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FloraC/Analysis on the 13-limit just intonation space: episode ii
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Revision as of 21:38, 23 July 2022 by
FloraC
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(Before working out the typography, let me upload some figures first)
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This page is a work in progress.
Contents
1
Chapter I. Ionian versus Mode 8
2
Chapter II. Generic Rooted Chord Construction
3
Chapter III. Primodality and Nonrooted Chord Construction
4
Chapter IV. Diminished Chords and Augmented Chords
5
Chapter V. Things Repel the Similar but not Identical
6
Chapter VI. Overview on Functional Harmony
7
Chapter VII. Overview on Microtempering
8
Appendix A. List of Chords
9
Appendix B. JI Redux of
Prelude in C Major
(BWV 846)
10
Appendix C. Harmonic Identities of Individual Harmonics
11
Notes
12
Release Notes
Chapter I. Ionian versus Mode 8
Figure: first 16 harmonics in neutral circle-of-fifths notation on C
Figure: double-octave voicing of mode 8
Chapter II. Generic Rooted Chord Construction
Chapter III. Primodality and Nonrooted Chord Construction
Chapter IV. Diminished Chords and Augmented Chords
Chapter V. Things Repel the Similar but not Identical
Figure: official FJS rendition of BWV 846 b. 1–4
Figure: Flora's rendition of BWV 846 b. 1–4
Chapter VI. Overview on Functional Harmony
Chapter VII. Overview on Microtempering
Appendix A. List of Chords
Appendix B. JI Redux of
Prelude in C Major
(BWV 846)
Appendix C. Harmonic Identities of Individual Harmonics
Notes
Release Notes