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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
'''Christopher Dylan Bailey''' is an American composer and sound artist. {{todo|improve synopsis|improve layout|update}}
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
 
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-08-12 21:08:03 UTC</tt>.<br>
== Education ==
: The original revision id was <tt>245709985</tt>.<br>
* D.M.A., Composition, Columbia University, 2002
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* Dissertation Composition: Sand, computer-music with interactive interface
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
* Dissertation Paper: "Aspects of Sand "
<h4>Original Wikitext content:</h4>
* Committee: Joseph Dubiel, Bradford Garton, Fred Lerdahl
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[http://music.columbia.edu/~chris/]]</pre></div>
* Composition Studies with: Fred Lerdahl, Joseph Dubiel, Tristan Murail, Jonathan Kramer, Sebastian Currier
<h4>Original HTML content:</h4>
* Computer-Music Studies with: Bradford Garton, Tristan Murail, Thanassis Rikakis
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Christopher Bailey&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/~chris/" rel="nofollow"&gt;http://music.columbia.edu/~chris/&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
* Music-Theory Studies with: Joseph Dubiel, Fred Lerdahl, Jonathan Kramer
* M.A., Composition, Columbia University, 1997
* B.A., Composition, Eastman School of Music, 1995
* Composition Studies with: Joseph Schwantner, Robert Morris, Samuel Adler, Warren Benson, Allan Schindler
* Computer-Music Studies with: Allan Schindler
 
== Employment ==
* Database Architect, Baytaflow Consulting, 2009 – present
* Visiting Assistant Professor, Bates College, 2008 – 2009
* Adjunct Assistant Professor, Northeastern University, 2007 – 2008
* Visiting Assistant Professor, College of William and Mary, 2006 – 2007
* Adjunct Assistant Professor, College-Conservatory of Music, University of Cincinnati, 2002 – 2004
* Mellon Teaching Fellow, Columbia University 1995 – 2002
 
== Fellowships and Awards ==
* Residency, Diapason multi-channel sound gallery, 2010 - 2011.
* Walking Down the Hillside at Cortona, and Seeing its Towers Rise Before Me, Honorable Mention, Salvatore Martirano Competition, 2009.
* Artist-In-Residence, I-Park Enclave, 2008.
* Balladei, Finalist, Earplay Aird Memorial Composition Competition, 2007.
* Artist-In-Residence, Harvestworks, 2007.
* Sand, Finalist, Infinite Composing, SPOR 2007, Aarhus, Denmark, 2007.
* Timelash, Second Prize, Third Seoul International Competition for Composers, Korea, 2005.
* Sand, dissertation, awarded with Distinction at Columbia University, 2002.
* Fellowship awarded for stay at Music/Omi arts colony in Omi, NY, summer 2001.
* Seidel Fellowship in Composition, Columbia University, 1999-2000.
* ASCAP Grant for Young Composers, for Sonata for piano solo, 1998.
* Ow My Head included on the official International Computer Music Association CD, 1997.
* Bearns Prize, for 6 Songs on Poems of John Monroe, 1996.
* Columbia University’s Rapaport Prize, for 6 Songs on Poems of John Monroe, 1996.
* BMI’s Boudleaux Bryant Prize, for Sands, 1994.
* Mellon Teaching Fellowship, Columbia University, 1995 - 2002.
* Eastman School of Music’s Bernard Rogers Prize, for Sands, 1994.
 
== Commissions ==
* Allen Strange award, for new [[:Category:Piano|piano]] &amp; electronics work, 2010.
* Harvestworks, Harvest Kitchen, 2007.
* Marilyn Nonken, piano, Out Of,  2006.
* NeXT Ens, for The Quiet Play of Busy Pipes, 2004.
* MATA (Music At The Anthology), for a new version of Dein Kuss for 2 voices, piano, khaen, trumpet, and electronics, 2002.
* String Orchestra of New York City, and the Luzerne Music Center, for Meditation by the Lake, 2000.     
* Speculum Musicae, for Enchanted Quaaludes, 1996.
* Wallingford, Pennsylvania, Community Arts Center, for Sands, 1994.
 
