths. On the other hand, the syntonic comma where the error is spread out over four perfect fifths. As a result, the results of tempering out [[81/80]] are not as bad, because each fifth only needs to be bent by about half as much to achieve the same optimization for the 5-limit. So in the case of 2.3.7, it may actually be worth it to accept the addition of small step sizes in order to improve tuning accuracy. Another advantage of detempering the septimal comma is that it allows one to use both 9/8 and 8/7, as well as 21/16 and 4/3, in the same scale. Semaphore in a sense does the opposite of what superpyth does, exaggerating 64/63 to the point that 21/16 is no longer recognizable, and the small steps of diasem become equal to the medium steps.
Like [[Superpyth]], JI diasem is great for diatonic melodies in the 2.3.7 subgroup; however, it does not temper 64/63, adding two diesis-sized steps to what would normally be a diatonic scale. Not tempering 64/63 is actually quite useful, because it's the difference between only two 4/3 and a 7/4, so the error is spread over just two perfect fourths. On the other hand, the syntonic comma where the error is spread out over four perfect fifths. As a result, the results of tempering out [[81/80]] are not as bad, because each fifth only needs to be bent by about half as much to achieve the same optimization for the 5-limit. So in the case of 2.3.7, it may actually be worth it to accept the addition of small step sizes in order to improve tuning accuracy. Another advantage of detempering the septimal comma is that it allows one to use both 9/8 and 8/7, as well as 21/16 and 4/3, in the same scale. Semaphore in a sense does the opposite of what Superpyth does, exaggerating 64/63 to the point that 21/16 is no longer recognizable, and the small steps of diasem become equal to the medium steps.
 
=== As a Fokker block ===
[[File:Diasem as fokker block.png|600px|thumbnail|2.3.7 JI diasem as a Fokker block]]
The 2.3.7 JI diasem scale can be viewed as a [[Fokker block]] living in the 2.3.7 octave-equivalent pitch class lattice. The x-axis goes along the 3 direction and the y-axis goes along the 7 direction.
 
The diagram shows the LmLsLmLsL mode. Each dot represents a pitch class of a note in the 2.3.7 lattice. All the notes of the mode are marked as solid purple dots. Notes of the lattice outside the mode are black hollow dots. The red dashed lines are separated by the chroma 49/48, and the blue dotted lines are separated by the chroma 567/512. Note that both 49/48 and 567/512 are tempered out by (the 2.3.7 [[patent val]] of) [[9edo]].
 
The notes of diasem form the {49/48, 567/512} Fokker block, which is a fundamental domain of the 2.3.7 pitch class lattice; it is possible to tile the entire infinite lattice with copies of right-hand diasem transLated by (49/48)<sup>''m''</sup>(567/512)<sup>''n''</sup> for integer ''m'' and ''n''. Including any one of the other three points on the boundary (28/27, 147/128, or 64/63) instead of 9/8 aLso yields Fokker blocks, more specifically, modes of three of the other [[dome]]s of diasem, and transLates of the parallelogram that do not have lattice points on the boundary lead to other domes of this Fokker block. However, only one other choice, 28/27, yields a diasem scale, and it yields the left-handed diasem mode mLLsLmLsL.
 
As a Fokker block, 2.3.7 JI diasem is aLso a product of the tempered 2.3.7 mosses Semaphore[9] (LsLsLsLsL) and septimal Mavila[9] (LLLsLLLsL).


== Tunings ==
== Tunings ==
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! rowspan="2" class="unsortable" |Good JI approximations
! rowspan="2" class="unsortable" |Good JI approximations
! rowspan="2" class="unsortable" |other comments
! rowspan="2" class="unsortable" |other comments
! colspan="8" |Degrees of the mode LMLSLMLSL
! colspan="8" |Degrees of the mode LmLsLmLsL
|-
|-
!1!!2!!3!!4!!5 !!6 !! 7!!8
!1!!2!!3!!4!!5 !!6 !! 7!!8
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| 21edo
| 21edo
|3:2:1
|3:2:1
| 23/16 and 39/32
| 16/15, 23/16 and 39/32
|
|
|171.429
|171.429
Line 735: Line 741:
|}
|}


=== Tuning examples ===
== Tuning examples ==
{{col-begin}}
=== LsLLmLsLm ===
{{col-break}}
An example in the RH Diasem Lydian mode LsLLmLsLm. ([[:File:Diasem Lydian Example Score.pdf|score]])
An example in the RH Diasem 7|1 mode LSLLMLSLM. ([[:File:Diasem Lydian Example Score.pdf|score]])


