46edo
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[[toc|flat]] ---- =<span style="color: #300094; font-family: 'Times New Roman',Times,serif; font-size: 113%;">46 tone equal temperament</span>= The 46 equal temperament, often abbreviated 46-tET, 46-EDO, or 46-ET, is the scale derived by dividing the [[xenharmonic/octave|octave]] into 46 equally-sized steps. Each step represents a frequency ratio of 26.087 [[xenharmonic/cent|cent]]s, an interval close in size to [[xenharmonic/66_65|66/65]], the interval from [[xenharmonic/13_11|13/11]] to [[xenharmonic/6_5|6/5]]. 46et tempers out 507/500, 91/90, 686/675, 2048/2025, 121/120, 245/243, 126/125, 169/168, 176/175, 896/891, 196/195, 1029/1024, 5120/5103, 385/384, and 441/440 among other intervals, with varied consequences it would take a very long article to describe. [[xenharmonic/Rank two temperaments|Rank two temperaments]] it supports include sensi, valentine, shrutar, rodan, leapday and unidec. The [[xenharmonic/11-limit|11-limit]] [[xenharmonic/Target tunings|minimax]] tuning for [[xenharmonic/Starling family|valentine temperament]], (11/7)^(1/10), is only 0.01 cents flat of 3/46 octaves. In the opinion of some 46et is the first equal division to deal adequately with the [[xenharmonic/13-limit|13-limit]], though others award that distinction to [[xenharmonic/41edo|41edo]]. In fact, while 41 is a [[xenharmonic/The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta integral edo]] but not a [[xenharmonic/The Riemann Zeta Function and Tuning#Zeta%20EDO%20lists|zeta gap edo]], 46 is zeta gap but not zeta integral. The fifth of 46 equal is 2.39 cents sharp, which some people (eg, Margo Schulter) prefer, sometimes strongly, over both the [[xenharmonic/just fifth|just fifth]] and fifths of temperaments with flat fifths, such as meantone. It gives a characteristic bright sound to triads, distinct from the mellowness of a meantone triad. 46edo can be treated as two [[xenharmonic/23edo|23edo]]'s separated by an interval of 26.087 cents. =46edo srutis= [[xenharmonic/Magic22 as srutis#shrutar22assrutis|Shrutar22 as srutis]] describes a possible use of 46edo for [[xenharmonic/Indian|Indian]] music. =Linear temperaments= ||~ Periods per octave ||~ Generator ||~ Cents ||~ Temperaments ||~ MOS/DE Scales available ||~ L:s || || 1 || 1\46 || 26.087 || || || || || 1 || 3\46 || 78.261 || [[xenharmonic/Valentine|Valentine]] || 1L 14s (15-tone) 15L 1s (16-tone) 16L 15s (31-tone) || 4:3 ~ [[xenharmonic/Maximal evenness|quasi-equal]] 3:1 2:1 ~ QE || || 1 || 5\46 || 130.435 || [[xenharmonic/Twothirdtonic|Twothirdtonic]] || [[xenharmonic/1L 8s|1L 8s]] (9-tone) [[xenharmonic/9L 1s|9L 1s]] (10-tone) 9L 10s (19-tone) 9L 19s (28-tone) 9L 28s (37-tone) || 6:5 ~ QE 5:1 4:1 3:1 2:1 ~ QE || || 1 || 7\46 || 182.609 || [[xenharmonic/Minortone|Minortone]] || [[xenharmonic/1L 5s|1L 5s]] (6-tone) [[xenharmonic/6L 1s|6L 1s]] (7-tone) 7L 6s (13-tone) 13L 7s (20-tone) 13L 20s (33-tone) || 11:7 7:4 4:3 ~ QE 3:1 2:1 ~ QE || || 1 || 9\46 || 234.783 || [[xenharmonic/Rodan|Rodan]] || [[xenharmonic/1L 4s|1L 4s]] (5-tone) [[xenharmonic/1L 5s|1L 5s]] (6-tone) [[xenharmonic/5L 6s|5L 6s]] (11-tone) 5L 11s (16-tone) 5L 16s (21-tone) 5L 21s (26-tone) 5L 26s (31-tone) 5L 31s (36-tone) 5L 36s (41-tone) || 10:9 ~QE 9:1 8:1 7:1 6:1 5:1 4:1 3:1 2:1 ~ QE || || 1 || 11\46 || 286.957 || || [[xenharmonic/4L 1s|4L 1s]] (5-tone) [[xenharmonic/4L 5s|4L 5s]] (9-tone) 4L 9s (13-tone) 4L 13s (17-tone) 4L 17s (21-tone) 21L 4s (25-tone) || 11:2 9:2 7:2 5:2 3:2 ~ QE, Golden 2:1 ~ QE || || 1 || 13\46 || 339.13 || [[xenharmonic/Amity|Amity]]/[[xenharmonic/hitchcock|hitchcock]] || [[xenharmonic/4L 3s|4L 3s]] (7-tone) [[xenharmonic/7L 4s|7L 4s]] (11-tone) 7L 11s (18-tone) 7L 18s (25-tone) 7L 25s (32-tone) 7L 32s (39-tone) || 7:6 ~ QE 6:1 5:1 4:1 3:1 2:1 ~ QE || || 1 || 15\46 || 391.304 || [[Amigo]] || [[xenharmonic/1L 2s|1L 2s]] (3-tone) [[xenharmonic/3L 1s|3L 1s]] (4-tone) [[xenharmonic/3L 4s|3L 4s]] (7-tone) [[xenharmonic/3L 7s|3L 7s]] (10-tone) 3L 10s (13-tone) 3L 13s (16-tone) 3L 16s (19-tone) 3L 19s (21-tone) 3L 21s (24-tone) 3L 24s (27-tone) 3L 27s (30-tone) 3L 30s (33-tone) 3L 33s (36-tone) 3L 36s (39-tone) 3L 39s (42-tone) || 16:15 ~ QE 15:1 14:1 13:1 12:1 11:1 10:1 9:1 8:1 7:1 6:1 5:1 4:1 3:1 2:1 ~ QE || || 1 || 17\46 || 443.478 || [[xenharmonic/Sensi|Sensi]] || [[xenharmonic/3L 2s|3L 2s]] (5-tone) [[xenharmonic/3L 5s|3L 5s]] (8-tone) [[xenharmonic/8L 3s|8L 3s]] (11-tone) 8L 11s (19-tone) 19L 8s (27-tone) || 12:5 7:5 5:2 3:2 ~ QE, Golden 2:1 || || 1 || 19\46 || 495.652 || [[xenharmonic/Leapday|Leapday]] || [[xenharmonic/2L 3s|2L 3s]] (5-tone) [[xenharmonic/5L 2s|5L 2s]] (7-tone) [[xenharmonic/5L 7s|5L 7s]] (12-tone) 12L 5s (17-tone) 17L 12s (29-tone) || 11:8 8:3 5:3 ~ Golden 3:2 ~ QE, Golden 2:1 ~ QE || || 1 || 21\46 || 547.826 || [[xenharmonic/Heinz|Heinz]] || [[xenharmonic/2L 3s|2L 3s]] (5-tone) [[xenharmonic/2L 5s|2L 5s]] (7-tone) [[xenharmonic/2L 7s|2L 7s]] (9-tone) [[xenharmonic/2L 