Figure: first 16 harmonics in neutral circle-of-fifths notation on CFigure: double-octave voicing of mode 8
Chapter II. Generic Rooted Chord Construction
Figure: just major chord and just minor chordFigure: illustration of tonalities resulted from octave subdivision
Chapter III. Primodality and Nonrooted Chord Construction
Chapter IV. Diminished Chords and Augmented Chords
Chapter V. Things Repel the Similar but not Identical
Figure: BWV 846 b. 1–4Figure: official FJS rendition of BWV 846 b. 1–4Figure: I–ii making up a long chain of fifthsFigure: Flora's rendition of BWV 846 b. 1–4
Chapter VI. Overview on Functional Harmony
Figure: Flora's function map
Explicit Functions
Implicit Functions
Composite Functions
Chapter VII. Overview on Microtempering
Appendix A. List of Chords
Appendix B. JI Redux of Prelude in C Major (BWV 846)
Appendix C. Harmonic Identities of Individual Harmonics