[[File:Diasem Lydian Example 14edo.mp3]] [[14edo]], L:M:S = 2:1:1 (degenerate; this is [[basic]] [[semiquartal]])
[[File:Diasem Lydian Example 14edo.mp3]] [[14edo]], L:M:S = 2:1:1 (degenerate; this is [[basic]] [[semiquartal]])
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[[File:Diasem Lydian Example 33edo.mp3]] [[33edo]], L:M:S = 5:3:1
[[File:Diasem Lydian Example 33edo.mp3]] [[33edo]], L:M:S = 5:3:1
[[File:Diasem Lydian Example 33edo semiquartal.mp3]] [[33edo]], L:M:S = 5:2:2 (degenerate; this is [[semihard]] [[semiquartal]])


[[File:Diasem Lydian Example 35edo.mp3]] [[35edo]], L:M:S = 5:4:1
[[File:Diasem Lydian Example 35edo.mp3]] [[35edo]], L:M:S = 5:4:1
Line 768: Line 775:
[[File:Diasem Lydian Example 38edo.mp3]] [[38edo]], L:M:S = 6:3:1
[[File:Diasem Lydian Example 38edo.mp3]] [[38edo]], L:M:S = 6:3:1


[[File:Diasem Lydian Example 41edo.mp3]] [[41edo]], L:M:S = 7:2:1<!--
[[File:Diasem Lydian Example 41edo.mp3]] [[41edo]], L:M:S = 7:2:1
{{col-break}}
 
An example in a Locrian-like diasem mode MLSLMLLSL. ([[:File:Diasem Locrian Example.pdf|score]])
===mLsLmLLsL===
An example in LH Diasem Locrian mode mLsLmLLsL. ([[:File:Diasem Locrian Example.pdf|score]])


[[File:Diasem Locrian Example 14edo.mp3]] [[14edo]], L:M:S = 2:1:1 (degenerate; this is [[basic]] [[semiquartal]])
[[File:Diasem Locrian Example 14edo.mp3]] [[14edo]], L:M:S = 2:1:1 (degenerate; this is [[basic]] [[semiquartal]])


[[File:Diasem Locrian Example 16edo.mp3]] [[16edo]], L:M:S = 2:2:1 (degenerate; this is [[basic]] [[[[superdiatonic]]]])
[[File:Diasem Locrian Example 16edo.mp3]] [[16edo]], L:M:S = 2:2:1 (degenerate; this is [[basic]] [[superdiatonic]])


[[File:Diasem Locrian Example 19edo.mp3]] [[19edo]], L:M:S = 3:1:1 (degenerate; this is [[hard]] [[semiquartal]])
[[File:Diasem Locrian Example 19edo.mp3]] [[19edo]], L:M:S = 3:1:1 (degenerate; this is [[hard]] [[semiquartal]])
Line 797: Line 805:


[[File:Diasem Locrian Example 41edo.mp3]] [[41edo]], L:M:S = 7:2:1
[[File:Diasem Locrian Example 41edo.mp3]] [[41edo]], L:M:S = 7:2:1
-->
{{col-end}}


== Extensions ==
=== mLLsLmLsL ===
The diasem scale extends to a 14-note AG scale: LmLsLmLsL and LsLmLsLmL both extend to the scale mcmcmsmcmcmsmc (c = L &minus; m), with two 7-note mosses generated by the diasem's fifths separated by m. This scale is not chiral. This scale extends diasem like how [[blackdye]] is a 10-note non-chiral AG extension of the [[Zarlino]] scale's AG pattern 3L 2m 2s, LmsLmLs. The 14-note extension is one of:
[[File:Diasem Phrygian Example 21edo.mp3]] [[21edo]], L:M:S = 3:2:1
 
[[File:Diasem Phrygian Example 26edo.mp3]] [[26edo]], L:M:S = 4:2:1
 
[[File:Diasem Phrygian Example 31edo.mp3]] [[31edo]], L:M:S = 5:2:1
 
== Supersets ==
The diasem scale extends to a 14-note generator-offset scale: LmLsLmLsL and LsLmLsLmL both extend to the scale mcmcmsmcmcmsmc (c = L &minus; m), with two 7-note mosses generated by the diasem's fifths separated by m. This scale is not chiral. This scale extends diasem like how [[blackdye]] is a 10-note non-chiral generator-offset superset of the [[Zarlino]] scale's AG pattern 3L 2m 2s, LmsLmLs. The 14-note superset is one of:
* 5L 7m 2s (if m < c < L)
* 5L 7m 2s (if m < c < L)
* a 2-step modmos of [[12L 2s]] (if c = m)
* a 2-step modmos of [[12L 2s]] (if c = m)
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5L 7m 2s must have a diatonic fifth, since L > 2m > m + s. The 31edo tuning (c = 3\31, m = 2\31, s = 1\31) of the scale is ideal for the 81/80-tempering 2.3.5.7 interpretation.
5L 7m 2s must have a diatonic fifth, since L > 2m > m + s. The 31edo tuning (c = 3\31, m = 2\31, s = 1\31) of the scale is ideal for the 81/80-tempering 2.3.5.7 interpretation.