9s|2L 9s]] (11-tone) 11L 2s (13-tone) 11L 13s (24-tone) 11L 24s (35-tone) || 17:4 13:4 9:4 5:4 ~ QE 4:1 3:1 2:1 ~ QE || || 2 || 1\46 || 26.087 || [[Ketchup]] || || || || 2 || 2\46 || 52.174 || [[xenharmonic/Shrutar|Shrutar]] || 2L 2s (4-tone) [[xenharmonic/2L 4s|2L 4s]] (6-tone) [[xenharmonic/2L 6s|2L 6s]] (8-tone) [[xenharmonic/2L 8s|2L 8s]] (10-tone) [[xenharmonic/2L 10s|2L 10s]] (12-tone) 2L 12s (14-tone) 2L 14s (16-tone) 2L 16s (18-tone) 2L 18s (20-tone) 2L 20s (22-tone) 22L 2s (24-tone) || 21:2 19:2 17:2 15:2 13:2 11:2 9:2 7:2 5:2 3:2 ~ QE, Golden 2:1 ~ QE || || 2 || 3\46 || 78.261 || [[Semivalentine]] || 2L 2s (4-tone) [[xenharmonic/2L 4s|2L 4s]] (6-tone) [[xenharmonic/2L 6s|2L 6s]] (8-tone) [[xenharmonic/2L 8s|2L 8s]] (10-tone) [[xenharmonic/2L 10s|2L 10s]] (12-tone) 2L 12s (14-tone) 14L 2s (16-tone) 16L 14s (30-tone) || 20:3 17:3 14:3 11:3 8:3 5:3 ~ Golden 3:2 ~ QE, Golden 2:1 ~ QE || || 2 || 4\46 || 104.348 || [[xenharmonic/Srutal|Srutal]]/[[xenharmonic/diaschismic|diaschismic]] || 2L 2s (4-tone) [[xenharmonic/2L 4s|2L 4s]] (6-tone) [[xenharmonic/2L 6s|2L 6s]] (8-tone) [[xenharmonic/2L 8s|2L 8s]] (10-tone) [[xenharmonic/10L 2s|10L 2s]] (12-tone) 12L 10s (22-tone) 12L 22s (34-tone) || 19:4 15:4 11:4 7:4 4:3 ~ QE 3:1 2:1 ~ QE || || 2 || 5\46 || 130.435 || || 2L 2s (4-tone) [[xenharmonic/2L 4s|2L 4s]] (6-tone) [[xenharmonic/2L 6s|2L 6s]] (8-tone) [[xenharmonic/8L 2s|8L 2s]] (10-tone) 8L 10s (18-tone) 18L 10s (28-tone) || 18:5 13:5 8:5 ~ Golden 5:3 ~ Golden 3:2 ~ QE, Golden 2:1 ~ QE || || 2 || 6\46 || 156.522 || [[Bison]] || 2L 2s (4-tone) [[xenharmonic/2L 4s|2L 4s]] (6-tone) [[xenharmonic/6L 2s|6L 2s]] (8-tone) 8L 6s (14-tone) 8L 14s (22-tone) 8L 22s (30-tone) 8L 30s (38-tone || 17:6 11:6 6:5 ~ QE 5:1 4:1 3:1 2:1 ~ QE || || 2 || 7\46 || 182.609 || [[xenharmonic/Unidec|Unidec]]/[[xenharmonic/hendec|hendec]] || 2L 2s (4-tone) [[xenharmonic/2L 4s|2L 4s]] (6-tone) [[xenharmonic/6L 2s|6L 2s]] (8-tone) 6L 8s (14-tone) 6L 14s (20-tone) 20L 6s (26-tone) || 16:7 9:7 7:2 5:2 3:2 ~ QE, Golden 2:1 ~ QE || || 2 || 8\46 || 208.696 || [[xenharmonic/Abigail|Abigail]] || 2L 2s (4-tone) [[xenharmonic/4L 2s|4L 2s]] (6-tone) [[xenharmonic/6L 2s|6L 2s]] (8-tone) 6L 8s (14-tone) 6L 14s (20-tone) 6L 20s (26-tone) 6L 26s (32-tone) 6L 32s (38-tone) 6L 38s (44-tone) || 15:8 8:7 ~ QE 8:1 7:1 6:1 5:1 4:1 3:1 2:1 ~ QE || || 2 || 9\46 || 234.783 || [[xenharmonic/Echidnic|Echidnic]] || 2L 2s (4-tone) [[xenharmonic/4L 2s|4L 2s]] (6-tone) [[xenharmonic/6L 4s|6L 4s]] (10-tone) 10L 6s (16-tone) 10L 16s (26-tone) 10L 26s (36-tone) || 14:9 9:5 5:4 ~ QE 4:1 3:1 2:1 ~ QE || || 2 || 10\46 || 260.87 || [[Bamity]] || 2L 2s (4-tone) [[xenharmonic/4L 2s|4L 2s]] (6-tone) [[xenharmonic/4L 6s|4L 6s]] (10-tone) 4L 10s (14-tone) 14L 4s (18-tone) 14L 18s (32-tone) || 13:10 10:3 7:3 4:3 ~ QE 3:1 2:1 ~ QE || || 2 || 11\46 || 286.957 || [[Vines]] || 2L 2s (4-tone) [[xenharmonic/4L 2s|4L 2s]] (6-tone) [[xenharmonic/4L 6s|4L 6s]] (10-tone) 4L 10s (14-tone) 4L 14s (18-tone) 4L 18s (22-tone) 4L 22s (26-tone) 4L 26s (30-tone) 4L 30s (34-tone) 4L 34s (38-tone) 4L 38s (42-tone) || 12:11 ~ QE 11:1 10:1 9:1 8:1 7:1 6:1 5:1 4:1 3:1 2:1 ~ QE || || 23 || 1\46 || 26.087 || || || || =Intervals= || degrees of 46edo || solfege || cents value || approximate ratios in the [[xenharmonic/17-limit|17-limit]] || || 0 || do || 0.00 || 1/1 || || 1 || di || 26.087 || || || 2 || ro || 52.174 || || || 3 || rih || 78.261 || || || 4 || ra || 104.348 || 16/15, 17/16, 18/17 || || 5 || ru (as in supraminor) || 130.435 || 13/12, 14/13, 15/14 || || 6 || ruh (as in submajor) || 156.522 || 12/11, 11/10 || || 7 || reh || 182.609 || 10/9 || || 8 || re || 208.696 || 9/8, 17/15 || || 9 || ri || 234.783 || 8/7, 15/13* || || 10 || ma || 260.87 || 7/6, 15/13* || || 11 || meh || 286.957 || 13/11, 20/17 || || 12 || me || 313.043 || 6/5 || || 13 || mu || 339.13 || 11/9, 17/14 || || 14 || muh || 365.217 || 16/13 || || 15 || mi || 391.304 || 5/4 || || 16 || maa || 417.391 || 14/11 || || 17 || mo || 443.478 || 9/7, 13/10, 22/17 || || 18 || fe || 469.565 || 17/13 || || 19 || fa || 495.652 || 4/3 || || 20 || fih || 521.739 || || || 21 || fu || 547.826 || 11/8, 15/11 || || 22 || fi || 573.913 || 7/5, 18/13 || || 23 || seh || 600 || 17/12, 24/17 || || 24 || se || 626.087 || 10/7, 13/9 || || 25 || su || 652.174 || 16/11, 22/15 || || 26 || sih || 678.261 || || || 27 || sol || 704.348 || 3/2 || || 28 || si || 730.435 || 26/17 || || 29 || lo || 756.522 || 14/9, 20/13, 17/11 || || 30 || leh || 782.609 || 11/7 || || 31 || le || 808.696 || 8/5 || || 32 || lu || 834.783 || 13/8 || || 33 || luh || 860.87 || 18/11, 28/17 || || 34 || la || 886.957 || 5/3 || || 35 || laa || 913.043 || 22/13, 17/10 || || 36 || li || 939.13 || 12/7, 26/15* || || 37 || ta || 965.217 || 7/4, 26/15* || || 38 || teh || 991.304 || 16/9, 30/17 || || 39 || te || 1017.391 || 9/5 || || 40 || tu || 1043.478 || 11/6, 20/11 || || 41 || tuh || 1069.565 || 24/13, 13/7, 28/15 || || 42 || ti || 1095.652 || 