Rodan: Difference between revisions
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| Mapping = 1; 3 17 -1 -13 | | Mapping = 1; 3 17 -1 -13 | ||
| Pergen = (P8, P5/3) | | Pergen = (P8, P5/3) | ||
| Odd limit 1 = 9 | Mistuning 1 = | | Odd limit 1 = 9 | Mistuning 1 = 5.05 | Complexity 1 = 41 | ||
| Odd limit 2 = (2.3.5.7.11) 21 | Mistuning 2 = | | Odd limit 2 = (2.3.5.7.11) 21 | Mistuning 2 = 5.34 | Complexity 2 = 87 | ||
}} | }} | ||
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Unlike [[mothra]], which flattens the fifth to a [[meantone]] fifth, the fifth of rodan is slightly sharp of just, ranging from that of [[41edo]] to that of [[46edo]] (with [[87edo]] being an essentially optimal tuning). As a result, the [[256/243|diatonic minor second]] is compressed, and the interval known as the [[quark]], which represents [[49/48]], [[64/63]], and in rodan also [[81/80]], is even smaller than it is in tunings of slendric with a nearly just fifth. This entails that the [[mos scale]]s of rodan [[cluster MOS|cluster]] even more strongly around [[5edo]], although this can be thought of as an advantage in that it simplifies the conceptualization of rodan's inventory of intervals (see [[#As a detemperament of 5et]]). Rather than directly using mos scales, which are either extremely imbalanced or overly large, an approach to rodan may involve picking and choosing which intervals from each [[pentatonic]] category to keep in the scale. | Unlike [[mothra]], which flattens the fifth to a [[meantone]] fifth, the fifth of rodan is slightly sharp of just, ranging from that of [[41edo]] to that of [[46edo]] (with [[87edo]] being an essentially optimal tuning). As a result, the [[256/243|diatonic minor second]] is compressed, and the interval known as the [[quark]], which represents [[49/48]], [[64/63]], and in rodan also [[81/80]], is even smaller than it is in tunings of slendric with a nearly just fifth. This entails that the [[mos scale]]s of rodan [[cluster MOS|cluster]] even more strongly around [[5edo]], although this can be thought of as an advantage in that it simplifies the conceptualization of rodan's inventory of intervals (see [[#As a detemperament of 5et]]). Rather than directly using mos scales, which are either extremely imbalanced or overly large, an approach to rodan may involve picking and choosing which intervals from each [[pentatonic]] category to keep in the scale. | ||
As can be elucidated by [[S-expression]]s, rodan is very much | As can be elucidated by [[S-expression]]s, rodan is very much an "opposed counterpart" to mothra: the basic equivalence of slendric tempers S7 (49/48) = S8 (64/63), and mothra proceeds to equate it to S6 ([[36/35]]) as well; meanwhile, rodan extends the equivalence in the opposite direction to add S9 (81/80) to it, making it one of the five [[rank-2 temperament]]s definable by equating three adjacent square superparticulars. | ||
As for further extensions, slendric temperaments often find [[55/32]] at 4 generator steps (tempering out [[385/384]] and [[441/440]]), giving new interpretations to the quark as [[55/54]] and [[56/55]]; 55/32 is particularly accurate in the tuning subrange appropriate for rodan, and so [[11/1|harmonic 11]] can easily be found at -13 generator steps. | As for further extensions, slendric temperaments often find [[55/32]] at 4 generator steps (tempering out [[385/384]] and [[441/440]]), giving new interpretations to the quark as [[55/54]] and [[56/55]]; 55/32 is particularly accurate in the tuning subrange appropriate for rodan, and so [[11/1|harmonic 11]] can easily be found at -13 generator steps. It is also worth mentioning that this equates the diatonic major third to [[14/11]], tempering out [[896/891]]. A [[2.3.7.11 subgroup]] version of rodan, known as ''radon'', uses exclusively this mapping and forgoes interpreting the 5th harmonic. | ||