== Discography ==
* Immolation Ritual, Innova Records #695, October 2010.
* Radtke, Bach, Berio, Bailey, featuring Arc of Infinity, Konnex Records, 2009.
* Sonata/Balladei, Piano Music. 2007.
* 60X60 2005, compilation of 60 1’ works, including Nanosymph. 2007.
* Defiant, second album by the "Electric Music Collective" featuring Ooogaah: Dungeony Specimen Spaceship and Conceptual Study. 2005.
* Incandescence, album of works produced by the members of the "Electric Music Collective," featuring Ow, My Head and Duude. 2003.
* Ow My Head, included on the International Computer Music Conference CD. 1997.
 
== Publications ==
* "An Interface for Flat Music" Organized Sound, Volume 9, #3, December 2004, 243-250.
* “Composing Gestures on the Computer: Paradigms and Problems.” Current Musicology  67-68, (2002), 7-29.
* “Review of John McGuire, Electronic Music 1978-1997,” Array (online at [http://www.computermusic.org/array.php?artid=121 http://www.computermusic.org/array.php?artid=121])
* “Review of Pure Water Construction by Simon H. Fell and Martin Archer,” Diffusion 20 (2001), 40-41.
 
== Presentations ==
* “A Databased-based Musique-Concrete Gesture Creation Tool” presented at International Computer Music Conference, SUNY Stony Brook, June 2010.
* “A Databased-based Musique-Concrete Gesture Creation Tool” presented at Harvestworks, New York City, November 2007.
* “Virtual Instruments” presented at the University of Minnesota School of Music, Minneapolis, MN, March 2006.
* “Micromidi converter” presented at the Spark Festival, Minneapolis, MN, February 2005.
* “Abstraction 6: An Approach to Just Intonation” presented to composers at New York University, New York, NY, February 2006.                 
* “Sand and its Interface: A Solution to the Problems of Musical Flat Surfaces” presented at Subtle Technologies, a Symposium on the relationships between art and science, Toronto, May 2004.
 
== Teaching Experience ==
* Visiting Assistant Professor, Bates College, 2008 – 2009:
** introduction to composition
** Theory 331 (3rd semester tonal theory)
** Introduction to electroacoustic music
** Theory 332 (20th-century music analysis)
* Visiting Adjunct Assistant Professor, Northeastern University, 2007 – 2008:
** Individual composition lessons
* Visiting Assistant Professor, College of William and Mary, 2006 – 2007:
** Theory 301 (3rd semester tonal theory), autumn &amp; spring semesters 2006-2007
** Theory 401 (20th-century music analysis), spring semester 2007
** Orchestration, spring semester 2007
** Introduction to Electroacoustic Music, autumn semester 2006
 
* Visiting Adjunct Assistant Professor, College-Conservatory of Music, University of Cincinnati, 2002 – 2004:
** Theory III (20th-century music analysis), winter &amp; spring quarters 2004
** Approaches to Microtonality, spring quarter, 2003
** Advanced Computer-Music II: [[Software|Synthesis]], winter quarter, 2003
** Harmony and Form in Post-Romantic Music, autumn quarter, 2002 &amp; 2003
** Individual Composition Lessons, 2002-2003 academic year
 
* Mellon Teaching Fellow, Columbia University, 1996 - 2002:
** Music Humanities (music literature &amp; history for non-majors), 2001 - 2002
** Undergraduate Composition, assisting John McGuire, spring 2001
** Undergraduate Composition, assisting Joseph Dubiel, autumn 2000
** Introductory Ear Training, autumn 2000
** Computer Music II, assisting Brad Garton, 1999-2000
** Chromatic Harmony and Counterpoint, assisting Joseph Dubiel, 1998 - 1999
** Basic Electroacoustics, assisting Thanassis Rikakis, 1996 - 1998
 