15/8, 32/17, 17/9 || || 43 || taa || 1121.739 || || || 44 || to || 1147.826 || || || 45 || da || 1173.913 || || *15/13 (and its inversion 26/15) appears twice on the list. 9\46edo is closest to 15/13 by a hair; 10\46edo represents the difference between, for instance, 46edo's 15/8 and 13/8, and is more likely to appear in chords actually functioning as 15/13. This discrepancy occurs because 46edo is not [[xenharmonic/consistent|consistent]] in the [[xenharmonic/15-limit|15-limit]]. =Approximation to Mode 8 of the Harmonic Series= 46edo represents [[xenharmonic/overtone|overtone]]s 8 through 16 (written as [[xenharmonic/JI|JI]] ratios 8:9:10:11:12:13:14:15:16) with degrees 0, 8, 15, 21, 27, 32, 37, 42, 46. In steps-in-between, that's 8, 7, 6, 6, 5, 5, 5, 4. 8\46edo (208.70¢) stands in for frequency ratio [[xenharmonic/9_8|9:8]] (203.91¢). 7\46edo (182.61¢) stands in for [[xenharmonic/10_9|10:9]] (182.40¢). 6\46edo (156.52¢) stands in for [[xenharmonic/11_10|11:10]] (165.00¢) and [[xenharmonic/12_11|12:11]] (150.64¢). 5\46edo (130.43¢) stands in for [[xenharmonic/13_12|13:12]] (138.57¢), [[xenharmonic/14_13|14:13]] (128.30¢) and [[xenharmonic/15_14|15:14]] (119.44¢). 4\46edo (104.35¢) stands in for [[xenharmonic/16_15|16:15]] (111.73¢). =Scales= * [[xenharmonic/plum|plum]] * [[xenharmonic/sensi5|sensi5]] * [[xenharmonic/sensi8|sensi8]] * [[xenharmonic/sensi11|sensi11]] * [[xenharmonic/sensi19|sensi19]] =Music= by [[xenharmonic/Aaron Krister Johnson|Aaron Krister Johnson:]] [[http://aaronkristerjohnson.bandcamp.com/track/satiesque|Satiesque]] by [[xenharmonic/Gene Ward Smith|Gene Ward Smith:]] [[http://www.archive.org/details/Chromosounds|Chromosounds]] [[http://clones.soonlabel.com/public/micro/gene_ward_smith/chromosounds/GWS-GPO-Jazz-chromosounds.mp3|play]] [[http://www.archive.org/details/MusicForYourEars|Music For Your Ears]] [[http://www.archive.org/download/MusicForYourEars/musicfor.mp3|play]] The central portion is in [[xenharmonic/27edo|27edo]], the rest in 46edo. by [[xenharmonic/Andrew Heathwaite|Andrew Heathwaite]]: [[@http://andrewheathwaite.bandcamp.com/track/rats|Rats]], [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2001%20Rats.mp3|play]] [[@http://andrewheathwaite.bandcamp.com/track/tumbledown-stew|Tumbledown Stew]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2012%20Tumbledown%20Stew.mp3|play]], [[@http://andrewheathwaite.bandcamp.com/track/hypnocloudsmack-1|Hypnocloudsmack 1]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2004%20Hypnocloudsmack%201.mp3|play]], [[@http://andrewheathwaite.bandcamp.com/track/hypnocloudsmack-2|Hypnocloudsmack 2]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2009%20Hypnocloudsmack%202.mp3|play]], [[@http://andrewheathwaite.bandcamp.com/track/hypnocloudsmack-3|Hypnocloudsmack 3]] [[http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2013%20Hypnocloudsmack%203.mp3|play]] [[http://soonlabel.com/xenharmonic/wp-content/uploads/2013/10/Bach_BWV_1029_E46-Alto-Sax-+-Harpsichord.mp3|Bach BWV 1029 in 46 equal]] Claudi Meneghin version [[http://soonlabel.com/xenharmonic/wp-content/uploads/2014/02/Bach_Contrapunctus_4-Jeux14-E46.mp3|Bach Contrapunctus 4]] Claudi Meneghin version [[http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/a_seed_planted-starling-46-EDO.mp3|A Seed Planted - (Yet another version: 46 EDO)]] by [[https://soundcloud.com/jdfreivald/a-seed-planted-yet-another|Jake Freivald]]
Original HTML content:
<html><head><title>46edo</title></head><body><!-- ws:start:WikiTextTocRule:14:<img id="wikitext@@toc@@flat" class="WikiMedia WikiMediaTocFlat" title="Table of Contents" src="/site/embedthumbnail/toc/flat?w=100&h=16"/> --><!-- ws:end:WikiTextTocRule:14 --><!-- ws:start:WikiTextTocRule:15: --><a href="#x46 tone equal temperament">46 tone equal temperament</a><!-- ws:end:WikiTextTocRule:15 --><!-- ws:start:WikiTextTocRule:16: --> | <a href="#x46edo srutis">46edo srutis</a><!-- ws:end:WikiTextTocRule:16 --><!-- ws:start:WikiTextTocRule:17: --> | <a href="#Linear temperaments">Linear temperaments</a><!-- ws:end:WikiTextTocRule:17 --><!-- ws:start:WikiTextTocRule:18: --> | <a href="#Intervals">Intervals</a><!-- ws:end:WikiTextTocRule:18 --><!-- ws:start:WikiTextTocRule:19: --> | <a href="#Approximation to Mode 8 of the Harmonic Series">Approximation to Mode 8 of the Harmonic Series</a><!-- ws:end:WikiTextTocRule:19 --><!-- ws:start:WikiTextTocRule:20: --> | <a href="#Scales">Scales</a><!-- ws:end:WikiTextTocRule:20 --><!-- ws:start:WikiTextTocRule:21: --> | <a href="#Music">Music</a><!-- ws:end:WikiTextTocRule:21 --><!-- ws:start:WikiTextTocRule:22: --> <!-- ws:end:WikiTextTocRule:22 --><hr /> <br /> <!-- ws:start:WikiTextHeadingRule:0:<h1> --><h1 id="toc0"><a name="x46 tone equal temperament"></a><!