Toward the [[13-limit]], the diatonic minor third ([[32/27]]) in hemifamity temperaments represents the square root of [[7/5]], for which [[13/11]] is a good interpretation (tempering out [[352/351]] and [[847/845]]), which turns out to place [[13/1|harmonic 13]] at -22 generator steps. Finally, [[17/13]] is a good interpretation of the slendric subfourth comprising two generators, otherwise equated to [[21/16]] (tempering out [[273/272]] and [[833/832]]), and this places [[17/1|harmonic 17]] at -20 generator steps. Thus proceeds the canonical extension of rodan out to the [[17-limit]]. | |||
See [[Gamelismic clan #Rodan]] for more information. | See [[Gamelismic clan #Rodan]] for more information. | ||
== Interval chain == | == Interval chain == | ||
When speaking of interval categories, as an extension of slendric it is possible to use a system [[Slendric#Interval categories|designed for slendric]], where notes are inflected from the diatonic [[chain of fifths]] by means of the prefixes "super" and "sub", such that three of these inflections stack to a diatonic minor second. These "super" and "sub" prefixes are equivalent to "up" and "down" in [[#Notation|the notation]] system, but can disambiguate from "up" and "down" symbols from [[ups and downs notation]] in the context of larger rodan edos that map this comma to multiple edosteps. | |||
In the following table, odd harmonics and subharmonics 1–21 are in '''bold'''. | In the following table, odd harmonics and subharmonics 1–21 are in '''bold'''. | ||
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! rowspan="2" | # !! rowspan="2" | Extended <br> diatonic <br> interval !! rowspan="2" | Cents* !! colspan="2" | Approximate ratios | ! rowspan="2" | # !! rowspan="2" | Extended <br> diatonic <br> interval !! rowspan="2" | Cents* !! colspan="2" | Approximate ratios | ||
|- | |- | ||
! rowspan="1" | 11-limit | ! rowspan="1" | Ratios of the 11-limit !! colspan="1" | Ratios of the 17-limit | ||
|- | |- | ||
| 0 | | 0 | ||
Line 40: | Line 44: | ||
| SM2 | | SM2 | ||
| 234.46 | | 234.46 | ||
| '''8/7''' | | '''8/7''' | ||
| 39/34 | | 39/34 | ||
|- | |- | ||
Line 46: | Line 50: | ||
| s4 | | s4 | ||
| 468.92 | | 468.92 | ||
| '''21/16''', 64/49 | | '''21/16''', 64/49 | ||
| 17/13 | | 17/13 | ||
|- | |- | ||
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| 937.84 | | 937.84 | ||
| 12/7, 55/32 | | 12/7, 55/32 | ||
| | | | ||
|- | |- | ||
| 5 | | 5 | ||
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| M2 | | M2 | ||
| 206.76 | | 206.76 | ||
| '''9/8''' | | '''9/8''' | ||
| 44/39 | | 44/39 | ||
|- | |- | ||
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| sM2 | | sM2 | ||
| 179.05 | | 179.05 | ||
| 10/9 | | 10/9 | ||
| | | | ||
|- | |- | ||
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| M3 | | M3 | ||
| 413.51 | | 413.51 | ||
| 14/11 | | 14/11, 81/64 | ||
| 33/26 | | 33/26 | ||
|- | |- | ||
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| A4 | | A4 | ||
| 620.27 | | 620.27 | ||
| 10/7 | | 10/7 | ||
| 49/34, 56/39 | | 49/34, 56/39 | ||
|- | |- | ||
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| SA5 | | SA5 | ||
| 854.73 | | 854.73 | ||
| 18/11 | | 18/11 | ||
| 28/17, 64/39 | | 28/17, 64/39 | ||
|- | |- | ||
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| 1061.49 | | 1061.49 | ||
| 50/27, 90/49 | | 50/27, 90/49 | ||
| 24/13 | | 24/13 | ||
|- | |- | ||
| 26 | | 26 | ||
Line 192: | Line 196: | ||
| 35/33 | | 35/33 | ||
| 18/17 | | 18/17 | ||
|- | |||
| 27 | |||
| A2 | |||
| 330.41 | |||
| 40/33 | |||
| | |||
|- | |||
| 28 | |||
| SA3 | |||
| 564.87 | |||
| 25/18 | |||
| 18/13 | |||
|- | |||
| 29 | |||
| sA5 | |||
| 799.33 | |||
| 35/22, 100/63 | |||
| 27/17 | |||
|- | |||
| 30 | |||
| A6 | |||
| 1033.79 | |||
| 20/11 | |||
| | |||
|- | |||
| 31 | |||
| SA7 | |||
