22edo/Unque's compositional approach: Difference between revisions
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=== 3L 2M 2s === | |||
===3L 2M 2s=== | |||
The [[Nicetone|3L 2M 2s]] scale is the other type of Diatonic scale represented in 22edo; this one represents the 5-limit shade of Diatonic popularized by musicians and theorists such as Ptolemy and Zarlino. It is generated by alternating intervals 6\22 and 7\22, and as such yields two different forms ("left-hand" and "right-hand") based on which generator comes first and which comes second. | The [[Nicetone|3L 2M 2s]] scale is the other type of Diatonic scale represented in 22edo; this one represents the 5-limit shade of Diatonic popularized by musicians and theorists such as Ptolemy and Zarlino. It is generated by alternating intervals 6\22 and 7\22, and as such yields two different forms ("left-hand" and "right-hand") based on which generator comes first and which comes second. | ||
| Line 533: | Line 532: | ||
|8 | |8 | ||
| LssssLssss | | LssssLssss | ||
| C - C♯ - E♭ - vE - F - vF♯ - | | C - C♯ - E♭ - vE - F - vF♯ - vF𝄪 - vA - ^A - ^C♭ - C | ||
|Wolf Minor | |Wolf Minor | ||
| Contains the wolf fifth (^G) | | Contains the wolf fifth (^G) | ||
| Line 539: | Line 538: | ||
|6 | |6 | ||
| sLssssLsss | | sLssssLsss | ||
| C - vC♯ - E♭ - vE - F - vF♯ - | | C - vC♯ - E♭ - vE - F - vF♯ - ^F♯ - vA - ^A - ^C♭ - C | ||
|Dynamic Major | |Dynamic Major | ||
|Dual thirds are subminor and major | |Dual thirds are subminor and major | ||
| Line 545: | Line 544: | ||
|4 | |4 | ||
| ssLssssLss | | ssLssssLss | ||
| C - vC♯ - vE♭ - vE - F - vF♯ - | | C - vC♯ - vE♭ - vE - F - vF♯ - ^F♯ - ^A♭ - ^A - ^C♭ - C | ||
| Static Major | | Static Major | ||
|Laterally symmetrical | |Laterally symmetrical | ||
| Line 551: | Line 550: | ||
| 2 | | 2 | ||
| sssLssssLs | | sssLssssLs | ||
| C - vC♯ - vE♭ - ^E♭ - F - vF♯ - | | C - vC♯ - vE♭ - ^E♭ - F - vF♯ - ^F♯ - ^A♭ - A - ^C♭ - C | ||
|Static Minor | |Static Minor | ||
|Messiaen treated this rotation as the "default" | |Messiaen treated this rotation as the "default" | ||
| Line 557: | Line 556: | ||
|0 | |0 | ||
|ssssLssssL | |ssssLssssL | ||
|C - vC♯ - vE♭ - ^E♭ - vF - vF♯ - | |C - vC♯ - vE♭ - ^E♭ - vF - vF♯ - ^F♯ - ^A♭ - A - C♭ - C | ||
|Dynamic Minor | |Dynamic Minor | ||
|Dual thirds are minor and supermajor | |Dual thirds are minor and supermajor | ||
| Line 960: | Line 959: | ||
Thus, our four-chord progression is Csus4 - e<sup>ow</sup> - Fsus4 - Gsaj. This series of chords uses a combination of voice leading, tension-and-release paradigms, and circle of fifths movement to provide a dynamic and functional harmonic progression. | Thus, our four-chord progression is Csus4 - e<sup>ow</sup> - Fsus4 - Gsaj. This series of chords uses a combination of voice leading, tension-and-release paradigms, and circle of fifths movement to provide a dynamic and functional harmonic progression. | ||
[[Category:Approaches to tuning systems]] | [[Category:Approaches to tuning systems]] | ||
== Graphs and Diagrams == | |||
[[File:22edo Diatonic Chords.png|frameless]] | |||