Another extension is scscsmscscsmsc, with c = L - s (5L 2m 7s if c > m). 31edo diasem yields 5L 2m 7s with step ratio 4:2:1.  
Another superset is scscsmscscsmsc, with c = L - s (5L 2m 7s if c > m). 31edo diasem yields 5L 2m 7s with step ratio 4:2:1.
 
Both these tunings, 5L 7m 2s and 5L 2m 7s, have been named '''crossdye''' ("crossed eyes" referring to the two copies of 5L 2s diatonic + "blackdye", courtesy of [[User:CellularAutomaton|cellularAutomaton]]). 5L 7m 2s has been called ''chromatic crossdye'', and 5L 2m 7s has been called ''dietic crossdye'' and ''whitedye''.


Both these tunings, 5L 7m 2s and 5L 2m 7s, have been named '''crossdye''' ("crossed eyes" referring to the two copies of 5L 2s diatonic + "blackdye", courtesy of cellularAutomaton). 5L 7m 2s could be called ''chromatic crossdye'' and 5L 2m 7s could be called ''dietic crossdye''.
2.3.7 JI diasem also has the following generator-offset, SV3 supersets:
* a 19-note superset: mLsmsLmsmLsmsLmsmLs (5L 7m 7s), with L = 2187/2048, m = 28/27, and s = 64/63,
* a 29-note superset: mLsmLmLsmLmLmsLmLmLsmLmLmsLmL (12L 12m 5s), with L = 28/27, m = 64/63, and s = 531441/524288.


== See also ==
== See also ==
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==Links==
==Links==
*[https://sevish.com/scaleworkshop/?name=JI%20Diasem&data=9%2F8%0A7%2F6%0A21%2F16%0A4%2F3%0A3%2F2%0A14%2F9%0A7%2F4%0A16%2F9%0A2%2F1&freq=440&midi=69&vert=5&horiz=1&colors=white%20black%20white%20white%20black%20white%20black%20white%20white%20black%20white%20black&waveform=square&ampenv=organ Play JI diasem] - Sevish Scale Workshop
*[https://sevish.com/scaleworkshop/?name=JI%20Diasem&data=9%2F8%0A7%2F6%0A21%2F16%0A4%2F3%0A3%2F2%0A14%2F9%0A7%2F4%0A16%2F9%0A2%2F1&freq=440&midi=69&vert=5&horiz=1&colors=white%20black%20white%20white%20black%20white%20black%20white%20white%20black%20white%20black&waveform=square&ampenv=organ Play JI diasem] - Sevish Scale Workshop
*[https://sevish.com/scaleworkshop/?name=Diasem%2026edo&data=46.15384615384615%0A92.3076923076923%0A138.46153846153845%0A184.6153846153846%0A230.76923076923077%0A276.9230769230769%0A323.0769230769231%0A369.2307692307692%0A415.38461538461536%0A461.53846153846155%0A507.6923076923077%0A553.8461538461538%0A600.%0A646.1538461538462%0A692.3076923076923%0A738.4615384615385%0A784.6153846153846%0A830.7692307692307%0A876.9230769230769%0A923.0769230769231%0A969.2307692307692%0A1015.3846153846154%0A1061.5384615384614%0A1107.6923076923076%0A1153.8461538461538%0A1200.&freq=440&midi=69&vert=9&horiz=1&colors=white%20black%20grey%20black%20white%20black%20white%20black%20grey%20black%20white%20white%20black%20grey%20black%20white%20black%20white%20black%20grey%20black%20white%20white%20black%20grey%20black&waveform=square&ampenv=organ Play 26edo diasem] - Sevish Scale Workshop
*[https://sevish.com/scaleworkshop/?name=Diasem%2026edo&data=184.6153846153846%0A276.9230769230769%0A461.53846153846155%0A507.6923076923077%0A692.3076923076923%0A784.6153846153846%0A969.2307692307692%0A1015.3846153846154%0A1200.&freq=440&midi=69&vert=9&horiz=1&colors=white%20black%20grey%20black%20white%20black%20white%20black%20grey%20black%20white%20white%20black%20grey%20black%20white%20black%20white%20black%20grey%20black%20white%20white%20black%20grey%20black&waveform=square&ampenv=organ Play 26edo diasem] - Sevish Scale Workshop


[[Category:9-tone scales]]
[[Category:9-tone scales]]
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[[Category:Just intonation scales]]
[[Category:Just intonation scales]]
[[Category:7-limit]]
[[Category:7-limit]]
[[Category:Maximum variety 3 scales]]
[[Category:Trivalent scales]]
[[Category:GO scales]]
[[Category:GO scales]]
[[Category:Rank-3 scales]]
[[Category:Rank-3 scales]]
[[Category:Fokker blocks]]
[[Category:Aberrismic theory]]