| 68.25 | |||
| 25/24 | |||
| 27/26 | |||
|} | |} | ||
<nowiki/>* In 11-limit CWE tuning, octave reduced | <nowiki/>* In 11-limit CWE tuning, octave reduced | ||
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Notice also the little interval between the largest of a category and the smallest of the next, which represents the differences between 16/15 and 14/13, between 11/9 and 16/13, between 7/5 and 45/32, between 13/8 and 18/11, and between 13/7 and 15/8. It spans 41 generator steps, so it vanishes in 41edo, but is tuned to the same size as the quark/syntonic comma in 46edo. 87edo tunes it to one half the size of the syntonic comma, which may be seen as a good compromise. | Notice also the little interval between the largest of a category and the smallest of the next, which represents the differences between 16/15 and 14/13, between 11/9 and 16/13, between 7/5 and 45/32, between 13/8 and 18/11, and between 13/7 and 15/8. It spans 41 generator steps, so it vanishes in 41edo, but is tuned to the same size as the quark/syntonic comma in 46edo. 87edo tunes it to one half the size of the syntonic comma, which may be seen as a good compromise. | ||
== Chords == | |||
11-limit rodan contains [[essentially tempered chord]]s of the commas 245/243, 385/384, 441/440, and 896/891. A list of 11-odd-limit [[dyadic chord|dyadically consonant chords]], both essentially tempered and essentially just, can be found at [[Chords of rodan]]. | |||
== Scales == | |||
* [[Radon5]] | |||
* [[Radon11]] | |||
* [[Radon16]] | |||
* [[Rodan26opt]] | |||
* [[Rodan31opt]] | |||
* [[Rodan41opt]] | |||
== Notation == | == Notation == | ||
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Rodan's notation has much in common with that for 41edo and 46edo, since both edos map a minor second to three edosteps. It also resembles the notation for [[cassandra]]. All four notations notate the slendric tetrad (1–8/7–21/16–3/2) on C as C–^D–vF–G, and all four notations notate 5/4, 7/4, 11/8, and 13/8 as in the table above. But the notations diverge for other intervals, such as 11/10. | Rodan's notation has much in common with that for 41edo and 46edo, since both edos map a minor second to three edosteps. It also resembles the notation for [[cassandra]]. All four notations notate the slendric tetrad (1–8/7–21/16–3/2) on C as C–^D–vF–G, and all four notations notate 5/4, 7/4, 11/8, and 13/8 as in the table above. But the notations diverge for other intervals, such as 11/10. | ||
== Tunings == | == Tunings == | ||
=== Tuning spectrum === | === Tuning spectrum === | ||
{| class="wikitable center-all left-4" | {{see also|Slendric #Tuning spectrum}} | ||
{| class="wikitable center-all left-4 left-5" | |||
|- | |- | ||
! | ! EDO<br>generator | ||
! [[Eigenmonzo| | ! [[Eigenmonzo|Unchanged interval<br>(eigenmonzo)]] | ||
! Generator (¢) | ! Generator (¢) | ||
! Comments | ! Comments | ||
|- | |- | ||
| | | | ||
| 7 | | [[8/7]] | ||
| 231. | | 231.1741 | ||
| | | Untempered tuning | ||
|- | |- | ||
| | | | ||
| 17/13 | | [[17/13]] | ||
| 232. | | 232.2139 | ||
| | | | ||
|- | |- | ||
| '''[[36edo|7\36]]''' | |||
| | | | ||
| 7 | | '''233.3333''' | ||
| | | 36cfg val, '''lower bound of 7- and 9-odd-limit diamond monotone''' | ||
|- | |||
| | | | ||
| [[3/2]] | |||
| 233.9850 | |||
| 1/3-comma slendric | |||
|- | |- | ||
| [[ | | '''[[41edo|8\41]]''' | ||
| | | | ||
| | | '''234.1463''' | ||
| | | '''Lower bound of 11- through 17-odd-limit diamond monotone''' | ||
|- | |- | ||
| | | | ||
| | | [[22/17]] | ||
| | | 234.1946 | ||
| | | | ||
|- | |- | ||
| | | | ||
| | | [[15/14]] | ||
| | | 234.2592 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 234. | | [[10/7]] | ||
| | | 234.3049 | ||
| 7- and 9-odd-limit minimax | |||
|- | |- | ||
| [[169edo|33\169]] | |||
| | | | ||
| | | 234.3195 | ||
| | | 169fgg val | ||
