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A '''UD''', or '''utonal division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[ | A '''UD''', or '''utonal division''', is a kind of [[Arithmetic tunings|arithmetic]] and [[Harmonotonic tunings|harmonotonic]] tuning. | ||
== Specification == | |||
The only difference between n-UDp and [[ELD|n-ELDp (equal length division)]] is that the p for UD | Its full specification is n-UDp: n utonal divisions of rational interval p. | ||
== Formula == | |||
To find the steps for an n-UDp, begin by recognizing that while the ratio between your root pitch's string length and the length you would pluck to get the lowest pitch is <span><math>p</math></span> (or <span><math>\frac p1</math></span>), if you are going to move arithmetically (by repeated addition) from <span><math>1</math></span> to <span><math>p</math></span>, then the difference in string length that you need to cover is not actually <span><math>p</math></span>, but only <span><math>p - 1</math></span>. And because you are dividing it into <span><math>n</math></span> parts, each step will have a size of <span><math>\frac{p-1}{n}</math></span>. So, the formula for the length of step <span><math>k</math></span> of an n-UDp is: | |||
<math> | |||
L(k) = 1 + (\frac kn)(p-1) | |||
</math> | |||
This way, when <span><math>k</math></span> is <span><math>0</math></span>, <span><math>L(k)</math></span> is simply <span><math>1</math></span>. And when <span><math>k</math></span> is <span><math>n</math></span>, <span><math>L(k)</math></span> is simply <span><math>1 + (p-1) = p</math></span>. | |||
== Tip about tunings based on length == | |||
Note that because frequency is the inverse of length, if a frequency lower than the root pitch's frequency is asked for, the length will be greater than 1; at this point the physical analogy to a length of string breaks down somewhat, since it is not easy to imagine dynamically extending the length of a string to accommodate such pitches. However, it is not much of a stretch (pun intended) to tolerate lengths > 1, if the analogy is adapted to a switching from one string to another, and any string length imaginable is instantly available. | |||
== Relationship to other tunings == | |||
=== Vs ED === | |||
It is possible to — instead of equally dividing the octave in 12 equal parts by pitch — divide it into 12 equal parts by length. You will have 12-ELDO. | |||
=== Vs under-n series === | |||
An n-UDO is equivalent to the nth [[Overtone_scale#Next_Steps|undertone mode, or under-n scale]]. | |||
=== Vs ELD === | |||
The only difference between n-UDp and [[ELD|n-ELDp (equal length division)]] is that the p for UD must be rational, while the p for an ELD is probably irrational. | |||
=== Vs US === | |||
A UD will be equivalent to some [[US|US (utonal sequence)]]. E.g. 8-UD7 = 8-US3/4, because to get from 1 to 7 you cover 6 undertones, and 6 divided by 8 is 3/4. | |||
=== Vs EDL === | |||
An [[EDL|n-EDL]] is equivalent to a 2n-UDO (therefore EDL cannot be used to represent a UDO with an odd value for n). | An [[EDL|n-EDL]] is equivalent to a 2n-UDO (therefore EDL cannot be used to represent a UDO with an odd value for n). | ||
== Examples == | |||
{| class="wikitable" | {| class="wikitable" | ||
|+example: 4-UDO = 4th undertone mode | |+example: 4-UDO = 4th undertone mode ''(arranged so that the pitches are in ascending order and still begin on 1/1)'' | ||
|- | |- | ||
! quantity | ! quantity | ||
| Line 17: | Line 53: | ||
! 4 | ! 4 | ||
|- | |- | ||
! frequency (f) | ! frequency (''f'', ratio) | ||
|( | |(1/1) | ||
|8/7 | |8/7 | ||
| | |4/3 | ||
|8/5 | |8/5 | ||
| | |2/1 | ||
|- | |- | ||
! pitch ( | ! pitch (log₂''f'', octaves) | ||
|(0) | |(0) | ||
|0.19 | |0.19 | ||
| Line 31: | Line 67: | ||
|1.00 | |1.00 | ||
|- | |- | ||
! length (1/f) | ! length (1/''f'', ratio) | ||
|( | |(8/8) | ||
|7/8 | |7/8 | ||
| | |6/8 | ||
|5/8 | |5/8 | ||
|4/8 | |||
|} | |||
{| class="wikitable" | |||
|+example: 4-UDO = 4th undertone mode ''(descending pitches)'' | |||
|- | |||
! quantity | |||
! (0) | |||
! 1 | |||
! 2 | |||
! 3 | |||
! 4 | |||
|- | |||
! frequency (''f'', ratio) | |||
|(1/1) | |||
|4/5 | |||
|2/3 | |||
|4/7 | |||
|1/2 | |1/2 | ||
|- | |||
! pitch (log₂''f'', octaves) | |||
|(0) | |||
| -0.32 | |||
| -0.58 | |||
| -0.81 | |||
| -1.00 | |||
|- | |||
! length (1/''f'', ratio) | |||
|(4/4) | |||
|5/4 | |||
|6/4 | |||
|7/4 | |||
|8/4 | |||
|} | |} | ||
[[Category:Utonality]] | [[Category:Utonality]] | ||
[[Category:Subharmonic]] | [[Category:Subharmonic]] | ||
[[Category:Subharmonic series]] | [[Category:Subharmonic series]] | ||
Latest revision as of 20:36, 19 October 2023
A UD, or utonal division, is a kind of arithmetic and harmonotonic tuning.
