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Wikispaces>hstraub **Imported revision 1150522 - Original comment: Paul G. Hjelmstad's boogie woogie scale** |
m Text replacement - "Category:Just intonation scales" to "Category:Just intonation scales Category:Pages with mostly numerical content" |
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=Boogie Woogie Scale= | |||
In [ | In [https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_65608.html#65608 this posting] of the Yahoo tuning list, Paul G. Hjelmstad wrote: | ||
<pre> | |||
Take the standard 12-bar boogie-woogie. Let's use F major: | Take the standard 12-bar boogie-woogie. Let's use F major: | ||
F A C Eb | |||
F A C Eb | Bb D F Ab | ||
Bb D F Ab | C E G Bb | ||
C E G Bb | |||
Tune to the seven-limit and keep fifths. You get | Tune to the seven-limit and keep fifths. You get | ||
12 15 18 21 | 12 15 18 21 | ||
4 5 6 7 | 4 5 6 7 | ||
36 45 54 63 | 36 45 54 63 | ||
Fit into one octave (F, G, Ab,A,Bb,C,D,Eb,E) | Fit into one octave (F,G,Ab,A,Bb,C,D,Eb,E) | ||
24, 27,28,30,32,36,40,42,45 and 63 (extra Bb) | 24,27,28,30,32,36,40,42,45 and 63 (extra Bb) | ||
Taking all the ratios, we find that they are all superparticular (n/n- | Taking all the ratios, we find that they are all superparticular | ||
1) | (n/n-1) | ||
9/8, 28/27, 15/14, 16/15, 9/8, 10/9, 21/20, 15/14, 16/15 (and the | 9/8, 28/27, 15/14, 16/15, 9/8, 10/9, 21/20, 15/14, 16/15 | ||
schisma for Bb/Bb 64/63) | (and the schisma for Bb/Bb 64/63) | ||
You also get 8/7, 7/6, 6/5, 4/3, 3/2, 1/1, with multiple scale | You also get 8/7, 7/6, 6/5, 4/3, 3/2, 1/1, with multiple scale | ||
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The first seven triangular numbers are used; 1/1, 3/2, 6/5, 10/9, | The first seven triangular numbers are used; 1/1, 3/2, 6/5, 10/9, | ||
15/14, 21/20, 28/27 | 15/14, 21/20, 28/27 | ||
Five of the squares are used: 1/1, 4/3, 9/8, 16/15 and 64/63 | Five of the squares are used: 1/1, 4/3, 9/8, 16/15 and 64/63 | ||
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All from the simple boogie woogie! | All from the simple boogie woogie! | ||
---- | </pre> | ||
----- | |||
Gene Ward Smith described some additional properties (in [https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_65608.html#65610 this posting]): | |||
<pre> | |||
Here it is in Scala format: | Here it is in Scala format: | ||
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15/8 | 15/8 | ||
63/32 | 63/32 | ||
2 | 2/1 | ||
Three otonal tetrads, no utonal tetrads, not CS or epimorphic, | Three otonal tetrads, no utonal tetrads, not CS or epimorphic, | ||
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! cx1.scl | ! cx1.scl | ||
First 10/4 scale = erlich11 | First 10/4 scale = erlich11 <10 16 23 28| epimorphic | ||
10 | 10 | ||
! | ! | ||
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Quite a lot of musical possibilities in these relatively small 7-limit | Quite a lot of musical possibilities in these relatively small 7-limit | ||
JI scales, I think.</pre | JI scales, I think. | ||
</pre> | |||
[[Category:10-tone scales]] | |||
[[Category:Just intonation scales]] | |||
[[Category:Pages with mostly numerical content]] | |||
[[Category:7-limit]] | |||
[[Category:Pages with Scala files]] | |||
[[Category:Archive]] | |||
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Latest revision as of 00:31, 24 June 2025
Boogie Woogie Scale
In this posting of the Yahoo tuning list, Paul G. Hjelmstad wrote:
Take the standard 12-bar boogie-woogie. Let's use F major: F A C Eb Bb D F Ab C E G Bb Tune to the seven-limit and keep fifths. You get 12 15 18 21 4 5 6 7 36 45 54 63 Fit into one octave (F,G,Ab,A,Bb,C,D,Eb,E) 24,27,28,30,32,36,40,42,45 and 63 (extra Bb) Taking all the ratios, we find that they are all superparticular (n/n-1) 9/8, 28/27, 15/14, 16/15, 9/8, 10/9, 21/20, 15/14, 16/15 (and the schisma for Bb/Bb 64/63) You also get 8/7, 7/6, 6/5, 4/3, 3/2, 1/1, with multiple scale steps.. The first seven triangular numbers are used; 1/1, 3/2, 6/5, 10/9, 15/14, 21/20, 28/27 Five of the squares are used: 1/1, 4/3, 9/8, 16/15 and 64/63 8/7 and 7/6 are the only ratios which are not squared or triangular superparticular ratios but they are still superparticular! All from the simple boogie woogie!
Gene Ward Smith described some additional properties (in this posting):
Here it is in Scala format: ! boogie.scl Paul Hjelmstad's boogie woogie scale 10 ! 9/8 5/4 21/16 45/32 3/2 27/16 7/4 15/8 63/32 2/1 Three otonal tetrads, no utonal tetrads, not CS or epimorphic, superparticular ratios as noted. I found a number of ten-note seven limit epimorphic scales with four tetrads; here's one Paul Erlich found first: ! cx1.scl First 10/4 scale = erlich11 <10 16 23 28| epimorphic 10 ! 15/14 7/6 5/4 4/3 10/7 3/2 5/3 7/4 15/8 2 ! [0, -1, -1], [0, -1, 0], [0, 0, 0], [0, 0, 1] Quite a lot of musical possibilities in these relatively small 7-limit JI scales, I think.