|- | |||
| | | | ||
| [[18/11]] | |||
| 234.3470 | |||
| 11-odd-limit minimax | |||
|- | |- | ||
| | | | ||
| | | [[40/21]] | ||
| 234. | | 234.3689 | ||
| | | | ||
|- | |- | ||
| [[128edo| | | [[128edo|25\128]] | ||
| | | | ||
| 234. | | 234.3750 | ||
| 128g val | | 128g val | ||
|- | |- | ||
| | | | ||
| 13 | | [[18/13]] | ||
| 234. | | 234.4065 | ||
| 13- and 15-odd-limit minimax | | 13- and 15-odd-limit minimax | ||
|- | |- | ||
| | | | ||
| 15/8 | | [[55/32]] | ||
| 234. | | 234.4079 | ||
| As SM6 | |||
|- | |||
| | |||
| [[15/8]] | |||
| 234.4134 | |||
| | | | ||
|- | |- | ||
| | | | ||
| 11 | | [[12/11]] | ||
| 234. | | 234.4148 | ||
| | |||
|- | |||
| [[215edo|42\215]] | |||
| | | | ||
| 234.4186 | |||
| 215dgg val | |||
|- | |- | ||
| | | | ||
| 15/11 | | [[15/11]] | ||
| 234. | | 234.4531 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 13 | | [[24/13]] | ||
| 234. | | 234.4571 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 15/13 | | [[15/13]] | ||
| 234. | | 234.4700 | ||
| | | | ||
|- | |- | ||
| [[87edo| | | [[87edo|17\87]] | ||
| | | | ||
| 234. | | 234.4828 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 5/4 | | [[5/4]] | ||
| 234. | | 234.4890 | ||
| 5-odd-limit minimax | | 5-odd-limit minimax | ||
|- | |- | ||
| | | | ||
| 11 | | [[20/11]] | ||
| 234. | | 234.4999 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 13 | | [[20/13]] | ||
| 234. | | 234.5073 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 11/ | | [[16/11]] | ||
| 234. | | 234.5140 | ||
| | |||
|- | |||
| | |||
| [[16/13]] | |||
| 234.5215 | |||
| | | | ||
|- | |- | ||
| | | | ||
| 13 | | [[22/13]] | ||
| 234. | | 234.5323 | ||
| | | | ||
|- | |- | ||
| [[220edo|43\220]] | |||
| | | | ||
| | | 234.5455 | ||
| | | 220dg val | ||
|- | |||
| | | | ||
| [[63/32]] | |||
| 234.5472 | |||
| 2/5-comma slendric | |||
|- | |- | ||
| | | | ||
| 17 | | [[18/17]] | ||
| 234. | | 234.5752 | ||
| 17-odd-limit minimax | | 17-odd-limit minimax | ||
|- | |- | ||
| | | | ||
| 17/ | | [[30/17]] | ||
| 234. | | 234.5828 | ||
| | |||
|- | |||
| [[133edo|26\133]] | |||
| | |||
| 234.5865 | |||
| | |||
|- | |||
| | |||
| [[5/3]] | |||
| 234.5971 | |||
| | |||
|- | |||
| | |||
| [[21/11]] | |||
| 234.6309 | |||
| | | | ||
|- | |- | ||
| | | | ||
| 234. | | [[20/17]] | ||
| 234.6313 | |||
| | |||
|- | |||
| [[179edo|35\179]] | |||
| | | | ||
| 234.6369 | |||
| 179d val | |||
|- | |- | ||
| | | | ||
| | | [[24/17]] | ||
| 234. | | 234.6522 | ||
| | | | ||
|- | |- | ||
| | | | ||
| | | [[14/13]] | ||
| 234. | | 234.6809 | ||
| | | | ||
|- | |- | ||
| | | | ||
| 17 | | [[32/17]] | ||
| 234. | | 234.7522 | ||
| | | | ||
|- | |- | ||
| | | | ||
| | | [[10/9]] | ||
| 234. | | 234.7640 | ||
| | | | ||
|- | |- | ||
| '''[[46edo|9\46]]''' | |||
| | | | ||
| | | '''234.7826''' | ||
| 234. | | '''Upper bound of 11- through 17-odd-limit diamond monotone''' | ||
|- | |||
| | |||
| [[14/11]] | |||
| 234.7923 | |||
| | | | ||
|- | |- | ||
| | | | ||
| 234. | | [[28/17]] | ||
| | | 234.9406 | ||
| | |||
|- | |- | ||
| [[51edo|10\51]] | |||
| | | | ||
| | | 235.2941 | ||
| | | 51cf val | ||
|- | |||
| | | | ||
| [[21/16]] | |||
| 235.3905 | |||
| 1/2-comma slendric | |||
|- | |- | ||
| [[5edo| | | '''[[5edo|1\5]]''' | ||
| | | | ||
| 240. | | '''240.0000''' | ||
| 5f val, upper bound of | | 5f val, '''upper bound of 5- through 9-odd-limit diamond monotone''' | ||
|} | |} | ||
<nowiki>*</nowiki> Besides the octave | |||
== Music == | == Music == | ||
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[[Category:Rodan| ]] <!-- main article --> | [[Category:Rodan| ]] <!-- main article --> | ||
[[Category:Rank-2 temperaments]] | [[Category:Rank-2 temperaments]] | ||
[[Category:Gamelismic clan]] | |||
[[Category:Sensamagic clan]] | [[Category:Sensamagic clan]] | ||
[[Category: | [[Category:Hemifamity temperaments]] |