Tútim Dennsuul Wafiil
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**Tútim Marsiv Deft Wafil** Is a Chilean guitarist born in 1986 and an enthusiastic and avid seeker after xenharmonic resources and theories in the vast musical multiverse, who works with the [[Armodue|Armodue system]], extending the use of its numeric notation and simplified accidental symbols over other Equal Divisions per Duplave (such as an alternative 1/3-tone ([[23edo]]) and an alternative 1/5-tone ([[39edo]])), that works and fits well in the MOS scale [[7L 2s]], called Mávila or Superdiatonic. He, at this moment, is working in a musical repertoire of ambient to rock style, flavored with videogame music and a slight taste of PRIMUS, using modified bass and guitar (soon), both tempered in 23-EDD, for which he has coined the neologism [[23edo|Icositrifonía]]. He also explores the resources that offered by 39-EDD, for which he has coined the neologism [[39edo|Tricésanonafonía]]. [[image:Icositriphonic_Bass.JPG width="719" height="235"]] His Bass [[image:Icositritar.JPG width="720" height="369"]] His Icositritar. The electric guitar has been dismantled, for results like a crap in its modification, by a scammer and false luthier ¬¬ But soon I will have my electric guitar renewed. === === ===__TMDW Notes:__=== My particular adherence here in Xenharmonic wiki is for the huge potential that offers the superdiatonic EDDs for the music. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25"] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. "Wow, I did it" i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one). No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew <span class="hps">it</span>, <span class="hps">and it was not until 2007 where I had the opportunity to fully explore this issue</span>, at first <span class="hps">known only as microtonalism</span>, when by <span class="hps">one of those casualities I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I </span>thank <span class="hps">all of you with their musical feelings and contributions.</span> Gracias, totales! __**TMDW Terminology:**__ __EDD:__ Means Equal Divisions per Duplave. Duplave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio. __Pluscuamtonality:__ Means the EDDs 'fretteable' for play in common strings instruments like the guitars and Basses, considering a extense range since 15 ~ 65 EDDs. __Ketradektríatoh:__ Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'. __Superdiatonic:__ Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the duplave interval like Decave and not Octave. !!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!
Original HTML content:
<html><head><title>Tútim Dennsuul Wafiil</title></head><body><strong>Tútim Marsiv Deft Wafil</strong><br /> Is a Chilean guitarist born in 1986 and an enthusiastic and avid seeker after xenharmonic resources and theories in the vast musical multiverse, who works with the <a class="wiki_link" href="/Armodue">Armodue system</a>, extending the use of its numeric notation and simplified accidental symbols over other Equal Divisions per Duplave (such as an alternative 1/3-tone (<a class="wiki_link" href="/23edo">23edo</a>) and an alternative 1/5-tone (<a class="wiki_link" href="/39edo">39edo</a>)), that works and fits well in the MOS scale <a class="wiki_link" href="/7L%202s">7L 2s</a>, called Mávila or Superdiatonic. He, at this moment, is working in a musical repertoire of ambient to rock style, flavored with videogame music and a slight taste of PRIMUS, using modified bass and guitar (soon), both tempered in 23-EDD, for which he has coined the neologism <a class="wiki_link" href="/23edo">Icositrifonía</a>. He also explores the resources that offered by 39-EDD, for which he has coined the neologism <a class="wiki_link" href="/39edo">Tricésanonafonía</a>.<br /> <br /> <!-- ws:start:WikiTextLocalImageRule:4:<img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="" title="" style="height: 235px; width: 719px;" /> --><img src="/file/view/Icositriphonic_Bass.JPG/206711470/719x235/Icositriphonic_Bass.JPG" alt="Icositriphonic_Bass.JPG" title="Icositriphonic_Bass.JPG" style="height: 235px; width: 719px;" /><!