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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | __FORCETOC__ |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
| | '''"Ice tonality"''' can be described as a tonal system that is a kind of generalization of the [[Iceface Tuning]] devised by [[Hidekazu Wakabayashi]]. |
| : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2015-02-17 18:34:37 UTC</tt>.<br>
| |
| : The original revision id was <tt>541255878</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
| |
| <h4>Original Wikitext content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Ice tonality refers to a tonal system which is set up by using mohajira[7] as the fundamental scale. Ice tonality is a method of describing a system which tonally uses mohajira as the diatonic scale rather than arabic maqam which follow a much different approach. While typically it refers to 24 edo it can also be found in other equal temperaments.
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| "Iced" is a way to refer to a neutral interval to describe the quality it has. Unlike "neutral", iced sounds much less ambiguous and gives the impression that it has a distinct quality rather than just sticking it between major and minor as neutral intervals sound like neither major or minor but in fact have a sound described as "Iced". Therefore, Mohajira[7] can be referred to the "Iced Diatonic Scale" and it's mode's are as follows:
| | The tunings on this page are all 12-note subsets of [[24edo]]. More specifically, they are all based on [[12edo]], with a defined selection of notes ("iced notes") tuned a [[quartertone]] up or down. |
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| | The following variants have been specified: |
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| || Iced Major (Neutral Scale) || C D Ed F G Ad Bd C || M2 N3 P4 P5 N6 N7 ||
| | =Ice Bookshop= |
| || Iced Locrian || D Ed F G Ad Bd C D || N2 m3 P4 sb5 N6 m7 ||
| | Also called "Iceface tuning 0.1". (This was Hidekazu Wakabayashi's first microtonal tuning, which was called "Iceface Tuning" until the end of 2012.) |
| || Iced Fridgian (Iced Minor) || Ed F G Ad Bd C D Ed || N2 N3 P4 P5 N6 N7 ||
| |
| || Iced Lydian || F G Ad Bd C D Ed F || M2 N3 S4 P5 M6 N7 ||
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| || Iced Mixolydian || G Ad Bd C D Ed F G || N2 N3 P4 P5 N6 m7 ||
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| || Iced Dark Lydian (Iced Coffee) || Ad Bd C D Ed F G Ad || M2 N3 S4 P5 m6 N7 ||
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| || Iced Blizzard || Bd C D Ed F G Ad Bd || N2 N3 P4 P5 N6 m7 ||
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| Strangely, the mode names do not match the typical order of western mode names due to the odd intervalic nature of mohajira temperament.
| | Tuning in [[Scala]] format: |
| | <pre> |
| | ! icebookshop.scl |
| | ! |
| | Ice Bookshop Tuning (Iceface tuning 0.1) by Hidekazu Wakabayashi |
| | 12 |
| | ! |
| | 100.00000 |
| | 200.00000 |
| | 300.00000 |
| | 350.00000 |
| | 500.00000 |
| | 600.00000 |
| | 700.00000 |
| | 800.00000 |
| | 900.00000 |
| | 1000.00000 |
| | 1050.00000 |
| | 2/1 |
| | </pre> |
|
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| =Iceface Tuning=
| | [todo properties] |
| When a mode the iced diatonic scale is superimposed with the normal diatonic scale, it results in a tuning called "Iceface". The term was coined by Hidekazu Wakabayashi by tuning each black note on the piano up 50 cents. The result is an array of Iced modes along with the diatonic scale at the same time. "Iceface" implies that there is simply an essense of the iced modes avaliable within range of the normal diatonic scale.
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| Take for example, C major. IF we tune C#, D#, F#, G#, and A# up 50 cents we would get a scale of C Dd D Ed E F Gd G Ad A Bd B C. By looking at the above chart, it's quite apparent that the Iced Diatonic scale on C as well as other Modmos are avaliable throughout this scale.
