Christopher Bailey: Difference between revisions
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==Education== | '''Christopher Dylan Bailey''' is an American composer and sound artist. {{todo|improve synopsis|improve layout|update}} | ||
== Education == | |||
* D.M.A., Composition, Columbia University, 2002 | * D.M.A., Composition, Columbia University, 2002 | ||
* Dissertation Composition: Sand, computer-music with interactive interface | * Dissertation Composition: Sand, computer-music with interactive interface | ||
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* Computer-Music Studies with: Allan Schindler | * Computer-Music Studies with: Allan Schindler | ||
==Employment== | == Employment == | ||
* Database Architect, Baytaflow Consulting, 2009 – present | * Database Architect, Baytaflow Consulting, 2009 – present | ||
* Visiting Assistant Professor, Bates College, 2008 – 2009 | * Visiting Assistant Professor, Bates College, 2008 – 2009 | ||
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* Mellon Teaching Fellow, Columbia University 1995 – 2002 | * Mellon Teaching Fellow, Columbia University 1995 – 2002 | ||
==Fellowships and Awards== | == Fellowships and Awards == | ||
* Residency, Diapason multi-channel sound gallery, 2010 - 2011. | * Residency, Diapason multi-channel sound gallery, 2010 - 2011. | ||
* Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me, Honorable Mention, Salvatore Martirano | * Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me, Honorable Mention, Salvatore Martirano Competition, 2009. | ||
* Artist-In-Residence, I-Park Enclave, 2008. | * Artist-In-Residence, I-Park Enclave, 2008. | ||
* Balladei, Finalist, Earplay Aird Memorial Composition Competition, 2007. | * Balladei, Finalist, Earplay Aird Memorial Composition Competition, 2007. | ||
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* Eastman School of Music’s Bernard Rogers Prize, for Sands, 1994. | * Eastman School of Music’s Bernard Rogers Prize, for Sands, 1994. | ||
==Commissions== | == Commissions == | ||
* Allen Strange award, for new piano & electronics work, 2010. | * Allen Strange award, for new [[:Category:Piano|piano]] & electronics work, 2010. | ||
* Harvestworks, Harvest Kitchen, 2007. | * Harvestworks, Harvest Kitchen, 2007. | ||
* Marilyn Nonken, piano, Out Of, 2006. | * Marilyn Nonken, piano, Out Of, 2006. | ||
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* Wallingford, Pennsylvania, Community Arts Center, for Sands, 1994. | * Wallingford, Pennsylvania, Community Arts Center, for Sands, 1994. | ||
==Discography== | == Discography == | ||
* Immolation Ritual, Innova Records #695, October 2010. | * Immolation Ritual, Innova Records #695, October 2010. | ||
* Radtke, Bach, Berio, Bailey, featuring Arc of Infinity, Konnex Records, 2009. | * Radtke, Bach, Berio, Bailey, featuring Arc of Infinity, Konnex Records, 2009. | ||
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* Ow My Head, included on the International Computer Music Conference CD. 1997. | * Ow My Head, included on the International Computer Music Conference CD. 1997. | ||
==Publications== | == Publications == | ||
* "An Interface for Flat Music" Organized Sound, Volume 9, #3, December 2004, 243-250. | * "An Interface for Flat Music" Organized Sound, Volume 9, #3, December 2004, 243-250. | ||
* “Composing Gestures on the Computer: Paradigms and Problems.” Current Musicology 67-68, (2002), 7-29. | * “Composing Gestures on the Computer: Paradigms and Problems.” Current Musicology 67-68, (2002), 7-29. | ||
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* “Review of Pure Water Construction by Simon H. Fell and Martin Archer,” Diffusion 20 (2001), 40-41. | * “Review of Pure Water Construction by Simon H. Fell and Martin Archer,” Diffusion 20 (2001), 40-41. | ||
==Presentations== | == Presentations == | ||
* “A Databased-based Musique-Concrete Gesture Creation Tool” presented at International Computer Music Conference, SUNY Stony Brook, June 2010. | * “A Databased-based Musique-Concrete Gesture Creation Tool” presented at International Computer Music Conference, SUNY Stony Brook, June 2010. | ||
* “A Databased-based Musique-Concrete Gesture Creation Tool” presented at Harvestworks, New York City, November 2007. | * “A Databased-based Musique-Concrete Gesture Creation Tool” presented at Harvestworks, New York City, November 2007. | ||
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* “Sand and its Interface: A Solution to the Problems of Musical Flat Surfaces” presented at Subtle Technologies, a Symposium on the relationships between art and science, Toronto, May 2004. | * “Sand and its Interface: A Solution to the Problems of Musical Flat Surfaces” presented at Subtle Technologies, a Symposium on the relationships between art and science, Toronto, May 2004. | ||
==Teaching Experience== | == Teaching Experience == | ||
* Visiting Assistant Professor, Bates College, 2008 – 2009: | * Visiting Assistant Professor, Bates College, 2008 – 2009: | ||