-- ws:end:WikiTextHeadingRule:0 --><span style="color: #300094; font-family: 'Times New Roman',Times,serif; font-size: 113%;">46 tone equal temperament</span></h1> The 46 equal temperament, often abbreviated 46-tET, 46-EDO, or 46-ET, is the scale derived by dividing the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/octave">octave</a> into 46 equally-sized steps. Each step represents a frequency ratio of 26.087 <a class="wiki_link" href="http://xenharmonic.wikispaces.com/cent">cent</a>s, an interval close in size to <a class="wiki_link" href="http://xenharmonic.wikispaces.com/66_65">66/65</a>, the interval from <a class="wiki_link" href="http://xenharmonic.wikispaces.com/13_11">13/11</a> to <a class="wiki_link" href="http://xenharmonic.wikispaces.com/6_5">6/5</a>.<br /> <br /> 46et tempers out 507/500, 91/90, 686/675, 2048/2025, 121/120, 245/243, 126/125, 169/168, 176/175, 896/891, 196/195, 1029/1024, 5120/5103, 385/384, and 441/440 among other intervals, with varied consequences it would take a very long article to describe. <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Rank%20two%20temperaments">Rank two temperaments</a> it supports include sensi, valentine, shrutar, rodan, leapday and unidec. The <a class="wiki_link" href="http://xenharmonic.wikispaces.com/11-limit">11-limit</a> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Target%20tunings">minimax</a> tuning for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Starling%20family">valentine temperament</a>, (11/7)^(1/10), is only 0.01 cents flat of 3/46 octaves. In the opinion of some 46et is the first equal division to deal adequately with the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/13-limit">13-limit</a>, though others award that distinction to <a class="wiki_link" href="http://xenharmonic.wikispaces.com/41edo">41edo</a>. In fact, while 41 is a <a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta integral edo</a> but not a <a class="wiki_link" href="http://xenharmonic.wikispaces.com/The%20Riemann%20Zeta%20Function%20and%20Tuning#Zeta%20EDO%20lists">zeta gap edo</a>, 46 is zeta gap but not zeta integral.<br /> <br /> The fifth of 46 equal is 2.39 cents sharp, which some people (eg, Margo Schulter) prefer, sometimes strongly, over both the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/just%20fifth">just fifth</a> and fifths of temperaments with flat fifths, such as meantone. It gives a characteristic bright sound to triads, distinct from the mellowness of a meantone triad.<br /> <br /> 46edo can be treated as two <a class="wiki_link" href="http://xenharmonic.wikispaces.com/23edo">23edo</a>'s separated by an interval of 26.087 cents.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:2:<h1> --><h1 id="toc1"><a name="x46edo srutis"></a><!-- ws:end:WikiTextHeadingRule:2 -->46edo srutis</h1> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Magic22%20as%20srutis#shrutar22assrutis">Shrutar22 as srutis</a> describes a possible use of 46edo for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Indian">Indian</a> music.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:4:<h1> --><h1 id="toc2"><a name="Linear temperaments"></a><!-- ws:end:WikiTextHeadingRule:4 -->Linear temperaments</h1> <table class="wiki_table"> <tr> <th>Periods<br /> per octave<br /> </th> <th>Generator<br /> </th> <th>Cents<br /> </th> <th>Temperaments<br /> </th> <th>MOS/DE Scales available<br /> </th> <th>L:s<br /> </th> </tr> <tr> <td>1<br /> </td> <td>1\46<br /> </td> <td>26.087<br /> </td> <td><br /> </td> <td><br /> </td> <td><br /> </td> </tr> <tr> <td>1<br /> </td> <td>3\46<br /> </td> <td>78.261<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Valentine">Valentine</a><br /> </td> <td>1L 14s (15-tone)<br /> 15L 1s (16-tone)<br /> 16L 15s (31-tone)<br /> </td> <td>4:3 ~ <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Maximal%20evenness">quasi-equal</a><br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>5\46<br /> </td> <td>130.435<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Twothirdtonic">Twothirdtonic</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/1L%208s">1L 8s</a> (9-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/9L%201s">9L 1s</a> (10-tone)<br /> 9L 10s (19-tone)<br /> 9L 19s (28-tone)<br /> 9L 28s (37-tone)<br /> </td> <td>6:5 ~ QE<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>7\46<br /> </td> <td>182.609<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Minortone">Minortone</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/1L%205s">1L 5s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/6L%201s">6L 1s</a> (7-tone)<br /> 7L 6s (13-tone)<br /> 13L 7s (20-tone)<br /> 13L 20s (33-tone)<br /> </td> <td>11:7<br /> 7:4<br /> 4:3 ~ QE<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>9\46<br /> </td> <td>234.783<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Rodan">Rodan</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/1L%204s">1L 4s</a> (5-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/1L%205s">1L 5s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/5L%206s">5L 6s</a> (11-tone)<br /> 5L 11s (16-tone)<br /> 5L 