| | ==Music== |
| | *''[https://soundcloud.com/hidekazu-wakabayashi/music-from-unopned-boxes Music from unopned boxes]'' by Hidekazu Wakabayashi |
| | *''[https://soundcloud.com/hidekazu-wakabayashi/the-ice-bookshop The Ice Bookshop]'' by Hidekazu Wakabayashi |
|
| |
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| =see also= | | =Iceface= |
| * [[Iceface Tuning]]</pre></div>
| |
| <h4>Original HTML content:</h4>
| |
| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Ice Tonality</title></head><body>Ice tonality refers to a tonal system which is set up by using mohajira[7] as the fundamental scale. Ice tonality is a method of describing a system which tonally uses mohajira as the diatonic scale rather than arabic maqam which follow a much different approach. While typically it refers to 24 edo it can also be found in other equal temperaments.<br />
| |
| <br />
| |
| &quot;Iced&quot; is a way to refer to a neutral interval to describe the quality it has. Unlike &quot;neutral&quot;, iced sounds much less ambiguous and gives the impression that it has a distinct quality rather than just sticking it between major and minor as neutral intervals sound like neither major or minor but in fact have a sound described as &quot;Iced&quot;. Therefore, Mohajira[7] can be referred to the &quot;Iced Diatonic Scale&quot; and it's mode's are as follows:<br />
| |
| <br />
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| <br />
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|
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|
| | <pre> |
| | ! Iceface.scl |
| | ! |
| | Iceface Tuning (all back keys a quartertone up), by Hidekazu Wakabayashi |
| | 12 |
| | ! |
| | 150.00000 |
| | 200.00000 |
| | 350.00000 |
| | 400.00000 |
| | 500.00000 |
| | 650.00000 |
| | 700.00000 |
| | 850.00000 |
| | 900.00000 |
| | 1050.00000 |
| | 1100.00000 |
| | 2/1 |
| | </pre> |
|
| |
|
| <table class="wiki_table">
| | See [[Iceface_Tuning|separate page]]. |
| <tr>
| |
| <td>Iced Major (Neutral Scale)<br />
| |
| </td>
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| <td>C D Ed F G Ad Bd C<br />
| |
| </td>
| |
| <td>M2 N3 P4 P5 N6 N7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
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| <td>Iced Locrian<br />
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| </td>
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| <td>D Ed F G Ad Bd C D<br />
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| </td>
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| <td>N2 m3 P4 sb5 N6 m7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Iced Fridgian (Iced Minor)<br />
| |
| </td>
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| <td>Ed F G Ad Bd C D Ed<br />
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| </td>
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| <td>N2 N3 P4 P5 N6 N7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Iced Lydian<br />
| |
| </td>
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| <td>F G Ad Bd C D Ed F<br />
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| </td>
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| <td>M2 N3 S4 P5 M6 N7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
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| <td>Iced Mixolydian<br />
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| </td>
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| <td>G Ad Bd C D Ed F G<br />
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| </td>
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| <td>N2 N3 P4 P5 N6 m7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Iced Dark Lydian (Iced Coffee)<br />
| |
| </td>
| |
| <td>Ad Bd C D Ed F G Ad<br />
| |
| </td>
| |
| <td>M2 N3 S4 P5 m6 N7<br />
| |
| </td>
| |
| </tr>
| |
| <tr>
| |
| <td>Iced Blizzard<br />
| |
| </td>
| |
| <td>Bd C D Ed F G Ad Bd<br />
| |
| </td>
| |
| <td>N2 N3 P4 P5 N6 m7<br />
| |
| </td>
| |
| </tr>
| |
| </table>
| |
|
| |
|
| <br />
| | =Half Iceface= |
| Strangely, the mode names do not match the typical order of western mode names due to the odd intervalic nature of mohajira temperament.<br />
| | "Half Iceface Tuning" consists of standard 12edo for the left hand (chords) and Iceface tuning for the right hand (melodies). |
| <br />
| | |
| <!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Iceface Tuning"></a><!-- ws:end:WikiTextHeadingRule:0 -->Iceface Tuning</h1>
| | ==Music== |