Specification
Its full specification is n-UDp: n utonal divisions of rational interval p.
Formula
To find the steps for an n-UDp, begin by recognizing that while the ratio between your root pitch's string length and the length you would pluck to get the lowest pitch is [math]\displaystyle{ p }[/math] (or [math]\displaystyle{ \frac p1 }[/math]), if you are going to move arithmetically (by repeated addition) from [math]\displaystyle{ 1 }[/math] to [math]\displaystyle{ p }[/math], then the difference in string length that you need to cover is not actually [math]\displaystyle{ p }[/math], but only [math]\displaystyle{ p - 1 }[/math]. And because you are dividing it into [math]\displaystyle{ n }[/math] parts, each step will have a size of [math]\displaystyle{ \frac{p-1}{n} }[/math]. So, the formula for the length of step [math]\displaystyle{ k }[/math] of an n-UDp is:
[math]\displaystyle{ L(k) = 1 + (\frac kn)(p-1) }[/math]
This way, when [math]\displaystyle{ k }[/math] is [math]\displaystyle{ 0 }[/math], [math]\displaystyle{ L(k) }[/math] is simply [math]\displaystyle{ 1 }[/math]. And when [math]\displaystyle{ k }[/math] is [math]\displaystyle{ n }[/math], [math]\displaystyle{ L(k) }[/math] is simply [math]\displaystyle{ 1 + (p-1) = p }[/math].
Tip about tunings based on length
Note that because frequency is the inverse of length, if a frequency lower than the root pitch's frequency is asked for, the length will be greater than 1; at this point the physical analogy to a length of string breaks down somewhat, since it is not easy to imagine dynamically extending the length of a string to accommodate such pitches. However, it is not much of a stretch (pun intended) to tolerate lengths > 1, if the analogy is adapted to a switching from one string to another, and any string length imaginable is instantly available.
Relationship to other tunings
Vs ED
It is possible to — instead of equally dividing the octave in 12 equal parts by pitch — divide it into 12 equal parts by length. You will have 12-ELDO.
Vs under-n series
An n-UDO is equivalent to the nth undertone mode, or under-n scale.
Vs ELD
The only difference between n-UDp and n-ELDp (equal length division) is that the p for UD must be rational, while the p for an ELD is probably irrational.
Vs US
A UD will be equivalent to some US (utonal sequence). E.g. 8-UD7 = 8-US3/4, because to get from 1 to 7 you cover 6 undertones, and 6 divided by 8 is 3/4.
Vs EDL
An n-EDL is equivalent to a 2n-UDO (therefore EDL cannot be used to represent a UDO with an odd value for n).
Examples
| quantity | (0) | 1 | 2 | 3 | 4 |
|---|---|---|---|---|---|
| frequency (f, ratio) | (1/1) | 8/7 | 4/3 | 8/5 | 2/1 |
| pitch (log₂f, octaves) | (0) | 0.19 | 0.42 | 0.68 | 1.00 |
| length (1/f, ratio) | (8/8) | 7/8 | 6/8 | 5/8 | 4/8 |
| quantity | (0) | 1 | 2 | 3 | 4 |
|---|---|---|---|---|---|
| frequency (f, ratio) | (1/1) | 4/5 | 2/3 | 4/7 | 1/2 |
| pitch (log₂f, octaves) | (0) | -0.32 | -0.58 | -0.81 | -1.00 |
| length (1/f, ratio) | (4/4) | 5/4 | 6/4 | 7/4 | 8/4 |