16s (21-tone)<br /> 5L 21s (26-tone)<br /> 5L 26s (31-tone)<br /> 5L 31s (36-tone)<br /> 5L 36s (41-tone)<br /> </td> <td>10:9 ~QE<br /> 9:1<br /> 8:1<br /> 7:1<br /> 6:1<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>11\46<br /> </td> <td>286.957<br /> </td> <td><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%201s">4L 1s</a> (5-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%205s">4L 5s</a> (9-tone)<br /> 4L 9s (13-tone)<br /> 4L 13s (17-tone)<br /> 4L 17s (21-tone)<br /> 21L 4s (25-tone)<br /> </td> <td>11:2<br /> 9:2<br /> 7:2<br /> 5:2<br /> 3:2 ~ QE, Golden<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>13\46<br /> </td> <td>339.13<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Amity">Amity</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/hitchcock">hitchcock</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%203s">4L 3s</a> (7-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/7L%204s">7L 4s</a> (11-tone)<br /> 7L 11s (18-tone)<br /> 7L 18s (25-tone)<br /> 7L 25s (32-tone)<br /> 7L 32s (39-tone)<br /> </td> <td>7:6 ~ QE<br /> 6:1<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>15\46<br /> </td> <td>391.304<br /> </td> <td><a class="wiki_link" href="/Amigo">Amigo</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/1L%202s">1L 2s</a> (3-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/3L%201s">3L 1s</a> (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/3L%204s">3L 4s</a> (7-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/3L%207s">3L 7s</a> (10-tone)<br /> 3L 10s (13-tone)<br /> 3L 13s (16-tone)<br /> 3L 16s (19-tone)<br /> 3L 19s (21-tone)<br /> 3L 21s (24-tone)<br /> 3L 24s (27-tone)<br /> 3L 27s (30-tone)<br /> 3L 30s (33-tone)<br /> 3L 33s (36-tone)<br /> 3L 36s (39-tone)<br /> 3L 39s (42-tone)<br /> </td> <td>16:15 ~ QE<br /> 15:1<br /> 14:1<br /> 13:1<br /> 12:1<br /> 11:1<br /> 10:1<br /> 9:1<br /> 8:1<br /> 7:1<br /> 6:1<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>17\46<br /> </td> <td>443.478<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Sensi">Sensi</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/3L%202s">3L 2s</a> (5-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/3L%205s">3L 5s</a> (8-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/8L%203s">8L 3s</a> (11-tone)<br /> 8L 11s (19-tone)<br /> 19L 8s (27-tone)<br /> </td> <td>12:5<br /> 7:5<br /> 5:2<br /> 3:2 ~ QE, Golden<br /> 2:1<br /> </td> </tr> <tr> <td>1<br /> </td> <td>19\46<br /> </td> <td>495.652<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Leapday">Leapday</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%203s">2L 3s</a> (5-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/5L%202s">5L 2s</a> (7-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/5L%207s">5L 7s</a> (12-tone)<br /> 12L 5s (17-tone)<br /> 17L 12s (29-tone)<br /> </td> <td>11:8<br /> 8:3<br /> 5:3 ~ Golden<br /> 3:2 ~ QE, Golden<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>1<br /> </td> <td>21\46<br /> </td> <td>547.826<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Heinz">Heinz</a><br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%203s">2L 3s</a> (5-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%205s">2L 5s</a> (7-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%207s">2L 7s</a> (9-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%209s">2L 9s</a> (11-tone)<br /> 11L 2s (13-tone)<br /> 11L 13s (24-tone)<br /> 11L 24s (35-tone)<br /> </td> <td>17:4<br /> 13:4<br /> 9:4<br /> 5:4 ~ QE<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>1\46<br /> </td> <td>26.087<br /> </td> <td><a class="wiki_link" href="/Ketchup">Ketchup</a><br /> </td> <td><br /> </td> <td><br /> </td> </tr> <tr> <td>2<br /> </td> <td>2\46<br /> </td> <td>52.174<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Shrutar">Shrutar</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%204s">2L 4s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%206s">2L 6s</a> (8-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%208s">2L 8s</a> (10-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%2010s">2L 10s</a> (12-tone)<br /> 2L 12s (14-tone)<br /> 2L 14s (16-tone)<br /> 2L 16s (18-tone)<br /> 2L 18s (20-tone)<br /> 2L 20s (22-tone)<br /> 22L 2s (24-tone)<br /> </td> <td>21:2<br /> 19:2<br /> 17:2<br /> 15:2<br /> 13:2<br /> 11:2<br /> 9:2<br /> 7:2<br /> 5:2<br /> 3:2 ~ QE, Golden<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>3\46<br /> </td> <td>78.261<br /> </td> <td><a class="wiki_link" href="/Semivalentine">Semivalentine</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%204s">2L 4s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%206s">2L 6s</a> (8-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%208s">2L 8s</a> (10-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%2010s">2L 10s</a> (12-tone)<br /> 2L 12s (14-tone)<br /> 14L 2s (16-tone)<br /> 16L 14s (30-tone)<br /> </td> <td>20:3<br /> 17:3<br /> 14:3<br /> 11:3<br /> 8:3<br /> 5:3 ~ Golden<br /> 3:2 ~ QE, Golden<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>4\46<br /> </td> <td>104.348<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Srutal">Srutal</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/diaschismic">diaschismic</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%204s">2L 4s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%206s">2L 6s</a> (8-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%208s">2L 8s</a> (10-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/10L%202s">10L 2s</a> (12-tone)<br /> 12L 10s (22-tone)<br /> 12L 22s (34-tone)<br /> </td> <td>19:4<br /> 15:4<br /> 11:4<br /> 7:4<br /> 4:3 ~ QE<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>5\46<br /> </td> <td>130.435<br /> </td> <td><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%204s">2L 4s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%206s">2L 6s</a> (8-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/8L%202s">8L 2s</a> (10-tone)<br /> 8L 10s (18-tone)<br /> 18L 10s (28-tone)<br /> </td> <td>18:5<br /> 13:5<br /> 8:5 ~ Golden<br /> 5:3 ~ Golden<br /> 3:2 ~ QE, Golden<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>6\46<br /> </td> <td>156.522<br /> </td> <td><a class="wiki_link" href="/Bison">Bison</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%204s">2L 4s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/6L%202s">6L 2s</a> (8-tone)<br /> 8L 6s (14-tone)<br /> 8L 14s (22-tone)<br /> 8L 22s (30-tone)<br /> 8L 30s (38-tone<br /> </td> <td>17:6<br /> 11:6<br /> 6:5 ~ QE<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>7\46<br /> </td> <td>182.609<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Unidec">Unidec</a>/<a class="wiki_link" href="http://xenharmonic.wikispaces.com/hendec">hendec</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/2L%204s">2L 4s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/6L%202s">6L 2s</a> (8-tone)<br /> 6L 8s (14-tone)<br /> 6L 14s (20-tone)<br /> 20L 6s (26-tone)<br /> </td> <td>16:7<br /> 9:7<br /> 7:2<br /> 5:2<br /> 3:2 ~ QE, Golden<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>8\46<br /> </td> <td>208.696<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Abigail">Abigail</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%202s">4L 2s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/6L%202s">6L 2s</a> (8-tone)<br /> 6L 8s (14-tone)<br /> 6L 14s (20-tone)<br /> 6L 20s (26-tone)<br /> 6L 26s (32-tone)<br /> 6L 32s (38-tone)<br /> 6L 38s (44-tone)<br /> </td> <td>15:8<br /> 8:7 ~ QE<br /> 8:1<br /> 7:1<br /> 6:1<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>9\46<br /> </td> <td>234.783<br /> </td> <td><a class="wiki_link" href="http://xenharmonic.wikispaces.com/Echidnic">Echidnic</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%202s">4L 2s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/6L%204s">6L 4s</a> (10-tone)<br /> 10L 6s (16-tone)<br /> 10L 16s (26-tone)<br /> 10L 26s (36-tone)<br /> </td> <td>14:9<br /> 9:5<br /> 5:4 ~ QE<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>10\46<br /> </td> <td>260.87<br /> </td> <td><a class="wiki_link" href="/Bamity">Bamity</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%202s">4L 2s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%206s">4L 6s</a> (10-tone)<br /> 4L 10s (14-tone)<br /> 14L 4s (18-tone)<br /> 14L 18s (32-tone)<br /> </td> <td>13:10<br /> 10:3<br /> 7:3<br /> 4:3 ~ QE<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>2<br /> </td> <td>11\46<br /> </td> <td>286.957<br /> </td> <td><a class="wiki_link" href="/Vines">Vines</a><br /> </td> <td>2L 2s (4-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%202s">4L 2s</a> (6-tone)<br /> <a class="wiki_link" href="http://xenharmonic.wikispaces.com/4L%206s">4L 6s</a> (10-tone)<br /> 4L 10s (14-tone)<br /> 4L 14s (18-tone)<br /> 4L 18s (22-tone)<br /> 4L 22s (26-tone)<br /> 4L 26s (30-tone)<br /> 4L 30s (34-tone)<br /> 4L 34s (38-tone)<br /> 4L 38s (42-tone)<br /> </td> <td>12:11 ~ QE<br /> 11:1<br /> 10:1<br /> 9:1<br /> 8:1<br /> 7:1<br /> 6:1<br /> 5:1<br /> 4:1<br /> 3:1<br /> 2:1 ~ QE<br /> </td> </tr> <tr> <td>23<br /> </td> <td>1\46<br /> </td> <td>26.087<br /> </td> <td><br /> </td> <td><br /> </td> <td><br /> </td> </tr> </table> <!-- ws:start:WikiTextHeadingRule:6:<h1> --><h1 id="toc3"><a name="Intervals"></a><!