| When a mode the iced diatonic scale is superimposed with the normal diatonic scale, it results in a tuning called &quot;Iceface&quot;. The term was coined by Hidekazu Wakabayashi by tuning each black note on the piano up 50 cents. The result is an array of Iced modes along with the diatonic scale at the same time. &quot;Iceface&quot; implies that there is simply an essense of the iced modes avaliable within range of the normal diatonic scale.<br />
| | *''[https://soundcloud.com/hidekazu-wakabayashi/no-coward-soul-is-mine-half-iceface-tuned-piano No Coward Soul Is Minë]'' by Hidekazu Wakabayashi |
| <br />
| | *''[https://soundcloud.com/hidekazu-wakabayashi/you-are-so-microtonal-video-is-on-youtube You are so microtonal]'' by Hidekazu Wakabayashi |
| Take for example, C major. IF we tune C#, D#, F#, G#, and A# up 50 cents we would get a scale of C Dd D Ed E F Gd G Ad A Bd B C. By looking at the above chart, it's quite apparent that the Iced Diatonic scale on C as well as other Modmos are avaliable throughout this scale.<br />
| | |
| <br />
| | =Iceface Maqam= |
| <!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="see also"></a><!-- ws:end:WikiTextHeadingRule:2 -->see also</h1>
| | |
| <ul><li><a class="wiki_link" href="/Iceface%20Tuning">Iceface Tuning</a></li></ul></body></html></pre></div>
| | This is a variant meant to play [[maqam]] scales. It allows namely to play a full "Rast" maqam, both ascending and descending, starting on the note C. |
| | |
| | <pre> |
| | ! WakabayashiIcefacemaqam.scl |
| | ! |
| | Iceface maqam tuning, by Hidekazu Wakabayashi |
| | 12 |
| | ! |
| | 150.00000 |
| | 200.00000 |
| | 300.00000 |
| | 350.00000 |
| | 500.00000 |
| | 650.00000 |
| | 700.00000 |
| | 850.00000 |
| | 900.00000 |
| | 1000.00000 |
| | 1050.00000 |
| | </pre> |
| | |
| | [todo more properties] |
| | |
| | ==Music== |
| | *''[https://soundcloud.com/hidekazu-wakabayashi/iceface-maqam-rast-c-test-recording Iceface Maqam Rast C test recording]'' (Hidekazu Wakabayashi) |
| | |
| | =Iceface Maqam variant= |
| | by [[Hans Straub]] |
| | |
| | <pre> |
| | ! StraubIcefacemaqam.scl |
| | ! |
| | Variant of Hidekazu Wakabayashi's Iceface tuning (white keys normal, some black keys a quartertone off), |
| | 12 |
| | ! |
| | 50.00000 |
| | 200.00000 |
| | 300.00000 |
| | 400.00000 |
| | 500.00000 |
| | 550.00000 |
| | 700.00000 |
| | 800.00000 |
| | 900.00000 |
| | 1050.00000 |
| | 1100.00000 |
| | 2/1 |
| | </pre> |
| | |
| | {{todo|complete section|inline=1|text=Describe this tuning’s properties.}} |
| | |
| | ==Music== |
| | *''[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=697553&songID=13375760 Sinai]'' (Hans Straub) |
| | |
| | [[Category:24edo]] |
| | [[Category:hidekazu]] |
| | [[Category:ice]] |
| | [[Category:iceface]] |
| | [[Category:mohajira]] |
| | [[Category:quarter_tone]] |
"Ice tonality" can be described as a tonal system that is a kind of generalization of the Iceface Tuning devised by Hidekazu Wakabayashi.
The tunings on this page are all 12-note subsets of 24edo. More specifically, they are all based on 12edo, with a defined selection of notes ("iced notes") tuned a quartertone up or down.
The following variants have been specified:
Ice Bookshop
Also called "Iceface tuning 0.1". (This was Hidekazu Wakabayashi's first microtonal tuning, which was called "Iceface Tuning" until the end of 2012.)
Tuning in Scala format:
! icebookshop.scl
!
Ice Bookshop Tuning (Iceface tuning 0.1) by Hidekazu Wakabayashi
12
!
100.00000
200.00000
300.00000
350.00000
500.00000
600.00000
700.00000
800.00000
900.00000
1000.00000
1050.00000
2/1
[todo properties]
Music
Iceface
! Iceface.scl
!
Iceface Tuning (all back keys a quartertone up), by Hidekazu Wakabayashi
12
!
150.00000
200.00000
350.00000
400.00000
500.00000
650.00000
700.00000
850.00000
900.00000
1050.00000
1100.00000
2/1
See separate page.
Half Iceface
"Half Iceface Tuning" consists of standard 12edo for the left hand (chords) and Iceface tuning for the right hand (melodies).
Music
Iceface Maqam
This is a variant meant to play maqam scales. It allows namely to play a full "Rast" maqam, both ascending and descending, starting on the note C.
! WakabayashiIcefacemaqam.scl
!
Iceface maqam tuning, by Hidekazu Wakabayashi
12
!
150.00000
200.00000
300.00000
350.00000
500.00000
650.00000
700.00000
850.00000
900.00000
1000.00000
1050.00000
[todo more properties]
Music
Iceface Maqam variant
by Hans Straub
! StraubIcefacemaqam.scl
!
Variant of Hidekazu Wakabayashi's Iceface tuning (white keys normal, some black keys a quartertone off),
12
!
50.00000
200.00000
300.00000
400.00000
500.00000
550.00000
700.00000
800.00000
900.00000
1050.00000
1100.00000
2/1
|
Todo: complete section
Describe this tuning’s properties.
|
Music