** introduction to composition | ** introduction to composition | ||
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** Theory III (20th-century music analysis), winter & spring quarters 2004 | ** Theory III (20th-century music analysis), winter & spring quarters 2004 | ||
** Approaches to Microtonality, spring quarter, 2003 | ** Approaches to Microtonality, spring quarter, 2003 | ||
** Advanced Computer-Music II: Synthesis, winter quarter, 2003 | ** Advanced Computer-Music II: [[Software|Synthesis]], winter quarter, 2003 | ||
** Harmony and Form in Post-Romantic Music, autumn quarter, 2002 & 2003 | ** Harmony and Form in Post-Romantic Music, autumn quarter, 2002 & 2003 | ||
** Individual Composition Lessons, 2002-2003 academic year | ** Individual Composition Lessons, 2002-2003 academic year | ||
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** Basic Electroacoustics, assisting Thanassis Rikakis, 1996 - 1998 | ** Basic Electroacoustics, assisting Thanassis Rikakis, 1996 - 1998 | ||
==Other Teaching Qualifications== | == Other Teaching Qualifications == | ||
* Composition/Theory: | * Composition/Theory: | ||
** courses on 20th-century composers or groups of composers, especially 2nd Viennese School, Stravinsky, Serialism in Europe and the US, John Cage, Morton Feldman, Minimalism, New Complexity | ** courses on 20th-century composers or groups of composers, especially 2nd Viennese School, Stravinsky, Serialism in Europe and the US, John Cage, Morton Feldman, Minimalism, New Complexity | ||
** approaches to microtonality: | ** approaches to microtonality: [[Just Intonation]], Spectral Techniques, [[Equal]] and Non-Equal Temperaments | ||
* Computer-music topics: | * Computer-music topics: | ||
** computer-assisted & algorithmic composition | ** computer-assisted & algorithmic composition | ||
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** modeling of natural phenomena in music | ** modeling of natural phenomena in music | ||
==Related Professional Experience== | == Related Professional Experience == | ||
* Co-Director, Collide-O-Scope Multimedia, New York City (and elsewhere), 2010-ongoing. | * Co-Director, Collide-O-Scope Multimedia, New York City (and elsewhere), 2010-ongoing. | ||
* Co-Director, UnTwelve Microtonal Music Festival, Chicago, IL, 2007 - ongoing. | * Co-Director, UnTwelve Microtonal Music Festival, Chicago, IL, 2007 - ongoing. | ||
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* Summer Instructor, of composition, piano literature, & chamber music coaching, Luzerne Music Center, Lake Luzerne, New York, summers 1993 & 2000. | * Summer Instructor, of composition, piano literature, & chamber music coaching, Luzerne Music Center, Lake Luzerne, New York, summers 1993 & 2000. | ||
==Dance Collaborations== | == Dance Collaborations == | ||
* Terabyte Breakfast: 4 dancers, speaker, sleeper, runner, pianist, live-electronic and acoustic sounds; made in collaboration with Julie Grinfeld, choreographer; performed on the Barnard College Dance Department Showcase, Miller Theatre, Columbia University, autumn 2000. | * Terabyte Breakfast: 4 dancers, speaker, sleeper, runner, pianist, live-electronic and acoustic sounds; made in collaboration with Julie Grinfeld, choreographer; performed on the Barnard College Dance Department Showcase, Miller Theatre, Columbia University, autumn 2000. | ||
* Ooogaaah: Dungeony Specimen Spaceship choreographed by Julie Grinfeld for the Barnard Dance Festival, winter 2000. | * Ooogaaah: Dungeony Specimen Spaceship choreographed by Julie Grinfeld for the Barnard Dance Festival, winter 2000. | ||
* 3 works: Duude, Ooogaaah: Dungeony Specimen Spaceship, and Minimalism for Meggie, choreographed by Ana Majewska and Julie Grinfeld for the Barnard Dance Festival, spring, 1999. | * 3 works: Duude, Ooogaaah: Dungeony Specimen Spaceship, and Minimalism for Meggie, choreographed by Ana Majewska and Julie Grinfeld for the Barnard Dance Festival, spring, 1999. | ||
==Summer Festivals== | == Summer Festivals == | ||
* I-Park arts colony, East Haddam, Connecticut, August 2008. | * I-Park arts colony, East Haddam, Connecticut, August 2008. | ||
* Music/Omi arts colony, Omi, New York, summer 2001. | * Music/Omi arts colony, Omi, New York, summer 2001. | ||
* | * Saarbrücken Contemporary Music Festival, Saarbrücken, Germany, 1998. | ||
* Bowdoin Summer Music Festival, Bowdoin, Maine, 1996. | * Bowdoin Summer Music Festival, Bowdoin, Maine, 1996. | ||
==Computer Applications (music-related) Knowledge== | == Computer Applications (music-related) Knowledge == | ||
* Audio Mixing and Production: ProTools, Logic Pro, Digital Performer, Ardour | * Audio Mixing and Production: ProTools, Logic Pro, Digital Performer, Ardour | ||
* Audio editors: Peak, Audacity, mxv, etc. | * Audio editors: Peak, Audacity, mxv, etc. | ||
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* UNIX / LINUX | * UNIX / LINUX | ||
[http:// | == External links == | ||
* [http://christopherbaileymusic.com/ Official website] | |||
[[ | {{DEFAULTSORT:Bailey, Christopher}} | ||
[[Category:People]] | |||
[[Category:Composers]] | |||
{{todo|improve synopsis}} | |||