-- ws:end:WikiTextHeadingRule:6 -->Intervals</h1> <table class="wiki_table"> <tr> <td>degrees of 46edo<br /> </td> <td>solfege<br /> </td> <td>cents value<br /> </td> <td>approximate ratios in the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/17-limit">17-limit</a><br /> </td> </tr> <tr> <td>0<br /> </td> <td>do<br /> </td> <td>0.00<br /> </td> <td>1/1<br /> </td> </tr> <tr> <td>1<br /> </td> <td>di<br /> </td> <td>26.087<br /> </td> <td><br /> </td> </tr> <tr> <td>2<br /> </td> <td>ro<br /> </td> <td>52.174<br /> </td> <td><br /> </td> </tr> <tr> <td>3<br /> </td> <td>rih<br /> </td> <td>78.261<br /> </td> <td><br /> </td> </tr> <tr> <td>4<br /> </td> <td>ra<br /> </td> <td>104.348<br /> </td> <td>16/15, 17/16, 18/17<br /> </td> </tr> <tr> <td>5<br /> </td> <td>ru (as in supraminor)<br /> </td> <td>130.435<br /> </td> <td>13/12, 14/13, 15/14<br /> </td> </tr> <tr> <td>6<br /> </td> <td>ruh (as in submajor)<br /> </td> <td>156.522<br /> </td> <td>12/11, 11/10<br /> </td> </tr> <tr> <td>7<br /> </td> <td>reh<br /> </td> <td>182.609<br /> </td> <td>10/9<br /> </td> </tr> <tr> <td>8<br /> </td> <td>re<br /> </td> <td>208.696<br /> </td> <td>9/8, 17/15<br /> </td> </tr> <tr> <td>9<br /> </td> <td>ri<br /> </td> <td>234.783<br /> </td> <td>8/7, 15/13*<br /> </td> </tr> <tr> <td>10<br /> </td> <td>ma<br /> </td> <td>260.87<br /> </td> <td>7/6, 15/13*<br /> </td> </tr> <tr> <td>11<br /> </td> <td>meh<br /> </td> <td>286.957<br /> </td> <td>13/11, 20/17<br /> </td> </tr> <tr> <td>12<br /> </td> <td>me<br /> </td> <td>313.043<br /> </td> <td>6/5<br /> </td> </tr> <tr> <td>13<br /> </td> <td>mu<br /> </td> <td>339.13<br /> </td> <td>11/9, 17/14<br /> </td> </tr> <tr> <td>14<br /> </td> <td>muh<br /> </td> <td>365.217<br /> </td> <td>16/13<br /> </td> </tr> <tr> <td>15<br /> </td> <td>mi<br /> </td> <td>391.304<br /> </td> <td>5/4<br /> </td> </tr> <tr> <td>16<br /> </td> <td>maa<br /> </td> <td>417.391<br /> </td> <td>14/11<br /> </td> </tr> <tr> <td>17<br /> </td> <td>mo<br /> </td> <td>443.478<br /> </td> <td>9/7, 13/10, 22/17<br /> </td> </tr> <tr> <td>18<br /> </td> <td>fe<br /> </td> <td>469.565<br /> </td> <td>17/13<br /> </td> </tr> <tr> <td>19<br /> </td> <td>fa<br /> </td> <td>495.652<br /> </td> <td>4/3<br /> </td> </tr> <tr> <td>20<br /> </td> <td>fih<br /> </td> <td>521.739<br /> </td> <td><br /> </td> </tr> <tr> <td>21<br /> </td> <td>fu<br /> </td> <td>547.826<br /> </td> <td>11/8, 15/11<br /> </td> </tr> <tr> <td>22<br /> </td> <td>fi<br /> </td> <td>573.913<br /> </td> <td>7/5, 18/13<br /> </td> </tr> <tr> <td>23<br /> </td> <td>seh<br /> </td> <td>600<br /> </td> <td>17/12, 24/17<br /> </td> </tr> <tr> <td>24<br /> </td> <td>se<br /> </td> <td>626.087<br /> </td> <td>10/7, 13/9<br /> </td> </tr> <tr> <td>25<br /> </td> <td>su<br /> </td> <td>652.174<br /> </td> <td>16/11, 22/15<br /> </td> </tr> <tr> <td>26<br /> </td> <td>sih<br /> </td> <td>678.261<br /> </td> <td><br /> </td> </tr> <tr> <td>27<br /> </td> <td>sol<br /> </td> <td>704.348<br /> </td> <td>3/2<br /> </td> </tr> <tr> <td>28<br /> </td> <td>si<br /> </td> <td>730.435<br /> </td> <td>26/17<br /> </td> </tr> <tr> <td>29<br /> </td> <td>lo<br /> </td> <td>756.522<br /> </td> <td>14/9, 20/13, 17/11<br /> </td> </tr> <tr> <td>30<br /> </td> <td>leh<br /> </td> <td>782.609<br /> </td> <td>11/7<br /> </td> </tr> <tr> <td>31<br /> </td> <td>le<br /> </td> <td>808.696<br /> </td> <td>8/5<br /> </td> </tr> <tr> <td>32<br /> </td> <td>lu<br /> </td> <td>834.783<br /> </td> <td>13/8<br /> </td> </tr> <tr> <td>33<br /> </td> <td>luh<br /> </td> <td>860.87<br /> </td> <td>18/11, 28/17<br /> </td> </tr> <tr> <td>34<br /> </td> <td>la<br /> </td> <td>886.957<br /> </td> <td>5/3<br /> </td> </tr> <tr> <td>35<br /> </td> <td>laa<br /> </td> <td>913.043<br /> </td> <td>22/13, 17/10<br /> </td> </tr> <tr> <td>36<br /> </td> <td>li<br /> </td> <td>939.13<br /> </td> <td>12/7, 26/15*<br /> </td> </tr> <tr> <td>37<br /> </td> <td>ta<br /> </td> <td>965.217<br /> </td> <td>7/4, 26/15*<br /> </td> </tr> <tr> <td>38<br /> </td> <td>teh<br /> </td> <td>991.304<br /> </td> <td>16/9, 30/17<br /> </td> </tr> <tr> <td>39<br /> </td> <td>te<br /> </td> <td>1017.391<br /> </td> <td>9/5<br /> </td> </tr> <tr> <td>40<br /> </td> <td>tu<br /> </td> <td>1043.478<br /> </td> <td>11/6, 20/11<br /> </td> </tr> <tr> <td>41<br /> </td> <td>tuh<br /> </td> <td>1069.565<br /> </td> <td>24/13, 13/7, 28/15<br /> </td> </tr> <tr> <td>42<br /> </td> <td>ti<br /> </td> <td>1095.652<br /> </td> <td>15/8, 32/17, 17/9<br /> </td> </tr> <tr> <td>43<br /> </td> <td>taa<br /> </td> <td>1121.739<br /> </td> <td><br /> </td> </tr> <tr> <td>44<br /> </td> <td>to<br /> </td> <td>1147.826<br /> </td> <td><br /> </td> </tr> <tr> <td>45<br /> </td> <td>da<br /> </td> <td>1173.913<br /> </td> <td><br /> </td> </tr> </table> *15/13 (and its inversion 26/15) appears twice on the list. 9\46edo is closest to 15/13 by a hair; 10\46edo represents the difference between, for instance, 46edo's 15/8 and 13/8, and is more likely to appear in chords actually functioning as 15/13. This discrepancy occurs because 46edo is not <a class="wiki_link" href="http://xenharmonic.wikispaces.com/consistent">consistent</a> in the <a class="wiki_link" href="http://xenharmonic.wikispaces.com/15-limit">15-limit</a>.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:8:<h1> --><h1 id="toc4"><a name="Approximation to Mode 8 of the Harmonic Series"></a><!