== Other Teaching Qualifications ==
* Composition/Theory:
** courses on 20th-century composers or groups of composers, especially 2nd Viennese School, Stravinsky, Serialism in Europe and the US, John Cage, Morton Feldman, Minimalism, New Complexity
** approaches to microtonality: [[Just Intonation]], Spectral Techniques, [[Equal]] and Non-Equal Temperaments
* Computer-music topics:
** computer-assisted &amp; algorithmic composition
** recording studio techniques
** interfaces &amp; interactivity
** modeling of natural phenomena in music
 
== Related Professional Experience ==
* Co-Director, Collide-O-Scope Multimedia, New York City (and elsewhere), 2010-ongoing.
* Co-Director, UnTwelve Microtonal Music Festival, Chicago, IL, 2007 - ongoing.
* Co-Director, Electric Music Collective, 2003-ongoing.
* Producer, Electric Music Collective and University of Minnesota Exchange Festival, at University of Cincinnati, College-Conservatory of Music, April 2004.
* Panelist, Symposium on Experimental Music, SSNOVA, Cincinnati, August 2003.
* Member, Editorial Staff, Organized Sound, spring 2003.
* Director, University of Cincinnati, College-Conservatory of Music, Center for Computer Music, winter-spring 2003.
* Producer, Go.Go.Go, CD collection of works composed at the Columbia University Computer Music Center, 2000.
* Producer, Columbia University Computer Music Center concerts, various venues in New York City, 1998-2002.
* Member, Editorial Staff, Current Musicology, 1998-2002.
* Audio Producer, Columbia University Music Department's Online Sonic Glossary  project, 1998-2002.
* Event manager, IRCAM forum '99 in New York, Columbia University, November 1999.
* Director, Columbia Composers, graduate student composers’ performance group.
* Member, Senior Faculty Composer Search Committee, Columbia University, spring 1996.
* Member, International Computer Music Association, 1996-ongoing.
* Summer Instructor, of composition, piano literature, &amp; chamber music coaching, Luzerne Music Center, Lake Luzerne, New York, summers 1993 &amp; 2000.
 
== Dance Collaborations ==
* Terabyte Breakfast: 4 dancers, speaker, sleeper, runner, pianist, live-electronic and acoustic sounds; made in collaboration with Julie Grinfeld, choreographer; performed on the Barnard College Dance Department Showcase, Miller Theatre, Columbia University, autumn 2000.
* Ooogaaah: Dungeony Specimen Spaceship choreographed by Julie Grinfeld for the Barnard Dance Festival, winter 2000.
* 3 works: Duude, Ooogaaah: Dungeony Specimen Spaceship, and Minimalism for Meggie, choreographed by Ana Majewska and Julie Grinfeld for the Barnard Dance Festival, spring, 1999.
 
== Summer Festivals ==
* I-Park arts colony, East Haddam, Connecticut, August 2008.
* Music/Omi arts colony, Omi, New York, summer 2001.
* Saarbrücken Contemporary Music Festival, Saarbrücken, Germany, 1998.
* Bowdoin  Summer Music Festival, Bowdoin, Maine, 1996.
 
== Computer Applications (music-related) Knowledge ==
* Audio Mixing and Production: ProTools, Logic Pro, Digital Performer, Ardour
* Audio editors: Peak, Audacity, mxv, etc.
* Final Cut Pro
* MAX/MSP, Pd
* MusicX:  RTCMIX / Csound
* IRCAM-forum applications: AudioSculpt, OpenMusic
* Metasynth
* Notation applications: Finale, Score
* General Computer Languages/software Knowledge
* FILEMAKER (Certified Developer)
* HTML/CSS
* PHP
* SQL
* LISP
* C
* UNIX / LINUX
 
== External links ==
* [http://christopherbaileymusic.com/ Official website]
 
{{DEFAULTSORT:Bailey, Christopher}}
[[Category:People]]
[[Category:Composers]]
{{todo|improve synopsis}}
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