-- ws:end:WikiTextLocalImageRule:4 --><br /> His Bass<br /> <!-- ws:start:WikiTextLocalImageRule:5:<img src="/file/view/Icositritar.JPG/329168178/720x369/Icositritar.JPG" alt="" title="" style="height: 369px; width: 720px;" /> --><img src="/file/view/Icositritar.JPG/329168178/720x369/Icositritar.JPG" alt="Icositritar.JPG" title="Icositritar.JPG" style="height: 369px; width: 720px;" /><!-- ws:end:WikiTextLocalImageRule:5 --><br /> His Icositritar. The electric guitar has been dismantled, for results like a crap in its modification, by a scammer and false luthier ¬¬<br /> But soon I will have my electric guitar renewed.<br /> <!-- ws:start:WikiTextHeadingRule:0:<h3> --><h3 id="toc0"><!-- ws:end:WikiTextHeadingRule:0 --> </h3> <!-- ws:start:WikiTextHeadingRule:2:<h3> --><h3 id="toc1"><a name="x--TMDW Notes:"></a><!-- ws:end:WikiTextHeadingRule:2 --><u>TMDW Notes:</u></h3> My particular adherence here in Xenharmonic wiki is for the huge potential that offers the superdiatonic EDDs for the music. Emphirically I discovered that scale when was an adolescent, at the age of 16 years old, when I always dreamed about have my own guitar and bass builded handcrafted and my dilem of how to do the fret positions. Oddly I had discovered a way of how to calculate the distances for the frets: in that beggining I used a Scale Length of 640mm for the guitar, sizing the first fret in other guitar (acoustic guitar of 635mm [25"] Scale Length) and then i realize the operation 'Scale Length/the size of the first fret on that acoustic guitar'. After of that, i applied it for the artisan guitar of 640mm and draw the first fret, and then i did another fret line resting 2mm after the first fret and for each fret drawed i continued resting 2mm to each fret until arrive at the 12º fret. So then, i continued drawing fret lines but now resting 1mm each fret until the 21º fret. "Wow, I did it" i said. For the Bass i used a Scale Length of 800mm and applied the same work of the guitar (but here resting 4mm until the 12º fret and then, resting 2mm each one).<br /> No obstantly, I don't know how i did for had discovered a type of 16 frets per Duplave on 560mm Scale Length, doing a calcules on paper and proceeding with the same scheme (here resting 2mm each fret until the Duplave fret and then, resting 1mm each fret), being surprised by this. My intrigue for this grew <span class="hps">it</span>, <span class="hps">and it was not until 2007 where I had the opportunity to fully explore this issue</span>, at first <span class="hps">known only as microtonalism</span>, when by <span class="hps">one of those casualities I discover the Armodue web. "This is amazing.." i said emotionally. So my interest for follow learning much more for this unusual way for make music had be my principal priority, until today. Passing by Armodue, i followed with some GWS music in the old page, then Ralph Jarzombek 14-EDD music page, Sethares xentonality page, MIDI compositions page of Mats Öljare, Dante Rosati page, Neil Haverstick page, Ron Sword in his beggining too, Charles Loli in Hispasonic forums page, Fabrizio Fiale esadekaphony tutorials, Andrew Heathwaite soundclick and XJ Scott too, Freenote Catler page, and wow much much much more etcéteras. I </span>thank <span class="hps">all of you with their musical feelings and contributions.</span> Gracias, totales!<br /> <br /> <u><strong>TMDW Terminology:</strong></u><br /> <u>EDD:</u> Means Equal Divisions per Duplave. Duplave is the same thing as 2/1 ratio, like Tritave for 3/1 ratio or Pentave for 5/1 ratio.<br /> <u>Pluscuamtonality:</u> Means the EDDs 'fretteable' for play in common strings instruments like the guitars and Basses, considering a extense range since 15 ~ 65 EDDs.<br /> <u>Ketradektríatoh:</u> Name coined to the MOSscale 11L3s for design a 14-tone scale with 3 intervals that aren't 'tones'.<br /> <u>Superdiatonic:</u> Name coined to the MOSscale 7L2s for design a 9-tone scale with the diatonic mold LLsLLLs expanded to the mold LLLsLLLLs, denomining to the duplave interval like Decave and not Octave.<br /> <br /> !!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!!!'!!!'!!</body></html>