-- ws:end:WikiTextHeadingRule:8 -->Approximation to Mode 8 of the Harmonic Series</h1> <br /> 46edo represents <a class="wiki_link" href="http://xenharmonic.wikispaces.com/overtone">overtone</a>s 8 through 16 (written as <a class="wiki_link" href="http://xenharmonic.wikispaces.com/JI">JI</a> ratios 8:9:10:11:12:13:14:15:16) with degrees 0, 8, 15, 21, 27, 32, 37, 42, 46. In steps-in-between, that's 8, 7, 6, 6, 5, 5, 5, 4.<br /> <br /> 8\46edo (208.70¢) stands in for frequency ratio <a class="wiki_link" href="http://xenharmonic.wikispaces.com/9_8">9:8</a> (203.91¢).<br /> 7\46edo (182.61¢) stands in for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/10_9">10:9</a> (182.40¢).<br /> 6\46edo (156.52¢) stands in for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/11_10">11:10</a> (165.00¢) and <a class="wiki_link" href="http://xenharmonic.wikispaces.com/12_11">12:11</a> (150.64¢).<br /> 5\46edo (130.43¢) stands in for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/13_12">13:12</a> (138.57¢), <a class="wiki_link" href="http://xenharmonic.wikispaces.com/14_13">14:13</a> (128.30¢) and <a class="wiki_link" href="http://xenharmonic.wikispaces.com/15_14">15:14</a> (119.44¢).<br /> 4\46edo (104.35¢) stands in for <a class="wiki_link" href="http://xenharmonic.wikispaces.com/16_15">16:15</a> (111.73¢).<br /> <br /> <!-- ws:start:WikiTextHeadingRule:10:<h1> --><h1 id="toc5"><a name="Scales"></a><!-- ws:end:WikiTextHeadingRule:10 -->Scales</h1> <ul><li><a class="wiki_link" href="http://xenharmonic.wikispaces.com/plum">plum</a></li><li><a class="wiki_link" href="http://xenharmonic.wikispaces.com/sensi5">sensi5</a></li><li><a class="wiki_link" href="http://xenharmonic.wikispaces.com/sensi8">sensi8</a></li><li><a class="wiki_link" href="http://xenharmonic.wikispaces.com/sensi11">sensi11</a></li><li><a class="wiki_link" href="http://xenharmonic.wikispaces.com/sensi19">sensi19</a></li></ul><br /> <!-- ws:start:WikiTextHeadingRule:12:<h1> --><h1 id="toc6"><a name="Music"></a><!-- ws:end:WikiTextHeadingRule:12 -->Music</h1> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Aaron%20Krister%20Johnson">Aaron Krister Johnson:</a><br /> <a class="wiki_link_ext" href="http://aaronkristerjohnson.bandcamp.com/track/satiesque" rel="nofollow">Satiesque</a><br /> <br /> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Gene%20Ward%20Smith">Gene Ward Smith:</a><br /> <a class="wiki_link_ext" href="http://www.archive.org/details/Chromosounds" rel="nofollow">Chromosounds</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/chromosounds/GWS-GPO-Jazz-chromosounds.mp3" rel="nofollow">play</a><br /> <a class="wiki_link_ext" href="http://www.archive.org/details/MusicForYourEars" rel="nofollow">Music For Your Ears</a> <a class="wiki_link_ext" href="http://www.archive.org/download/MusicForYourEars/musicfor.mp3" rel="nofollow">play</a> The central portion is in <a class="wiki_link" href="http://xenharmonic.wikispaces.com/27edo">27edo</a>, the rest in 46edo.<br /> <br /> by <a class="wiki_link" href="http://xenharmonic.wikispaces.com/Andrew%20Heathwaite">Andrew Heathwaite</a>: <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/rats" rel="nofollow" target="_blank">Rats</a>, <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2001%20Rats.mp3" rel="nofollow">play</a> <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/tumbledown-stew" rel="nofollow" target="_blank">Tumbledown Stew</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2012%20Tumbledown%20Stew.mp3" rel="nofollow">play</a>, <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/hypnocloudsmack-1" rel="nofollow" target="_blank">Hypnocloudsmack 1</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2004%20Hypnocloudsmack%201.mp3" rel="nofollow">play</a>, <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/hypnocloudsmack-2" rel="nofollow" target="_blank">Hypnocloudsmack 2</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2009%20Hypnocloudsmack%202.mp3" rel="nofollow">play</a>, <a class="wiki_link_ext" href="http://andrewheathwaite.bandcamp.com/track/hypnocloudsmack-3" rel="nofollow" target="_blank">Hypnocloudsmack 3</a> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Heathwaite/Newbeams/Andrew%20Heathwaite%20-%20Newbeams%20-%2013%20Hypnocloudsmack%203.mp3" rel="nofollow">play</a><br /> <a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/wp-content/uploads/2013/10/Bach_BWV_1029_E46-Alto-Sax-+-Harpsichord.mp3" rel="nofollow">Bach BWV 1029 in 46 equal</a> Claudi Meneghin version<br /> <a class="wiki_link_ext" href="http://soonlabel.com/xenharmonic/wp-content/uploads/2014/02/Bach_Contrapunctus_4-Jeux14-E46.mp3" rel="nofollow">Bach Contrapunctus 4</a> Claudi Meneghin version<br /> <a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/a_seed_planted-starling-46-EDO.mp3" rel="nofollow">A Seed Planted - (Yet another version: 46 EDO)</a> by <a class="wiki_link_ext" href="https://soundcloud.com/jdfreivald/a-seed-planted-yet-another" rel="nofollow">Jake Freivald</a></body></html>